Daniel H Mutibwa
Biographic Data
| ID | 5655581 |
|---|---|
| NAME | Daniel H Mutibwa |
| GIVEN NAMES | Daniel H |
| FAMILY NAME | Mutibwa |
| SIGNATURE | MUTIBWA D H |
| AFFILIATIONS | University of Nottingham |
| ORCID | 0000-0002-4519-1782 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Entanglements and Ambivalences
This book explores the media and cultural exchanges between Africa and China in the twenty-first century against the backdrop of the rise of Africa and China in global geopolitics. It situates these cultural encounters in historical and contemporary contexts and through the critical lens of the Global South. It identifies a rising Global South consciousness, despite lingering historical entanglements and emotional ambivalences that continue to ch…
Radical Left Culture and Heritage, the Politics of Preservation and Memorialisation, and the Promise of the Metaverse
Radical left culture and heritage—understood as incarnations of leftist artefacts and praxis both past and present—have taken risks in challenging hegemonic machinations often when it is unpopular to do so. To the ire of hegemons, leftist projects across the globe have marshalled places, spaces, and technologies into sites of empowerment and struggle utilising ‘small’ and ‘big’ acts of resistance and critical interventions to champion social just…
The (Un)Changing Political Economy of Arts, Cultural and Community Engagement, the Creative Economy and Place-Based Development during Austere Times
This article explores arts, cultural and community engagement (ACCE) in the context of enduring austerity in England. Working with a methodically crafted synthesis of theoretical perspectives drawn from (1) the critical political economy (CPE) tradition, (2) the sociology of cultural production, (3) cultural studies and critical strands of community development scholarship, and (4) pertinent discourses on the creative economy and place-based deve…
Cultural Protest in Journalism, Documentary Films and the Arts
Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of productio…
Sell[ing] what hasn’t got a name’
Widely known to promote broader involvement in the processes which define the arts and culture, community engagement work in the performing arts – despite employing a set of commonly recognised norms – has tended to be conceptualised differently both historically and contemporarily. Drawing on ethnographic research – particularly semi-structured qualitative interview accounts of numerous British practitioners with a track record of work in the se…
Memory, storytelling and the digital archive
This article discusses how the interplay between the canon, the archive and performance informs the use of digital heritage resources in the construction, interpretation, representation, circulation and preservation of cultural and/or collective memory with a view to animating community and regional identities. To this end, the article draws on a range of relevant theoretical models and ethnographic fieldwork to interrogate how the aforementioned…
Troubled, but alive and kicking
Third-sector political theatre is thought of in connection with socio-political goals or structural decay. Socio-political goals encompass coverage of topics that engage with an array of crucial issues through performances, and the promotion of wider participation in such performances among many others. In committing to these imperatives, political theatre in the third sector is considered to facilitate democratic practice and drive social change…
Moving with the times
This article examines recent developments in documentary film-making in British and German film collective cultures owing to evolving sociopolitical and socio-economic circumstances since the countercultural era. Research on film collectives has tended to concentrate on their sociopolitical function as a platform for agitation, enquiry, exposition and expression of alternative perspectives. This function, it is argued, renders film collective cul…
The (Un)Changing Political Economy of Arts, Cultural and Community Engagement, the Creative Economy and Place-Based Development during Austere Times
This article explores arts, cultural and community engagement (ACCE) in the context of enduring austerity in England. Working with a methodically crafted synthesis of theoretical perspectives drawn from (1) the critical political economy (CPE) tradition, (2) the sociology of cultural production, (3) cultural studies and critical strands of community development scholarship, and (4) pertinent discourses on the creative economy and place-based deve…
Sell[ing] what hasn’t got a name’
Widely known to promote broader involvement in the processes which define the arts and culture, community engagement work in the performing arts – despite employing a set of commonly recognised norms – has tended to be conceptualised differently both historically and contemporarily. Drawing on ethnographic research – particularly semi-structured qualitative interview accounts of numerous British practitioners with a track record of work in the se…
Entanglements and Ambivalences
This book explores the media and cultural exchanges between Africa and China in the twenty-first century against the backdrop of the rise of Africa and China in global geopolitics. It situates these cultural encounters in historical and contemporary contexts and through the critical lens of the Global South. It identifies a rising Global South consciousness, despite lingering historical entanglements and emotional ambivalences that continue to ch…
Memory, storytelling and the digital archive
This article discusses how the interplay between the canon, the archive and performance informs the use of digital heritage resources in the construction, interpretation, representation, circulation and preservation of cultural and/or collective memory with a view to animating community and regional identities. To this end, the article draws on a range of relevant theoretical models and ethnographic fieldwork to interrogate how the aforementioned…
Moving with the times
This article examines recent developments in documentary film-making in British and German film collective cultures owing to evolving sociopolitical and socio-economic circumstances since the countercultural era. Research on film collectives has tended to concentrate on their sociopolitical function as a platform for agitation, enquiry, exposition and expression of alternative perspectives. This function, it is argued, renders film collective cul…
Troubled, but alive and kicking
Third-sector political theatre is thought of in connection with socio-political goals or structural decay. Socio-political goals encompass coverage of topics that engage with an array of crucial issues through performances, and the promotion of wider participation in such performances among many others. In committing to these imperatives, political theatre in the third sector is considered to facilitate democratic practice and drive social change…
Memory, storytelling and the digital archive
This article discusses how the interplay between the canon, the archive and performance informs the use of digital heritage resources in the construction, interpretation, representation, circulation and preservation of cultural and/or collective memory with a view to animating community and regional identities. To this end, the article draws on a range of relevant theoretical models and ethnographic fieldwork to interrogate how the aforementioned…
Sell[ing] what hasn’t got a name’
Widely known to promote broader involvement in the processes which define the arts and culture, community engagement work in the performing arts – despite employing a set of commonly recognised norms – has tended to be conceptualised differently both historically and contemporarily. Drawing on ethnographic research – particularly semi-structured qualitative interview accounts of numerous British practitioners with a track record of work in the se…
Cultural Protest in Journalism, Documentary Films and the Arts
Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of productio…
The (Un)Changing Political Economy of Arts, Cultural and Community Engagement, the Creative Economy and Place-Based Development during Austere Times
This article explores arts, cultural and community engagement (ACCE) in the context of enduring austerity in England. Working with a methodically crafted synthesis of theoretical perspectives drawn from (1) the critical political economy (CPE) tradition, (2) the sociology of cultural production, (3) cultural studies and critical strands of community development scholarship, and (4) pertinent discourses on the creative economy and place-based deve…
Radical Left Culture and Heritage, the Politics of Preservation and Memorialisation, and the Promise of the Metaverse
Radical left culture and heritage—understood as incarnations of leftist artefacts and praxis both past and present—have taken risks in challenging hegemonic machinations often when it is unpopular to do so. To the ire of hegemons, leftist projects across the globe have marshalled places, spaces, and technologies into sites of empowerment and struggle utilising ‘small’ and ‘big’ acts of resistance and critical interventions to champion social just…
Entanglements and Ambivalences
This book explores the media and cultural exchanges between Africa and China in the twenty-first century against the backdrop of the rise of Africa and China in global geopolitics. It situates these cultural encounters in historical and contemporary contexts and through the critical lens of the Global South. It identifies a rising Global South consciousness, despite lingering historical entanglements and emotional ambivalences that continue to ch…
Sociology (6 works) · Law (5 works) · Political science (5 works) · Politics (5 works) · Cultural Industries and Urban Development (4 works) · Law (4 works) · Art (3 works) · Media studies (3 works) · Political economy (3 works) · The arts (3 works)