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Eric Ma

Biographic Data

ID5656084
NAMEEric Ma
GIVEN NAMESEric
FAMILY NAMEMa
SIGNATUREMA E
AFFILIATIONSChinese University of Hong Kong
ORCID0000-0003-0041-5989
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS40
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2009
H-INDEX3
  • Bridging pop culture and advertising research

    Eric Ma•ARTICLE•Inter-Asia Cultural Studies•2009•References: 1

    Jing Wang's Brand New China (2008) has made theoretical and methodological advances on various fronts. Based on two summers of fieldwork in a transnational advertising agency in Beijing, the book o

  • Hong Kong, China

    G Mathews, Eric Ma et al.•BOOK•Hong Kong, China•2007

    1 The Significance of Hong Kong 2: Fleeing the Nation, Creating a Local Home, 1949-1983 3: Rejoining the Nation, 1983-2006 4: Representing the in Hong Kong Mass Media 5: Hong Kong Schools and the Teaching of National Identity 6: Hong Kong People's Changing Comprehensions of National Identity 7: How American, Chinese, and Hong Kong University Students Understand Belonging to a Nation 8: Hong Kong People Encountering the in South China 9: Hong Kong…

  • Working and spending in South China

    Eric Ma, Ducky Tse•ARTICLE•Inter-Asia Cultural Studies•2005

  • Naked’ bodies

    Open Access•Eric Ma, Hau Ling ‘Helen’ Cheng•ARTICLE•International Journal of Cultural…•2005•Cited by: 16•References: 7

    This article describes how Chinese rural migrant workers are left exposed to the contradictory regimes of rural and urban intimacy. The sensuous bodies of the workers have become the central stage for them to experience and perform competing sets of discourses about sex, love and marriage. It is neither a product of discursive discipline in the Foucauldian sense, nor is it an active body learning a socially acceptable presentation of self in the …

  • Emotional energy and sub-cultural politics

    Eric Ma•ARTICLE•Inter-Asia Cultural Studies•2002•Cited by: 8•References: 7

    (2002). Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong. Inter-Asia Cultural Studies: Vol. 3, No. 2, pp. 187-200

  • Formal vs. Informal Use of Television and Sex-Role Stereotyping in Hong Kong

    Open Access•A Fung, Eric Ma•ARTICLE•Sex Roles•2000•Cited by: 16•References: 14

  • Naked’ bodies

    Open Access•Eric Ma, Hau Ling ‘Helen’ Cheng•ARTICLE•International Journal of Cultural…•2005•Cited by: 16•References: 7

    This article describes how Chinese rural migrant workers are left exposed to the contradictory regimes of rural and urban intimacy. The sensuous bodies of the workers have become the central stage for them to experience and perform competing sets of discourses about sex, love and marriage. It is neither a product of discursive discipline in the Foucauldian sense, nor is it an active body learning a socially acceptable presentation of self in the …

  • Formal vs. Informal Use of Television and Sex-Role Stereotyping in Hong Kong

    Open Access•A Fung, Eric Ma•ARTICLE•Sex Roles•2000•Cited by: 16•References: 14

  • Emotional energy and sub-cultural politics

    Eric Ma•ARTICLE•Inter-Asia Cultural Studies•2002•Cited by: 8•References: 7

    (2002). Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong. Inter-Asia Cultural Studies: Vol. 3, No. 2, pp. 187-200

  • Formal vs. Informal Use of Television and Sex-Role Stereotyping in Hong Kong

    Open Access•A Fung, Eric Ma•ARTICLE•Sex Roles•2000•Cited by: 16•References: 14

  • Emotional energy and sub-cultural politics

    Eric Ma•ARTICLE•Inter-Asia Cultural Studies•2002•Cited by: 8•References: 7

    (2002). Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong. Inter-Asia Cultural Studies: Vol. 3, No. 2, pp. 187-200

  • Working and spending in South China

    Eric Ma, Ducky Tse•ARTICLE•Inter-Asia Cultural Studies•2005

  • Naked’ bodies

    Open Access•Eric Ma, Hau Ling ‘Helen’ Cheng•ARTICLE•International Journal of Cultural…•2005•Cited by: 16•References: 7

    This article describes how Chinese rural migrant workers are left exposed to the contradictory regimes of rural and urban intimacy. The sensuous bodies of the workers have become the central stage for them to experience and perform competing sets of discourses about sex, love and marriage. It is neither a product of discursive discipline in the Foucauldian sense, nor is it an active body learning a socially acceptable presentation of self in the …

  • Hong Kong, China

    G Mathews, Eric Ma et al.•BOOK•Hong Kong, China•2007

    1 The Significance of Hong Kong 2: Fleeing the Nation, Creating a Local Home, 1949-1983 3: Rejoining the Nation, 1983-2006 4: Representing the in Hong Kong Mass Media 5: Hong Kong Schools and the Teaching of National Identity 6: Hong Kong People's Changing Comprehensions of National Identity 7: How American, Chinese, and Hong Kong University Students Understand Belonging to a Nation 8: Hong Kong People Encountering the in South China 9: Hong Kong…

  • Bridging pop culture and advertising research

    Eric Ma•ARTICLE•Inter-Asia Cultural Studies•2009•References: 1

    Jing Wang's Brand New China (2008) has made theoretical and methodological advances on various fronts. Based on two summers of fieldwork in a transnational advertising agency in Beijing, the book o

Sociology (5 works) · Political science (4 works) · China (3 works) · Law (3 works) · Advertising (2 works) · Anthropology (2 works) · Archaeology (2 works) · Art (2 works) · Gender Studies (2 works) · Geography (2 works)

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