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Su Mei Kok

Biographic Data

ID5661710
NAMESu Mei Kok
GIVEN NAMESSu Mei
FAMILY NAMEKok
SIGNATUREKOK S M
AFFILIATIONSUniversity of Malaya
ORCID0000-0002-0667-444X
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Female Self-Sacrifice and Victorian Gender Politics

    Faith Yeo, Sharifah Aishah Osman et al.•ARTICLE•Women s Writing•2025

    Although Victorian morality is modeled after the Christian sense of substitutionary self-sacrifice that requires active heroic action, the practice of self-sacrifice was known as an inward-looking self-denial rather than heroic sacrifice for another. Informed by her feminism and Central Anglicanism, Emily Pfeiffer rejects Victorian literary conventions of portraying female self-sacrifice as passive and instead, presents female self-sacrifice as a…

  • Reorienting Christina Rossetti’s Christian Feminist Poetics in “The Convent Threshold” and “A Royal Princess”

    Open Access•Jia Yee, Faith Yeo et al.•ARTICLE•3L The Southeast Asian Journal of…•2025

  • What’s Past Is Prologue”

    Open Access•Su Mei Kok•ARTICLE•Southeast Asian Review of English•2017•Cited by: 1•References: 1

    Since 2011, Shakespeare Demystified, a series of productions with a pedagogical focus, has been transforming the landscape of Shakespearean performances in Malaysia. It is the closest Malaysia currently has to a regular Shakespeare season and the actors behind it comprise the only theatrical group committed to bringing Shakespeare to the stage. But Shakespeare Demystified continues a long Malaysian tradition of performing Shakespeare for educatio…

  • How Many Arts from Such a Labour Flow”

    Su Mei Kok•ARTICLE•Journal of Medieval and Early…•2013

    Spanning a thirty-eight-mile canal, a walled reservoir, and a city-wide network of wooden mains, London’s New River altered terrain from Hertfordshire to the city. A vital shift in London’s spatial order attended these topographical changes, as public space became a private commodity. This essay compares Thomas Middleton’s allusions to the New River in his civic shows and city comedies, revealing his ambivalent attitude toward an increasingly pro…

  • The Merchant of Venice by William Shakespeare (review)

    Su Mei Kok•ARTICLE•Theatre Journal•2013

    Reviewed by: The Merchant of Venice by William Shakespeare Su Mei Kok The Merchant of Venice. By William Shakespeare. Shakespeare Demystified, Kuala Lumpur Performing Arts Centre, Kuala Lumpur, Malaysia. 2 March 2012. Committed to proving the accessibility and relevance of Shakespeare’s plays to a nation largely uninterested in the Bard, Shakespeare Demystified’s approach reflects a conviction that Shakespeare is for all, as evident in the actors…

  • What’s Past Is Prologue”

    Open Access•Su Mei Kok•ARTICLE•Southeast Asian Review of English•2017•Cited by: 1•References: 1

    Since 2011, Shakespeare Demystified, a series of productions with a pedagogical focus, has been transforming the landscape of Shakespearean performances in Malaysia. It is the closest Malaysia currently has to a regular Shakespeare season and the actors behind it comprise the only theatrical group committed to bringing Shakespeare to the stage. But Shakespeare Demystified continues a long Malaysian tradition of performing Shakespeare for educatio…

  • How Many Arts from Such a Labour Flow”

    Su Mei Kok•ARTICLE•Journal of Medieval and Early…•2013

    Spanning a thirty-eight-mile canal, a walled reservoir, and a city-wide network of wooden mains, London’s New River altered terrain from Hertfordshire to the city. A vital shift in London’s spatial order attended these topographical changes, as public space became a private commodity. This essay compares Thomas Middleton’s allusions to the New River in his civic shows and city comedies, revealing his ambivalent attitude toward an increasingly pro…

  • The Merchant of Venice by William Shakespeare (review)

    Su Mei Kok•ARTICLE•Theatre Journal•2013

    Reviewed by: The Merchant of Venice by William Shakespeare Su Mei Kok The Merchant of Venice. By William Shakespeare. Shakespeare Demystified, Kuala Lumpur Performing Arts Centre, Kuala Lumpur, Malaysia. 2 March 2012. Committed to proving the accessibility and relevance of Shakespeare’s plays to a nation largely uninterested in the Bard, Shakespeare Demystified’s approach reflects a conviction that Shakespeare is for all, as evident in the actors…

  • What’s Past Is Prologue”

    Open Access•Su Mei Kok•ARTICLE•Southeast Asian Review of English•2017•Cited by: 1•References: 1

    Since 2011, Shakespeare Demystified, a series of productions with a pedagogical focus, has been transforming the landscape of Shakespearean performances in Malaysia. It is the closest Malaysia currently has to a regular Shakespeare season and the actors behind it comprise the only theatrical group committed to bringing Shakespeare to the stage. But Shakespeare Demystified continues a long Malaysian tradition of performing Shakespeare for educatio…

  • Female Self-Sacrifice and Victorian Gender Politics

    Faith Yeo, Sharifah Aishah Osman et al.•ARTICLE•Women s Writing•2025

    Although Victorian morality is modeled after the Christian sense of substitutionary self-sacrifice that requires active heroic action, the practice of self-sacrifice was known as an inward-looking self-denial rather than heroic sacrifice for another. Informed by her feminism and Central Anglicanism, Emily Pfeiffer rejects Victorian literary conventions of portraying female self-sacrifice as passive and instead, presents female self-sacrifice as a…

  • Reorienting Christina Rossetti’s Christian Feminist Poetics in “The Convent Threshold” and “A Royal Princess”

    Open Access•Jia Yee, Faith Yeo et al.•ARTICLE•3L The Southeast Asian Journal of…•2025

Art (4 works) · Literature (3 works) · Aesthetics (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Philippine History and Culture (2 works) · Political science (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works)

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