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Nurul Farhana Low Abdullah

Biographic Data

ID5651713
NAMENurul Farhana Low Abdullah
GIVEN NAMESNurul Farhana Low
FAMILY NAMEAbdullah
SIGNATUREABDULLAH N F L
AFFILIATIONSUniversiti Sains Malaysia
ORCID0000-0001-9670-5256
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS2
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Overcoming Adversity and Challenging Ethnocentric Perceptions: An Ethnographic Case Study of Traditional Malay Boat Making in Terengganu

    Open Access•Johan Awang Bin Othman, Johan Awang Othman et al.•ARTICLE•Kemanusiaan•2023

    This article examines the fate of Malay traditional boats and their craftsmen in the face of adversity in the new millennium. The Malays have a rich history of boatmaking, dating back to the days of the imperial Han dynasty when Malay, Indonesian and Indian ships dominated the trade between India and China. Among these were the Malay ships, which were recognised as enormous, ocean-going boats that won the Chinese adoration. During the Han period,…

  • Tracing Issues of the Deferred/Differed Contemporary Australian Jewish Identity: Bavati’s Dancing in the Dark and Brous’ I Am Max Lamm under the Deconstructive Lens

    Open Access•Rasha Saeed Abdullah Badurais, Rasha Saeed Badurais et al.•ARTICLE•GEMA Online Journal of Language…•2023

    This study attempts to deconstruct Bavati’s Dancing in the Dark (2010) and Brous’ I Am Max Lamm (2011) to discuss the contemporary social-psychological identity features portrayed within the overall ethno-religious Australian Jewish identity perspective in these texts. Highlighting the bidirectional relationship between the social-psychological identity perspective (Breakwell, 1986), at the narrower level, and the overall ethno-religious Australi…

  • Pre-9/11 Politics of Islamophobia and Hanif Kureishi’s The Black Album (1995)

    Open Access•Malik Haroon Afzal, Mohamad Rashidi Mohd Pakri et al.•ARTICLE•GEMA Online Journal of Language…•2021

    The rising tide of Islamophobia and the consequent acts of violence pertaining to it over the past couple of years, is inflicting misery on Muslims living across the globe. This situation calls for a clear understanding of the phenomenon of Islamophobia. Using the New Historicist approach, this paper embarks on reading Hanif Kureishi’s The Black Album (1995) in the backdrop of the politics of Islamophobia in the pre-9/11 context. It thus attempts…

  • Panoptic spaces and the framings of South Asian diaspora in Jhumpa Lahiri’s selected short stories

    Open Access•Moussa Pourya Asl, Nurul Farhana Low Abdullah et al.•ARTICLE•Cogent Arts and Humanities•2020

    This article carries out a (con-) textual analysis of cultural crossings, with a particular focus on the notions of assimilation and syncretism, in certain of Jhumpa Lahiri’s diasporic writings. By situating two of her short stories “This Blessed House” and “The Third and Final Continent” within the social-political context of the post-1960s America—when the country witnessed the re-emergence of Orientalism and the rise of a conflicting social ph…

  • Sexual Politics of the Gaze and Objectification of the (Immigrant) Woman in Jhumpa Lahiri’s Interpreter of Maladies

    Open Access•Moussa Pourya Asl, Nurul Farhana Low Abdullah et al.•ARTICLE•American Studies in Scandinavia•2018

    Gayatri Spivak’s repeated accusations against the hyphenated Americans of colluding in their own exploitation is noteworthy in the context of diasporic writers’ portrayal of immigrant women within the prevailing discourse of anti-Communism in the United States. The woman in South Asian American writings is often portrayed as still stuck in the traditional prescribed gender roles imposed by patriarchal society. This essay explores Jhumpa Lahiri’s …

  • Circulation of the Discourse of American Nationalism through Allegiance to Consumer Citizenship in Jhumpa Lahiri’s The Namesake

    Open Access•Moussa Pourya Asl, Nurul Farhana Low Abdullah•ARTICLE•GEMA Online Journal of Language…•2017

    This essay examines South Asian American writer Jhumpa Lahiri’s literary engagement with the re-Orientalization and sexualization of a collective subject described as Indian diaspora within the context of contemporary consumer culture. The essay explores the relationship between Lahiri’s best-selling novel, The Namesake (2003) and its contemporary society by taking the point of view that diasporic literary writing is an example of a Foucauldian s…

