Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Miguel Valério

Biographic Data

ID5660430
NAMEMiguel Valério
GIVEN NAMESMiguel
FAMILY NAMEValério
SIGNATUREVALÉRIO M
AFFILIATIONSUniversity of Bologna
ORCID0000-0002-9952-2057
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS3
WORKS AS AUTHOR11
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Além de branco e negro

    Open Access•Miguel Valério•ARTICLE•Revista de História da Sociedade…•2025

    No dia treze do setembro de 1745, a irmandade parda de Nossa Senhora do Livramento de Recife, em colaboração com a irmandade também parda de Nossa Senhora de Guadalupe, da vizinha Olinda, encantou a maior cidade de Pernambuco com uma grande festa pública em honra do então Beato Gonçalo Garcia, beatificado em 1627. Aqui a estudo como uma encenação de uma alteridade parda por parte dos irmãos pardos. Na seleção dos componentes da procissão (carros …

  • La Forma 5 argárica

    Open Access•Eva Celdrán, Vicente Lull et al.•ARTICLE•Trabajos de Prehistoria•2025

    Las vasijas carenadas de Forma 5 son las más abundantes de la vajilla argárica. Desempeñaron todo tipo de funciones en contextos residenciales y funerarios durante la diacronía argárica, por lo que constituyen uno de los elementos arqueológicos definidores de esta sociedad del Bronce Antiguo. Sin embargo, su aparente diversidad morfológica no ha podido ser sistematizada en subtipos. El presente trabajo aborda este objetivo y explora las implicaci…

  • Tracing social disruptions over time using radiocarbon datasets

    Open Access•Rafael Micó Pérez, Eva Celdrán et al.•ARTICLE•Journal of Archaeological Science…•2024•References: 15

    C14 dates from human bones shed light on Copper to Bronze Age transition in SE Iberia. • Statistical analyses of C14 dates suggest that changes in funerary rituals were rapid. • Low population density in Late Chalcolithic SE Iberia poses a new scenario of transition into the Bronze Age. • The results cast doubt on narratives of a violent, sudden invasion of male warriors. The transition between the Late Copper and the Early Bronze Age in Central …

  • Resoundings of Early Modern Afro-Catholic Festive Culture

    Open Access•Miguel A Valerio, Miguel Valério•ARTICLE•MAVCOR Journal•2023

    This Constellation is intended to complement the author's book and give readers access to color versions of some of its illustrations, which could only be printed in black and white in the original publication. As in other parts of the Iberian world (i.e., the Iberian Peninsula and all the territories under Spanish and Portuguese control), these performances were usually staged by lay Catholic confraternities

  • In Search of Lost Signs

    Open Access•Silvia Ferrara, Barbara Montecchi et al.•ARTICLE•Oxford Journal of Archaeology•2023•References: 6

    This article addresses a long‐debated topic related to the hieroglyphic script from the island of Crete, namely the status of its sign‐list. The signs of this script are predominantly image‐based and as such their inherent position as bona fide signs of writing or, alternatively, decorative symbols with no specific relation to language has raised issues of inclusion or exclusion from the sign‐list as presented in the standard corpus of inscriptio…

  • Indigenous and Black Confraternities in Colonial Latin America

    Open Access•Javiera Jaque Hidalgo, Miguel A Valerio et al.•EDITOR•BOOK•Indigenous and Black Confraternitie…•2022

  • Pardos’ Triumph

    Open Access•Miguel A Valerio, Miguel Valério•ARTICLE•Journal of Festive Studies•2022•Cited by: 2•References: 14

    On September 13, 1745, the pardo (mixed-race Afro-Brazilian) brotherhood (lay Catholic association) of Nossa Senhora do Livramento (Our Lady of Emancipation) of Recife, Pernambuco, in collaboration with the pardo brotherhood of Nossa Senhora de Guadalupe (Our Lady of Guadalupe) in neighboring Olinda, enthralled Pernambuco’s largest city with a great festival in honor of Blessed Gonçalo Garcia (1556–97). Like many colonial festivals, the festiviti…

  • Hieroglyphs, Anatolian

    Open Access•Miguel Valério•CHAPTER•The Encyclopedia of Ancient History•2021

    The Anatolian hieroglyphic script arose out of an indigenous set of pictorial symbols used in Anatolia during the second millennium bce . Its highly pictorial signs include syllabograms, logograms, and semantic determinatives. The script is first attested in a fully developed form ca. 1350–1200 bce , when in addition to seals it was used extensively on monumental stone inscriptions commissioned by Hittite rulers, and became associated with the Lu…

  • The Making of a Script

    Silvia Ferrara, Barbara Montecchi et al.•ARTICLE•Bulletin of the American Schools…•2021

    What is the origin of the earliest script in Europe? Is it invented locally or borrowed from an external template? How can we go about addressing this problem? A common view is that the script in question, Cretan Hieroglyphic, is locally created but externally inspired, probably through an influence from Egypt. But this appreciation should be the result of a full examination of the evidence, rather than a superficial appraisal of the script signs…

