Jutta Vinzent
Biographic Data
| ID | 5652277 |
|---|---|
| NAME | Jutta Vinzent |
| GIVEN NAMES | Jutta |
| FAMILY NAME | Vinzent |
| SIGNATURE | VINZENT J |
| AFFILIATIONS | 1University of Birmingham, Email: [email protected] |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
The Making of Modern Art through Commercial Art Galleries in 1930s London
This article explores the London Gallery as a disseminator of modern art. So far, the London Gallery has been considered as a gallery for surrealism only, as its longest-serving director, E.L.T. Mesens, promoted surrealism all his life (1903–1971). By considering particularly its early exhibition history and activities in the 1930s, this article will show first that the London Gallery supported any avant-garde art contemporary to its showing, and…
Afterword
Focusing on porosity, embodiment and the relationship to the divine highlights the wider pertinence of the concept of dividual personhood. The dividual has conventionally been opposed to the individual as an alternative conceptualisation of personhood (e.g. Although this is widely acknowledged as a heuristic, the literature repeatedly reifies it, treating different cultural regions and/or historical periods as essentially dividualist or individua…
Challenging personhood
1 The Latvian-born, Berlin-based artist Viktor Timofeev (*1984) grew up in New York, studying at Hunter College, New York from 2002 to 2008. In 2011, he titled one of his works (ink on paper) 192. 128.13.15 [Residual Dividual], a work which exploits the basics of digital pictures. For his website, see http://www.viktortimofeev.com.
In Search of Hybridity
This essay explores contemporary religious art in Britain through the lens of Homi K. Bhabha’s concept of hybridity. While he leaves it rather ‘ambivalent’, this essay suggests that in visual representations, various forms of hybridity can be distinguished: inculturation, interculturation and transculturation. These three types, hijacked from religious dialogue discourses, show a variety of power relations in representation and context; while inc…
No prominent works on this page.
In Search of Hybridity
This essay explores contemporary religious art in Britain through the lens of Homi K. Bhabha’s concept of hybridity. While he leaves it rather ‘ambivalent’, this essay suggests that in visual representations, various forms of hybridity can be distinguished: inculturation, interculturation and transculturation. These three types, hijacked from religious dialogue discourses, show a variety of power relations in representation and context; while inc…
Afterword
Focusing on porosity, embodiment and the relationship to the divine highlights the wider pertinence of the concept of dividual personhood. The dividual has conventionally been opposed to the individual as an alternative conceptualisation of personhood (e.g. Although this is widely acknowledged as a heuristic, the literature repeatedly reifies it, treating different cultural regions and/or historical periods as essentially dividualist or individua…
Challenging personhood
1 The Latvian-born, Berlin-based artist Viktor Timofeev (*1984) grew up in New York, studying at Hunter College, New York from 2002 to 2008. In 2011, he titled one of his works (ink on paper) 192. 128.13.15 [Residual Dividual], a work which exploits the basics of digital pictures. For his website, see http://www.viktortimofeev.com.
The Making of Modern Art through Commercial Art Galleries in 1930s London
This article explores the London Gallery as a disseminator of modern art. So far, the London Gallery has been considered as a gallery for surrealism only, as its longest-serving director, E.L.T. Mesens, promoted surrealism all his life (1903–1971). By considering particularly its early exhibition history and activities in the 1930s, this article will show first that the London Gallery supported any avant-garde art contemporary to its showing, and…
Art (3 works) · Aesthetics (2 works) · Philosophy (2 works) · Visual arts (2 works) · Ambivalence (1 work) · Anthropology (1 work) · Architecture (1 work) · Art gallery (1 work) · Art history (1 work) · Art History and Market Analysis (1 work)