  • Understanding Malay and Chinese work ethics in Malaysia through proverbs

    Open Access•Christopher Richardson, Salleh Yaapar et al.•ARTICLE•International Journal of Cross…•2017•Cited by: 2•References: 12

    Proverbs are important cultural products that both reveal and direct the values, behaviour and world view of a particular culture. This article relates the proverbial collection of two particular cultural groups, the Malays and Chinese of Malaysia, to workplace attitudes. After reviewing more than 2000 proverbs, we identified those that were most pertinent to the Malaysian workplace, based on two key categories: (i) the portrayal of work in the l…

  • Nihilation of Femininity in the Battle of Looks: A Sartrean Reading of Jhumpa Lahiri’s “A Temporary Matter”

    Open Access•Moussa Pourya Asl, Simon Peter Hull et al.•ARTICLE•GEMA Online Journal of Language…•2016

    The panoptic gaze is vested in with a constitutive impact upon the subjectivity of individuals. Feminist scholars like Luce Irigaray have charged that the metaphor of vision is intimately connected with the construction of gender and sexual difference. By pointing to the masculine logic of Western thought, Irigaray confirms that a woman’s entry into a dominant scopic economy signifies her inevitable confinement to passivity. This essay aims to ex…

  • Revitalizing Identity in Language: A Kristevan Psychoanalysis of Suddenly Last Summer

    Open Access•Leila Rezaei Hezaveh, Nurul Farhana Low Abdullah et al.•ARTICLE•GEMA Online Journal of Language…•2014

    Tennessee Williams’s plays have frequently been criticized for overt use of poetic language and his constant focus on poetic devices such as alliteration and metaphor, as well as tropes like violence and feminine madness. A psychoanalytic study of his famous drama Suddenly Last Summer (1958) will enable us to explore the qualities of unresolved psychological complexes in the characters and also in the author himself, as the play is believed to dr…

  • Understanding Malay and Chinese work ethics in Malaysia through proverbs

    Open Access•Christopher Richardson, Salleh Yaapar et al.•ARTICLE•International Journal of Cross…•2017•Cited by: 2•References: 12

    Proverbs are important cultural products that both reveal and direct the values, behaviour and world view of a particular culture. This article relates the proverbial collection of two particular cultural groups, the Malays and Chinese of Malaysia, to workplace attitudes. After reviewing more than 2000 proverbs, we identified those that were most pertinent to the Malaysian workplace, based on two key categories: (i) the portrayal of work in the l…

  • Revitalizing Identity in Language: A Kristevan Psychoanalysis of Suddenly Last Summer

    Open Access•Leila Rezaei Hezaveh, Nurul Farhana Low Abdullah et al.•ARTICLE•GEMA Online Journal of Language…•2014

    Tennessee Williams’s plays have frequently been criticized for overt use of poetic language and his constant focus on poetic devices such as alliteration and metaphor, as well as tropes like violence and feminine madness. A psychoanalytic study of his famous drama Suddenly Last Summer (1958) will enable us to explore the qualities of unresolved psychological complexes in the characters and also in the author himself, as the play is believed to dr…

  • Nihilation of Femininity in the Battle of Looks: A Sartrean Reading of Jhumpa Lahiri’s “A Temporary Matter”

    Open Access•Moussa Pourya Asl, Simon Peter Hull et al.•ARTICLE•GEMA Online Journal of Language…•2016

    The panoptic gaze is vested in with a constitutive impact upon the subjectivity of individuals. Feminist scholars like Luce Irigaray have charged that the metaphor of vision is intimately connected with the construction of gender and sexual difference. By pointing to the masculine logic of Western thought, Irigaray confirms that a woman’s entry into a dominant scopic economy signifies her inevitable confinement to passivity. This essay aims to ex…

  • Circulation of the Discourse of American Nationalism through Allegiance to Consumer Citizenship in Jhumpa Lahiri’s The Namesake

    Open Access•Moussa Pourya Asl, Nurul Farhana Low Abdullah•ARTICLE•GEMA Online Journal of Language…•2017

    This essay examines South Asian American writer Jhumpa Lahiri’s literary engagement with the re-Orientalization and sexualization of a collective subject described as Indian diaspora within the context of contemporary consumer culture. The essay explores the relationship between Lahiri’s best-selling novel, The Namesake (2003) and its contemporary society by taking the point of view that diasporic literary writing is an example of a Foucauldian s…