  • What Is the ‘Archanes Formula’? Deconstructing and Reconstructing the Earliest Attestation of Writing in the Aegean

    Open Access•Silvia Ferrara, Barbara Montecchi et al.•ARTICLE•The Annual of the British School…•2021•Cited by: 1•References: 4

    This article examines the earliest attestations of writing on Crete at the beginning of the second millennium bce , the so-called ‘Archanes formula’. The aim is to reassess its origin, purpose, significance and ‘reading’ through a multi-step analysis taking in details of palaeography, correlations with iconographic seal motifs, and material culture. Key issues are considered, namely the extent to which is it comparable with the Linear A ‘libation…

  • The mathematical values of fraction signs in the Linear A script

    Open Access•Michele Corazza, Silvia Ferrara et al.•ARTICLE•Journal of Archaeological Science•2020

    Minoan Linear A is still an undeciphered script mainly used for administrative purposes on Bronze Age Crete. One of its most enigmatic features is the precise mathematical values of its system of numerical fractions. The aim of this article is to address this issue through a multi-stranded methodology that comprises palaeographical examination and statistical, computational, and typological approaches. Taking on from previous analyses, which sugg…

  • Contexts and Repetitions of Cypro-Minoan Inscriptions

    Silvia Ferrara, Miguel Valério•ARTICLE•Bulletin of the American Schools…•2017

    This article follows the trail of previous suggestions that the so-called clay balls inscribed in the Cypro-Minoan script bear personal names and titles, possibly of high-ranking individuals responsible for industrial and cultic activities at Enkomi, in other Cypriot centers, and at Tiryns on the Greek mainland. We examine attestations of sign-sequences and single signs found on these spherical objects, which occur also in other inscriptions, and…

  • Pardos’ Triumph

    Open Access•Miguel A Valerio, Miguel Valério•ARTICLE•Journal of Festive Studies•2022•Cited by: 2•References: 14

    On September 13, 1745, the pardo (mixed-race Afro-Brazilian) brotherhood (lay Catholic association) of Nossa Senhora do Livramento (Our Lady of Emancipation) of Recife, Pernambuco, in collaboration with the pardo brotherhood of Nossa Senhora de Guadalupe (Our Lady of Guadalupe) in neighboring Olinda, enthralled Pernambuco’s largest city with a great festival in honor of Blessed Gonçalo Garcia (1556–97). Like many colonial festivals, the festiviti…

  • What Is the ‘Archanes Formula’? Deconstructing and Reconstructing the Earliest Attestation of Writing in the Aegean

    Open Access•Silvia Ferrara, Barbara Montecchi et al.•ARTICLE•The Annual of the British School…•2021•Cited by: 1•References: 4

    This article examines the earliest attestations of writing on Crete at the beginning of the second millennium bce , the so-called ‘Archanes formula’. The aim is to reassess its origin, purpose, significance and ‘reading’ through a multi-step analysis taking in details of palaeography, correlations with iconographic seal motifs, and material culture. Key issues are considered, namely the extent to which is it comparable with the Linear A ‘libation…

  • Contexts and Repetitions of Cypro-Minoan Inscriptions

    Silvia Ferrara, Miguel Valério•ARTICLE•Bulletin of the American Schools…•2017

    This article follows the trail of previous suggestions that the so-called clay balls inscribed in the Cypro-Minoan script bear personal names and titles, possibly of high-ranking individuals responsible for industrial and cultic activities at Enkomi, in other Cypriot centers, and at Tiryns on the Greek mainland. We examine attestations of sign-sequences and single signs found on these spherical objects, which occur also in other inscriptions, and…

  • The mathematical values of fraction signs in the Linear A script

    Open Access•Michele Corazza, Silvia Ferrara et al.•ARTICLE•Journal of Archaeological Science•2020

    Minoan Linear A is still an undeciphered script mainly used for administrative purposes on Bronze Age Crete. One of its most enigmatic features is the precise mathematical values of its system of numerical fractions. The aim of this article is to address this issue through a multi-stranded methodology that comprises palaeographical examination and statistical, computational, and typological approaches. Taking on from previous analyses, which sugg…

  • Hieroglyphs, Anatolian

    Open Access•Miguel Valério•CHAPTER•The Encyclopedia of Ancient History•2021

    The Anatolian hieroglyphic script arose out of an indigenous set of pictorial symbols used in Anatolia during the second millennium bce . Its highly pictorial signs include syllabograms, logograms, and semantic determinatives. The script is first attested in a fully developed form ca. 1350–1200 bce , when in addition to seals it was used extensively on monumental stone inscriptions commissioned by Hittite rulers, and became associated with the Lu…

  • The Making of a Script

    Silvia Ferrara, Barbara Montecchi et al.•ARTICLE•Bulletin of the American Schools…•2021

