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Olga Krzyszkowska

Biographic Data

ID5665404
NAMEOlga Krzyszkowska
GIVEN NAMESOlga
FAMILY NAMEKrzyszkowska
SIGNATUREKRZYSZKOWSKA O
AFFILIATIONSTransnational Press London
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS6
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Changing Perceptions of the Past

    Olga Krzyszkowska•CHAPTER•MNHMH / MNEME. Past and Memory in…•2019

  • The Knossos Sealings . . . and Beyond

    Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•American Journal of Archaeology•2004

  • Corpus der Minoischen und Mykenischen Siegel II

    Olga H Krzyszkowska, Olga Krzyszkowska•ARTICLE•American Journal of Archaeology•2001

  • A ‘new’ mirror handle from Cyprus

    Open Access•Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•The Annual of the British School…•1992

    Three finely carved ivory mirror handles from Cyprus are closely related in form, subject matter, and style. To these we may now add a fourth example, albeit preserved only as a fragment. Found in the British excavations at Enkomi, this piece has been regarded hitherto as a pyxis fragment. Technical considerations prove that this cannot be the case and that the fragment must belong to a mirror handle, closely comparable to the famous ‘griffin-sla…

  • The Enkomi Warrior Head Reconsidered

    Open Access•Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•The Annual of the British School…•1991•References: 2

    An ivory warrior head, discovered at the end of the last century in Enkomi Tomb 16, has often been mentioned and illustrated in the literature but it has never been the subject of a detailed study. Most interest has centred on whether the head represents a genuine Mycenaean carving or the survival of an Aegean motif in the Cypriote repertoire. Here form, function, material, carving technique and style are assessed, and comparisons are drawn with …

  • Ivory in the Aegean Bronze Age

    Open Access•Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•The Annual of the British School…•1988•Cited by: 6•References: 3

    A new approach to Aegean ivory working, described in this article, demonstrates that in addition to elephant tusk, carvers made use of hippopotamus ivory throughout the Bronze Age. A brief introduction describes the background to the present study and the methods adopted here. The characteristics of elephant ivory and hippopotamus ivory are summarised and examples are given which show how morphological or structural features visible in finished o…

  • Ivory in the Aegean Bronze Age

    Open Access•Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•The Annual of the British School…•1988•Cited by: 6•References: 3

    A new approach to Aegean ivory working, described in this article, demonstrates that in addition to elephant tusk, carvers made use of hippopotamus ivory throughout the Bronze Age. A brief introduction describes the background to the present study and the methods adopted here. The characteristics of elephant ivory and hippopotamus ivory are summarised and examples are given which show how morphological or structural features visible in finished o…

  • Ivory in the Aegean Bronze Age

    Open Access•Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•The Annual of the British School…•1988•Cited by: 6•References: 3

    A new approach to Aegean ivory working, described in this article, demonstrates that in addition to elephant tusk, carvers made use of hippopotamus ivory throughout the Bronze Age. A brief introduction describes the background to the present study and the methods adopted here. The characteristics of elephant ivory and hippopotamus ivory are summarised and examples are given which show how morphological or structural features visible in finished o…

  • The Enkomi Warrior Head Reconsidered

    Open Access•Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•The Annual of the British School…•1991•References: 2

    An ivory warrior head, discovered at the end of the last century in Enkomi Tomb 16, has often been mentioned and illustrated in the literature but it has never been the subject of a detailed study. Most interest has centred on whether the head represents a genuine Mycenaean carving or the survival of an Aegean motif in the Cypriote repertoire. Here form, function, material, carving technique and style are assessed, and comparisons are drawn with …

  • A ‘new’ mirror handle from Cyprus

    Open Access•Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•The Annual of the British School…•1992

    Three finely carved ivory mirror handles from Cyprus are closely related in form, subject matter, and style. To these we may now add a fourth example, albeit preserved only as a fragment. Found in the British excavations at Enkomi, this piece has been regarded hitherto as a pyxis fragment. Technical considerations prove that this cannot be the case and that the fragment must belong to a mirror handle, closely comparable to the famous ‘griffin-sla…

  • Corpus der Minoischen und Mykenischen Siegel II

    Olga H Krzyszkowska, Olga Krzyszkowska•ARTICLE•American Journal of Archaeology•2001

  • The Knossos Sealings . . . and Beyond

    Olga Krzyszkowska, O H Krzyszkowska•ARTICLE•American Journal of Archaeology•2004

  • Changing Perceptions of the Past

    Olga Krzyszkowska•CHAPTER•MNHMH / MNEME. Past and Memory in…•2019

History (6 works) · Archaeology (5 works) · Art (4 works) · History (4 works) · Ancient Mediterranean Archaeology and History (3 works) · Ancient Near East History (3 works) · Classical Antiquity Studies (3 works) · Law, logistics, and international trade (3 works) · Ancient history (2 works) · Computer Science (2 works)

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