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Barbara Ravelhofer

Biographic Data

ID5657112
NAMEBarbara Ravelhofer
GIVEN NAMESBarbara
FAMILY NAMERavelhofer
SIGNATURERAVELHOFER B
AFFILIATIONSDurham University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS0
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2010
H-INDEX0
  • Marriage, Performance, and Politics at the Jacobean Court

    Open Access•Barbara Ravelhofer•ARTICLE•Renaissance Quarterly•2010

    Kevin Curran. Marriage, Performance, and Politics at the Jacobean Court. Studies in Performance and Early Modern Drama. Aldershot: Ashgate Publishing Company, 2009. ix + 187 pp. index. bibl. $99.95.. ISBN: 978–0–7546–6231–5. - Volume 63 Issue 2

  • Dance, Spectacle, and the Body Politick, 1250–1750

    Open Access•Barbara Ravelhofer•ARTICLE•Renaissance Quarterly•2009

    Jennifer Nevile, ed. Dance, Spectacle, and the Body Politick, 1250–1750. Bloomington: Indiana University Press, 2008. xiv + 376 pp. index. illus. gloss. bibl. $24.95. ISBN: 978–0–253–21985–5. - Volume 62 Issue 2

  • News Drama: The Tragic Subject of Charles I

    Open Access•Barbara Ravelhofer•CHAPTER•English Historical Drama, 1500-1660•2008

    The execution of Charles I solicited dramatic responses both in England and abroad. In the second half of the seventeenth century, Continental school plays rehearsed Charles's fall as de casibus spectacle. English compositions on the subject of murdered majesty were not granted a legitimate forum on stage, given the closure of the theatres between 1642 and 1660, but they still appeared in print, as the anonymous The Famous Tragedie of King Charle…

  • English Historical Drama, 1500–1660

    Open Access•Teresa Grant, Barbara Ravelhofer•BOOK•English Historical Drama, 1500-1660•2008

    Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, this collection of essays explores other historical drama between

  • Burlesque Ballet, a Ballad and a Banquet in Ben Jonson’s The Gypsies Metamorphos’d (1621)

    Barbara Ravelhofer•CHAPTER•Art That All Arts Do Approve•2007

  • Burlesque Ballet, a Ballad and a Banquet in Ben Jonson's The Gypsies Metamorphos'd (1621)

    Open Access•Barbara Ravelhofer•ARTICLE•Dance Research•2007

    In summer 1621, George Villiers, then Marquess of Buckingham, invited the king and an exclusive circle of courtiers to inaugurate his newly restored countryside residence Burley-on-the-Hill in Rutland, Lincolnshire. On this occasion, he commissioned Ben Jonson with a masque, The Gypsies Metamorphos'd, in which he himself and various friends performed as dancing, pick-pocketing and palm-reading gipsies. The Gypsies Metamorphos'd was a risqué piece…

  • English Historical Drama, 1500-1660: Forms Outside the Canon

    Barbara Ravelhofer, T Grant•BOOK•English Historical Drama, 1500-1660•2007

  • Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie ( c. 1641)

    Barbara Ravelhofer•ARTICLE•The Seventeenth Century•2006•References: 6

    How did early modern actors convey meaning on stage without speaking? A few plays of the Caroline period developed an extraordinary taste for non-verbal communication by costume, movements, stage design and the like. Drawing upon 'The Varietie'(c.1641), a comedy written by William Cavendish and James Shirley, this essay explores the impact of seventeenth-century fashion, dancing practice, and the conventions of court masques on Caroline private t…

  • The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy

    Open Access•Barbara Ravelhofer•ARTICLE•Renaissance Quarterly•2005

    Jennifer Nevile. The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy. Bloomington and Indianapolis: Indiana University Press, 2004. xii + 249 pp. index. append. illus. tbls. bibl. $39.95. ISBN: 0-253-34453-0. - Volume 58 Issue 4

  • Louange de la Danse/in Praise of the Dance

    Margaret M Mcgowan, Margaret Μ Mcgowan et al.•ARTICLE•Dance Research•2001

    Volume I: A Reformation Rhetoric: Thomas Swynnerton's Tropes and Figures of Scripture (Edited by Richard Rex, Queens' College, Cambridge) Acknowledgements Lists of abbreviations Introduction (Work audience date author rhetoic theology church politics Swynnerton's writings scripture) The text Indexes (scriptural citations proper names) Volume II: Meric Casaubon, Generall Learning: A Seventeenth-Century Treatise on the Formation of the General Scho…

  • Memorable Movements. Rhetoric and choreography in early modern courtly entertainment

    Barbara Ravelhofer•ARTICLE•Internationales Archiv für…•1997

    Article Memorable Movements. Rhetoric and choreography in early modern courtly entertainment was published on January 1, 1997 in the journal Internationales Archiv für Sozialgeschichte der deutschen Literatur (volume 22, issue 1)

No prominent works on this page.