    What is the origin of the earliest script in Europe? Is it invented locally or borrowed from an external template? How can we go about addressing this problem? A common view is that the script in question, Cretan Hieroglyphic, is locally created but externally inspired, probably through an influence from Egypt. But this appreciation should be the result of a full examination of the evidence, rather than a superficial appraisal of the script signs…

  • What Is the ‘Archanes Formula’? Deconstructing and Reconstructing the Earliest Attestation of Writing in the Aegean

    Open Access•Silvia Ferrara, Barbara Montecchi et al.•ARTICLE•The Annual of the British School…•2021•Cited by: 1•References: 4

    This article examines the earliest attestations of writing on Crete at the beginning of the second millennium bce , the so-called ‘Archanes formula’. The aim is to reassess its origin, purpose, significance and ‘reading’ through a multi-step analysis taking in details of palaeography, correlations with iconographic seal motifs, and material culture. Key issues are considered, namely the extent to which is it comparable with the Linear A ‘libation…

  • Indigenous and Black Confraternities in Colonial Latin America

    Open Access•Javiera Jaque Hidalgo, Miguel A Valerio et al.•EDITOR•BOOK•Indigenous and Black Confraternitie…•2022

  • Pardos’ Triumph

    Open Access•Miguel A Valerio, Miguel Valério•ARTICLE•Journal of Festive Studies•2022•Cited by: 2•References: 14

    On September 13, 1745, the pardo (mixed-race Afro-Brazilian) brotherhood (lay Catholic association) of Nossa Senhora do Livramento (Our Lady of Emancipation) of Recife, Pernambuco, in collaboration with the pardo brotherhood of Nossa Senhora de Guadalupe (Our Lady of Guadalupe) in neighboring Olinda, enthralled Pernambuco’s largest city with a great festival in honor of Blessed Gonçalo Garcia (1556–97). Like many colonial festivals, the festiviti…

  • Resoundings of Early Modern Afro-Catholic Festive Culture

    Open Access•Miguel A Valerio, Miguel Valério•ARTICLE•MAVCOR Journal•2023

    This Constellation is intended to complement the author's book and give readers access to color versions of some of its illustrations, which could only be printed in black and white in the original publication. As in other parts of the Iberian world (i.e., the Iberian Peninsula and all the territories under Spanish and Portuguese control), these performances were usually staged by lay Catholic confraternities

  • In Search of Lost Signs

    Open Access•Silvia Ferrara, Barbara Montecchi et al.•ARTICLE•Oxford Journal of Archaeology•2023•References: 6

    This article addresses a long‐debated topic related to the hieroglyphic script from the island of Crete, namely the status of its sign‐list. The signs of this script are predominantly image‐based and as such their inherent position as bona fide signs of writing or, alternatively, decorative symbols with no specific relation to language has raised issues of inclusion or exclusion from the sign‐list as presented in the standard corpus of inscriptio…

  • Tracing social disruptions over time using radiocarbon datasets

    Open Access•Rafael Micó Pérez, Eva Celdrán et al.•ARTICLE•Journal of Archaeological Science…•2024•References: 15

    C14 dates from human bones shed light on Copper to Bronze Age transition in SE Iberia. • Statistical analyses of C14 dates suggest that changes in funerary rituals were rapid. • Low population density in Late Chalcolithic SE Iberia poses a new scenario of transition into the Bronze Age. • The results cast doubt on narratives of a violent, sudden invasion of male warriors. The transition between the Late Copper and the Early Bronze Age in Central …

  • Além de branco e negro

    Open Access•Miguel Valério•ARTICLE•Revista de História da Sociedade…•2025

    No dia treze do setembro de 1745, a irmandade parda de Nossa Senhora do Livramento de Recife, em colaboração com a irmandade também parda de Nossa Senhora de Guadalupe, da vizinha Olinda, encantou a maior cidade de Pernambuco com uma grande festa pública em honra do então Beato Gonçalo Garcia, beatificado em 1627. Aqui a estudo como uma encenação de uma alteridade parda por parte dos irmãos pardos. Na seleção dos componentes da procissão (carros …

  • La Forma 5 argárica

    Open Access•Eva Celdrán, Vicente Lull et al.•ARTICLE•Trabajos de Prehistoria•2025

    Las vasijas carenadas de Forma 5 son las más abundantes de la vajilla argárica. Desempeñaron todo tipo de funciones en contextos residenciales y funerarios durante la diacronía argárica, por lo que constituyen uno de los elementos arqueológicos definidores de esta sociedad del Bronce Antiguo. Sin embargo, su aparente diversidad morfológica no ha podido ser sistematizada en subtipos. El presente trabajo aborda este objetivo y explora las implicaci…

Archaeology (7 works) · Art (7 works) · History (7 works) · Ancient Near East History (5 works) · Computer Science (5 works) · History (5 works) · Ancient history (4 works) · Linguistics (4 works) · Philosophy (4 works) · Philosophy (4 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae