C P Trieschnigg
Biographic Data
| ID | 5655799 |
|---|---|
| NAME | C P Trieschnigg |
| GIVEN NAMES | C P |
| FAMILY NAME | Trieschnigg |
| SIGNATURE | TRIESCHNIGG C P |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Turning Sound into Sight in the Chorus’ Entrance Song of Aeschylus’ Seven against Thebes
In the parodos of Aeschylus’ Seven against Thebes the chorus of Theban girls pictures the Argive enemies who are approaching their city. By making comparisons with the scout’s words in the prologue as well as with non-dramatic choral lyric, I show that this song stimulates vision in a remarkable way and induces feelings of fear. The picture that the chorus sketches of the enemy results from what the chorus says it is hearing rather than seeing. T…
No prominent works on this page.
Turning Sound into Sight in the Chorus’ Entrance Song of Aeschylus’ Seven against Thebes
In the parodos of Aeschylus’ Seven against Thebes the chorus of Theban girls pictures the Argive enemies who are approaching their city. By making comparisons with the scout’s words in the prologue as well as with non-dramatic choral lyric, I show that this song stimulates vision in a remarkable way and induces feelings of fear. The picture that the chorus sketches of the enemy results from what the chorus says it is hearing rather than seeing. T…
Acoustics (1 works) · Art (1 works) · Choir (1 works) · Chorus (1 works) · Classical Antiquity Studies (1 works) · Communication (1 works) · Emotive (1 works) · Feeling (1 works) · History (1 works) · Literature (1 works)