Mhando Mhando
Biographic Data
| ID | 5654656 |
|---|---|
| NAME | Mhando Mhando |
| GIVEN NAMES | Mhando |
| FAMILY NAME | Mhando |
| SIGNATURE | MHANDO M |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Film and Trauma
Films made by Africans on wars, gender oppression, slavery, and trauma project not only confrontations between individual filmmakers and their subjects, but they also reveal the confrontations between individuals and groups and the collective structures which shape, control, and direct their lives. How these collective structures become a story’s foreground is an important aspect of the cinematic signification process. The resulting film’s place …
Film and Trauma
Films made by Africans on wars, gender oppression, slavery, and trauma project not only confrontations between individual filmmakers and their subjects, but they also reveal the confrontations between individuals and groups and the collective structures which shape, control, and direct their lives. How these collective structures become a story’s foreground is an important aspect of the cinematic signification process. The resulting film’s place …
Film and Trauma
Films made by Africans on wars, gender oppression, slavery, and trauma project not only confrontations between individual filmmakers and their subjects, but they also reveal the confrontations between individuals and groups and the collective structures which shape, control, and direct their lives. How these collective structures become a story’s foreground is an important aspect of the cinematic signification process. The resulting film’s place …
African history and culture studies (1 works) · African studies and sociopolitical issues (1 works) · Art (1 works) · South African History and Culture (1 works)