Jennifer Starkey
Biographic Data
| ID | 5659053 |
|---|---|
| NAME | Jennifer Starkey |
| GIVEN NAMES | Jennifer |
| FAMILY NAME | Starkey |
| SIGNATURE | STARKEY J |
| AFFILIATIONS | Cardiff University |
| ORCID | 0000-0002-8748-2326 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Artemis and the Furies in Euripides’ Iphigenia among the Taurians
Euripides’ Iphigenia among the Taurians is surprisingly vague about the intentions of both Artemis and the Furies, despite their centrality to the plot. This paper argues (against most scholarship) that Euripides’ Artemis condones human sacrifice, though the Greek characters do not realize this, and the poet uses the story of Iphigenia to examine the social repercussions of a conflict between divine and mortal valuations of human life. As others …
La droite francaise
René Rémond’s classic study of the French right, Les droites en France (1954), turns sixty this year. It is a testament to the strength of the Rémond’s thesis that it remains the point of departure for historians of the right to this day. Rémond argued that the history of the French right must be understood as the ongoing competition between three distinct tendencies or mentalités that took shape during the early nineteenth century, labelled Legi…
No prominent works on this page.
La droite francaise
René Rémond’s classic study of the French right, Les droites en France (1954), turns sixty this year. It is a testament to the strength of the Rémond’s thesis that it remains the point of departure for historians of the right to this day. Rémond argued that the history of the French right must be understood as the ongoing competition between three distinct tendencies or mentalités that took shape during the early nineteenth century, labelled Legi…
Artemis and the Furies in Euripides’ Iphigenia among the Taurians
Euripides’ Iphigenia among the Taurians is surprisingly vague about the intentions of both Artemis and the Furies, despite their centrality to the plot. This paper argues (against most scholarship) that Euripides’ Artemis condones human sacrifice, though the Greek characters do not realize this, and the poet uses the story of Iphigenia to examine the social repercussions of a conflict between divine and mortal valuations of human life. As others …
Art (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Ancient history (1 work) · Archaeology (1 work) · Biblical Studies and Interpretation (1 work) · Centrality (1 work) · Compromise (1 work) · Crime, Deviance, and Social Control (1 work)