  • Understanding Malay and Chinese work ethics in Malaysia through proverbs

    Open Access•Christopher Richardson, Salleh Yaapar et al.•ARTICLE•International Journal of Cross…•2017•Cited by: 2•References: 12

    Proverbs are important cultural products that both reveal and direct the values, behaviour and world view of a particular culture. This article relates the proverbial collection of two particular cultural groups, the Malays and Chinese of Malaysia, to workplace attitudes. After reviewing more than 2000 proverbs, we identified those that were most pertinent to the Malaysian workplace, based on two key categories: (i) the portrayal of work in the l…

  • Sexual Politics of the Gaze and Objectification of the (Immigrant) Woman in Jhumpa Lahiri’s Interpreter of Maladies

    Open Access•Moussa Pourya Asl, Nurul Farhana Low Abdullah et al.•ARTICLE•American Studies in Scandinavia•2018

    Gayatri Spivak’s repeated accusations against the hyphenated Americans of colluding in their own exploitation is noteworthy in the context of diasporic writers’ portrayal of immigrant women within the prevailing discourse of anti-Communism in the United States. The woman in South Asian American writings is often portrayed as still stuck in the traditional prescribed gender roles imposed by patriarchal society. This essay explores Jhumpa Lahiri’s …

  • Panoptic spaces and the framings of South Asian diaspora in Jhumpa Lahiri’s selected short stories

    Open Access•Moussa Pourya Asl, Nurul Farhana Low Abdullah et al.•ARTICLE•Cogent Arts and Humanities•2020

    This article carries out a (con-) textual analysis of cultural crossings, with a particular focus on the notions of assimilation and syncretism, in certain of Jhumpa Lahiri’s diasporic writings. By situating two of her short stories “This Blessed House” and “The Third and Final Continent” within the social-political context of the post-1960s America—when the country witnessed the re-emergence of Orientalism and the rise of a conflicting social ph…

  • Pre-9/11 Politics of Islamophobia and Hanif Kureishi’s The Black Album (1995)

    Open Access•Malik Haroon Afzal, Mohamad Rashidi Mohd Pakri et al.•ARTICLE•GEMA Online Journal of Language…•2021

    The rising tide of Islamophobia and the consequent acts of violence pertaining to it over the past couple of years, is inflicting misery on Muslims living across the globe. This situation calls for a clear understanding of the phenomenon of Islamophobia. Using the New Historicist approach, this paper embarks on reading Hanif Kureishi’s The Black Album (1995) in the backdrop of the politics of Islamophobia in the pre-9/11 context. It thus attempts…

  • Overcoming Adversity and Challenging Ethnocentric Perceptions: An Ethnographic Case Study of Traditional Malay Boat Making in Terengganu

    Open Access•Johan Awang Bin Othman, Johan Awang Othman et al.•ARTICLE•Kemanusiaan•2023

    This article examines the fate of Malay traditional boats and their craftsmen in the face of adversity in the new millennium. The Malays have a rich history of boatmaking, dating back to the days of the imperial Han dynasty when Malay, Indonesian and Indian ships dominated the trade between India and China. Among these were the Malay ships, which were recognised as enormous, ocean-going boats that won the Chinese adoration. During the Han period,…

  • Tracing Issues of the Deferred/Differed Contemporary Australian Jewish Identity: Bavati’s Dancing in the Dark and Brous’ I Am Max Lamm under the Deconstructive Lens

    Open Access•Rasha Saeed Abdullah Badurais, Rasha Saeed Badurais et al.•ARTICLE•GEMA Online Journal of Language…•2023

    This study attempts to deconstruct Bavati’s Dancing in the Dark (2010) and Brous’ I Am Max Lamm (2011) to discuss the contemporary social-psychological identity features portrayed within the overall ethno-religious Australian Jewish identity perspective in these texts. Highlighting the bidirectional relationship between the social-psychological identity perspective (Breakwell, 1986), at the narrower level, and the overall ethno-religious Australi…

Aesthetics (7 works) · Sociology (7 works) · Art (6 works) · History (6 works) · Law (6 works) · Political science (6 works) · Gender Studies (5 works) · Literature (4 works) · Philosophy (4 works) · Politics (4 works)

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