Bradley Shope
Biographic Data
| ID | 5654201 |
|---|---|
| NAME | Bradley Shope |
| GIVEN NAMES | Bradley |
| FAMILY NAME | Shope |
| SIGNATURE | SHOPE B |
| AFFILIATIONS | St. John's University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 2 |
Masquerading Sophistication: Fancy Dress Balls of Britain's Raj
Masquerade balls were a popular form of social entertainment for the British colonial establishment in India. This article uncovers the distinguishing features of these masquerade dances from the middle eighteenth century to the late nineteenth century through an investigation of contemporary reviews and personal diaries. It explores the anti-parochial nature of masquerade dances, suggests that masquerades in the context of India were inherently …
The public consumption of Western music in colonial India: From imperialist exclusivity to global receptivity
The high art of Europe, as the perceived location of elevated aesthetic accomplishment, compelled much of the British establishment in colonial India to pursue musical activities that mirrored the
They Treat Us White Folks Fine’: African American musicians and the popular music terrain in late colonial India
Arriving in India in the mid‐1930s seeking performance opportunities and an improved quality of life, African American jazz musicians were active in expanding the presentation and consumption of jazz and Western popular music. Finding appeal in the power and success that African American musicians commanded, Anglo‐Indian and Goan musicians also performed jazz in cosmopolitan centres throughout India. In Bombay, Goan musicians integrated Western p…
Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow
From the 1920s to the 1940s, Anglo-Indians relished Western popular music. For this marginalized group, this music was a way of promoting respectability. And though the music mimicked styles from America and Europe, its celebration was distinctly local
The public consumption of Western music in colonial India: From imperialist exclusivity to global receptivity
The high art of Europe, as the perceived location of elevated aesthetic accomplishment, compelled much of the British establishment in colonial India to pursue musical activities that mirrored the
They Treat Us White Folks Fine’: African American musicians and the popular music terrain in late colonial India
Arriving in India in the mid‐1930s seeking performance opportunities and an improved quality of life, African American jazz musicians were active in expanding the presentation and consumption of jazz and Western popular music. Finding appeal in the power and success that African American musicians commanded, Anglo‐Indian and Goan musicians also performed jazz in cosmopolitan centres throughout India. In Bombay, Goan musicians integrated Western p…
Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow
From the 1920s to the 1940s, Anglo-Indians relished Western popular music. For this marginalized group, this music was a way of promoting respectability. And though the music mimicked styles from America and Europe, its celebration was distinctly local
They Treat Us White Folks Fine’: African American musicians and the popular music terrain in late colonial India
Arriving in India in the mid‐1930s seeking performance opportunities and an improved quality of life, African American jazz musicians were active in expanding the presentation and consumption of jazz and Western popular music. Finding appeal in the power and success that African American musicians commanded, Anglo‐Indian and Goan musicians also performed jazz in cosmopolitan centres throughout India. In Bombay, Goan musicians integrated Western p…
The public consumption of Western music in colonial India: From imperialist exclusivity to global receptivity
The high art of Europe, as the perceived location of elevated aesthetic accomplishment, compelled much of the British establishment in colonial India to pursue musical activities that mirrored the
Masquerading Sophistication: Fancy Dress Balls of Britain's Raj
Masquerade balls were a popular form of social entertainment for the British colonial establishment in India. This article uncovers the distinguishing features of these masquerade dances from the middle eighteenth century to the late nineteenth century through an investigation of contemporary reviews and personal diaries. It explores the anti-parochial nature of masquerade dances, suggests that masquerades in the context of India were inherently …
Art (4 works) · History (4 works) · History (4 works) · Musical (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Philippine History and Culture (3 works) · Colonialism (2 works) · Political science (2 works) · Popular music (2 works)