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Victor Sage

Biographic Data

ID5653350
NAMEVictor Sage
GIVEN NAMESVictor
FAMILY NAMESage
SIGNATURESAGE V
AFFILIATIONSSchool of Literature, Drama and Creative Writing University of East Anglia Norwich NR4 7TJ
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Europe in British Literature and Culture

    Open Access•Thomas Hinton, R Robinson et al.•BOOK•Europe in British Literature and…•2024

    How has Europe shaped British literature and culture – and vice versa – since the Middle Ages? This volume offers nuanced answers to this question. From the High Renaissance to haute cuisine, from the Republic of Letters to the European Union, from the Black Death to Brexit -- the reader gains insights into the main geographical zones of influence, shared intellectual movements, indicative modes of cultural transfer and more recent conflicts that…

  • Kindness and its limits: Tony Dyson, the Critical Quarterly and the Critical Survey

    Open Access•Victor Sage•ARTICLE•Critical Quarterly•2019

  • Gothic Terms, Themes, Concepts and Contexts

    Open Access•Colette Conroy, Franz J Potter et al.•CHAPTER•Handbook of the Gothic•2009

    Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.

  • Le Fanu's Gothic: The Rhetoric of Darkness

    Open Access•Victor Sage•BOOK•Fanu's Gothic•2004

    This new study seeks to explore the relations between reader and text across the span of Sheridan Le Fanu's career, placing his early work of the 1830s in context. Sage concentrates on the development

  • The Ghastly and the Ghostly: The Gothic Farce of Farrell’s ‘Empire Trilogy’

    Open Access•Victor Sage•CHAPTER•2003

    My starting point is a small but haunting moment in J.G. Farrell’s The Singapore Grip (1978), an image which, though insignificant from the point of view of the plot, stands out from the page. Matthew Webb, the plump, owlish, idealist son of Old Webb, has just arrived in Singapore, at the behest of Walter Blackett, his father’s old partner. He is taken to the (misnamed, decrepit) Mayfair Building, ‘a vast and rambling bungalow built on a score of…

  • GothicK: Origins and Innovations

    Allan Smith, Allan Lloyd Smith et al.•BOOK•GothicK•1994

    Gothic: Origins and Innovations brings together nineteen papers from an international group of scholars currently researching in the field of the Gothic which take a fresh, contemporary look at the tradition from its eighteenth-century inception to the twentieth century. Topics and authors include the current usage and definition of the term 'Gothic'; the eighteenth-century rise of the genre; the Sublime; Victorian sensation fiction, and authors …

  • Commodious Labyrinths: Testimony and Fictional Credibility

    Victor Sage•CHAPTER•Horror Fiction in the Protestant…•1988

  • Horror Fiction in the Protestant Tradition

    Open Access•Victor Sage•BOOK•Horror Fiction in the Protestant…•1988

    Dark house - theology and the picturesque the unwritten tradition - horror and the rhetoric of anti-Catholicism criminals and Christians - the paradox of the internalized conscience commodious labyrinths - testimony and fictional credibility strange cases - horror fiction as legal process.

No prominent works on this page.

  • Commodious Labyrinths: Testimony and Fictional Credibility

    Victor Sage•CHAPTER•Horror Fiction in the Protestant…•1988

  • Horror Fiction in the Protestant Tradition

    Open Access•Victor Sage•BOOK•Horror Fiction in the Protestant…•1988

    Dark house - theology and the picturesque the unwritten tradition - horror and the rhetoric of anti-Catholicism criminals and Christians - the paradox of the internalized conscience commodious labyrinths - testimony and fictional credibility strange cases - horror fiction as legal process.

  • GothicK: Origins and Innovations

    Allan Smith, Allan Lloyd Smith et al.•BOOK•GothicK•1994

    Gothic: Origins and Innovations brings together nineteen papers from an international group of scholars currently researching in the field of the Gothic which take a fresh, contemporary look at the tradition from its eighteenth-century inception to the twentieth century. Topics and authors include the current usage and definition of the term 'Gothic'; the eighteenth-century rise of the genre; the Sublime; Victorian sensation fiction, and authors …

  • The Ghastly and the Ghostly: The Gothic Farce of Farrell’s ‘Empire Trilogy’

    Open Access•Victor Sage•CHAPTER•2003

    My starting point is a small but haunting moment in J.G. Farrell’s The Singapore Grip (1978), an image which, though insignificant from the point of view of the plot, stands out from the page. Matthew Webb, the plump, owlish, idealist son of Old Webb, has just arrived in Singapore, at the behest of Walter Blackett, his father’s old partner. He is taken to the (misnamed, decrepit) Mayfair Building, ‘a vast and rambling bungalow built on a score of…

  • Le Fanu's Gothic: The Rhetoric of Darkness

    Open Access•Victor Sage•BOOK•Fanu's Gothic•2004

    This new study seeks to explore the relations between reader and text across the span of Sheridan Le Fanu's career, placing his early work of the 1830s in context. Sage concentrates on the development

  • Gothic Terms, Themes, Concepts and Contexts

    Open Access•Colette Conroy, Franz J Potter et al.•CHAPTER•Handbook of the Gothic•2009

    Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.

  • Kindness and its limits: Tony Dyson, the Critical Quarterly and the Critical Survey

    Open Access•Victor Sage•ARTICLE•Critical Quarterly•2019

  • Europe in British Literature and Culture

    Open Access•Thomas Hinton, R Robinson et al.•BOOK•Europe in British Literature and…•2024

    How has Europe shaped British literature and culture – and vice versa – since the Middle Ages? This volume offers nuanced answers to this question. From the High Renaissance to haute cuisine, from the Republic of Letters to the European Union, from the Black Death to Brexit -- the reader gains insights into the main geographical zones of influence, shared intellectual movements, indicative modes of cultural transfer and more recent conflicts that…

History (7 works) · Art (5 works) · Philosophy (5 works) · Literature (4 works) · Art history (3 works) · Psychology (3 works) · Sociology (3 works) · Computer Science (2 works) · Contemporary Literature and Criticism (2 works) · Gothic Literature and Media Analysis (2 works)

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