Erika Zimmermann Damer
Datos Biográficos
| ID | 5657370 |
|---|---|
| NOMBRE | Erika Zimmermann Damer |
| NOMBRES | Erika Zimmermann |
| APELLIDO | Damer |
| FIRMA | DAMER E Z |
| AFILIACIONES | University of Richmond |
| VERIFICADO | No |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 1 |
Religious Authority and Classical Reception in Baroque Rome
Travel, Geography, and Empire in Latin Poetry
Competing itineraries, travel, and urban subjectivity in Ovid's Ars Amatoria
This chapter examines two parallel narratives describing monuments in Rome, which appear in Ovid’s Ars Amatoria books 1 and 3, a poem published c. 2 BCE-2 CE. In each narrative, Ovid describes traveling through the city, moving from monument to monument. Zimmermann Damer argues that Ovid recognizes the power that such urban travel has to shape the traveler, and that Ovid’s competing narratives construct different ideologies that constitute distin…
Stoa
Stoa
Iambic Metapoetics in Horace, Epodes 8 and 12
Iambic Metapoetics in Horace, Epodes 8 and 12 Erika Zimmermann Damer (bio) When in Book 1 of his Epistles Horace reflects back upon the beginning of his career in lyric poetry, he celebrates his adaptation of Archilochean iambos to the Latin language. He further states that while he followed the meter and spirit of Archilochus, his own iambi did not follow the matter and attacking words that drove the daughters of Lycambes to commit suicide (Epis…
Gender Reversals and Intertextuality in Tibullus
This paper argues that Tibullus’ practice of altering the gender of his intertextual references destabilizes gender as a biological, social, and even grammatical category in his elegies. In 1.8, Tibullus draws on images of women’s adornment from Callimachus, Philitas, and Propertius to create the opening image of the puer Marathus. In 2.6, Tibullus draws from Catullus’ lament for his brother in carmen 101 as he describes Nemesis’ dead young siste…
Recent Work on Tibullus
This introduction provides an overview of Tibullus’ life, his poetry, and his style, and offers a bibliographical survey of emerging critical trends in interpreting this relatively neglected Roman elegist
Gender Reversals and Intertextuality in Tibullus
This paper argues that Tibullus’ practice of altering the gender of his intertextual references destabilizes gender as a biological, social, and even grammatical category in his elegies. In 1.8, Tibullus draws on images of women’s adornment from Callimachus, Philitas, and Propertius to create the opening image of the puer Marathus. In 2.6, Tibullus draws from Catullus’ lament for his brother in carmen 101 as he describes Nemesis’ dead young siste…
Gender Reversals and Intertextuality in Tibullus
This paper argues that Tibullus’ practice of altering the gender of his intertextual references destabilizes gender as a biological, social, and even grammatical category in his elegies. In 1.8, Tibullus draws on images of women’s adornment from Callimachus, Philitas, and Propertius to create the opening image of the puer Marathus. In 2.6, Tibullus draws from Catullus’ lament for his brother in carmen 101 as he describes Nemesis’ dead young siste…
Recent Work on Tibullus
This introduction provides an overview of Tibullus’ life, his poetry, and his style, and offers a bibliographical survey of emerging critical trends in interpreting this relatively neglected Roman elegist
Iambic Metapoetics in Horace, Epodes 8 and 12
Iambic Metapoetics in Horace, Epodes 8 and 12 Erika Zimmermann Damer (bio) When in Book 1 of his Epistles Horace reflects back upon the beginning of his career in lyric poetry, he celebrates his adaptation of Archilochean iambos to the Latin language. He further states that while he followed the meter and spirit of Archilochus, his own iambi did not follow the matter and attacking words that drove the daughters of Lycambes to commit suicide (Epis…
Stoa
Stoa
Travel, Geography, and Empire in Latin Poetry
Competing itineraries, travel, and urban subjectivity in Ovid's Ars Amatoria
This chapter examines two parallel narratives describing monuments in Rome, which appear in Ovid’s Ars Amatoria books 1 and 3, a poem published c. 2 BCE-2 CE. In each narrative, Ovid describes traveling through the city, moving from monument to monument. Zimmermann Damer argues that Ovid recognizes the power that such urban travel has to shape the traveler, and that Ovid’s competing narratives construct different ideologies that constitute distin…
Religious Authority and Classical Reception in Baroque Rome
Art (5 obras) · Classical Antiquity Studies (4 obras) · Literature (4 obras) · History (3 obras) · Poetry (3 obras) · Dermatological and Skeletal Disorders (2 obras) · Geography (2 obras) · Historical and Linguistic Studies (2 obras) · Organic Chemistry Synthesis Methods (2 obras) · Sociology (2 obras)