  • Memorable Movements. Rhetoric and choreography in early modern courtly entertainment

    Barbara Ravelhofer•ARTICLE•Internationales Archiv für…•1997

    Article Memorable Movements. Rhetoric and choreography in early modern courtly entertainment was published on January 1, 1997 in the journal Internationales Archiv für Sozialgeschichte der deutschen Literatur (volume 22, issue 1)

  • Louange de la Danse/in Praise of the Dance

    Margaret M Mcgowan, Margaret Μ Mcgowan et al.•ARTICLE•Dance Research•2001

    Volume I: A Reformation Rhetoric: Thomas Swynnerton's Tropes and Figures of Scripture (Edited by Richard Rex, Queens' College, Cambridge) Acknowledgements Lists of abbreviations Introduction (Work audience date author rhetoic theology church politics Swynnerton's writings scripture) The text Indexes (scriptural citations proper names) Volume II: Meric Casaubon, Generall Learning: A Seventeenth-Century Treatise on the Formation of the General Scho…

  • The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy

    Open Access•Barbara Ravelhofer•ARTICLE•Renaissance Quarterly•2005

    Jennifer Nevile. The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy. Bloomington and Indianapolis: Indiana University Press, 2004. xii + 249 pp. index. append. illus. tbls. bibl. $39.95. ISBN: 0-253-34453-0. - Volume 58 Issue 4

  • Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie ( c. 1641)

    Barbara Ravelhofer•ARTICLE•The Seventeenth Century•2006•References: 6

    How did early modern actors convey meaning on stage without speaking? A few plays of the Caroline period developed an extraordinary taste for non-verbal communication by costume, movements, stage design and the like. Drawing upon 'The Varietie'(c.1641), a comedy written by William Cavendish and James Shirley, this essay explores the impact of seventeenth-century fashion, dancing practice, and the conventions of court masques on Caroline private t…

  • Burlesque Ballet, a Ballad and a Banquet in Ben Jonson’s The Gypsies Metamorphos’d (1621)

    Barbara Ravelhofer•CHAPTER•Art That All Arts Do Approve•2007

  • Burlesque Ballet, a Ballad and a Banquet in Ben Jonson's The Gypsies Metamorphos'd (1621)

    Open Access•Barbara Ravelhofer•ARTICLE•Dance Research•2007

    In summer 1621, George Villiers, then Marquess of Buckingham, invited the king and an exclusive circle of courtiers to inaugurate his newly restored countryside residence Burley-on-the-Hill in Rutland, Lincolnshire. On this occasion, he commissioned Ben Jonson with a masque, The Gypsies Metamorphos'd, in which he himself and various friends performed as dancing, pick-pocketing and palm-reading gipsies. The Gypsies Metamorphos'd was a risqué piece…

  • English Historical Drama, 1500-1660: Forms Outside the Canon

    Barbara Ravelhofer, T Grant•BOOK•English Historical Drama, 1500-1660•2007

  • News Drama: The Tragic Subject of Charles I

    Open Access•Barbara Ravelhofer•CHAPTER•English Historical Drama, 1500-1660•2008

    The execution of Charles I solicited dramatic responses both in England and abroad. In the second half of the seventeenth century, Continental school plays rehearsed Charles's fall as de casibus spectacle. English compositions on the subject of murdered majesty were not granted a legitimate forum on stage, given the closure of the theatres between 1642 and 1660, but they still appeared in print, as the anonymous The Famous Tragedie of King Charle…

  • English Historical Drama, 1500–1660

    Open Access•Teresa Grant, Barbara Ravelhofer•BOOK•English Historical Drama, 1500-1660•2008

    Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, this collection of essays explores other historical drama between

  • Dance, Spectacle, and the Body Politick, 1250–1750

    Open Access•Barbara Ravelhofer•ARTICLE•Renaissance Quarterly•2009

    Jennifer Nevile, ed. Dance, Spectacle, and the Body Politick, 1250–1750. Bloomington: Indiana University Press, 2008. xiv + 376 pp. index. illus. gloss. bibl. $24.95. ISBN: 978–0–253–21985–5. - Volume 62 Issue 2

  • Marriage, Performance, and Politics at the Jacobean Court

    Open Access•Barbara Ravelhofer•ARTICLE•Renaissance Quarterly•2010

    Kevin Curran. Marriage, Performance, and Politics at the Jacobean Court. Studies in Performance and Early Modern Drama. Aldershot: Ashgate Publishing Company, 2009. ix + 187 pp. index. bibl. $99.95.. ISBN: 978–0–7546–6231–5. - Volume 63 Issue 2

Art (10 works) · Literature (8 works) · Art history (7 works) · Dance (6 works) · History (5 works) · Historical Art and Culture Studies (4 works) · History (4 works) · Philippine History and Culture (4 works) · Philosophy (4 works) · Visual arts (4 works)

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