Pavel Drábek
Biographic Data
| ID | 5663304 |
|---|---|
| NAME | Pavel Drábek |
| GIVEN NAMES | Pavel |
| FAMILY NAME | Drábek |
| SIGNATURE | DRÁBEK P |
| AFFILIATIONS | University of Hull |
| ORCID | 0000-0001-8470-722X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Playing, viewing, touching, modelling, mentalizing
A cube of dark grey polystyrene approximately 4 metres tall, 4 metres wide and deep. In this cube live and work three creatures: humans reminiscent of grey mice (is it because of the makeup, costum
Scenography 2019 in PQ Talks
Co-authored with Barbora Příhodová, this essay analyses the plurality of scenography as presented in the PQ Talks programme of the 2019 Prague Quadrennial, curated by the two authors. The curatorial concept is explained and justified, followed by an analysis of theoretical issues and five case studies
Shakespearean Players in Early Modern Europe
From the records, we know that English players were active in many parts of Europe for almost a century, from the 1580s until their gradual decline in the later seventeenth century. For a number of reasons, research into this exceptionally transitory theatrical phenomenon, recognized for its crucial influence on the establishment of professional theatre in the German-speaking countries is particularly challenging. Not least, this is because the v…
‘Why, sir, are there other heauens in other countries?’
This chapter analyses the specifics of the English Comedy (Englische Comedie) as a genre practised by the popular travelling English troupes and their inheritors, during the century between the 1580s and 1680s. Most scholarship has assumed that English travelling actors exported English plays, and performed them on the Continent with necessary adjustments. This chapter elaborates a different perspective: the methodological discussion of historica…
Transnational connections in early modern theatre
This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and method…
Trauma-tragedy
"Trauma-tragedy: symptoms of contemporary performance." Research in Drama Education: The Journal of Applied Theatre and Performance, 18(4), pp. 420–421
Transnational connections in early modern theatre
This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and method…
Trauma-tragedy
"Trauma-tragedy: symptoms of contemporary performance." Research in Drama Education: The Journal of Applied Theatre and Performance, 18(4), pp. 420–421
Shakespearean Players in Early Modern Europe
From the records, we know that English players were active in many parts of Europe for almost a century, from the 1580s until their gradual decline in the later seventeenth century. For a number of reasons, research into this exceptionally transitory theatrical phenomenon, recognized for its crucial influence on the establishment of professional theatre in the German-speaking countries is particularly challenging. Not least, this is because the v…
‘Why, sir, are there other heauens in other countries?’
This chapter analyses the specifics of the English Comedy (Englische Comedie) as a genre practised by the popular travelling English troupes and their inheritors, during the century between the 1580s and 1680s. Most scholarship has assumed that English travelling actors exported English plays, and performed them on the Continent with necessary adjustments. This chapter elaborates a different perspective: the methodological discussion of historica…
Transnational connections in early modern theatre
This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and method…
Scenography 2019 in PQ Talks
Co-authored with Barbora Příhodová, this essay analyses the plurality of scenography as presented in the PQ Talks programme of the 2019 Prague Quadrennial, curated by the two authors. The curatorial concept is explained and justified, followed by an analysis of theoretical issues and five case studies
Playing, viewing, touching, modelling, mentalizing
A cube of dark grey polystyrene approximately 4 metres tall, 4 metres wide and deep. In this cube live and work three creatures: humans reminiscent of grey mice (is it because of the makeup, costum
Art (4 works) · History (4 works) · Philippine History and Culture (3 works) · Visual arts (3 works) · Computer Science (2 works) · Historical Art and Culture Studies (2 works) · Literature (2 works) · Theatre and Performance Studies (2 works) · Aesthetics (1 work) · Art Therapy and Mental Health (1 work)