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Olivier J Tchouaffe

Biographic Data

ID5665583
NAMEOlivier J Tchouaffe
GIVEN NAMESOlivier J
FAMILY NAMETchouaffe
SIGNATURETCHOUAFFE O J
AFFILIATIONSSouthwestern University
ORCID0000-0002-3749-2681
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The colonial library and productive futurity in Jean-Pierre Bekolo’s Mudimbe’s Things and Words (2015)

    Olivier J Tchouaffe•ARTICLE•Journal of African Cinemas•2024

    In Mudimbe’s Things and Words (2015), Jean-Pierre Bekolo and Valentin-Yves Mudimbe draw upon notions of colonial cultural politics, the imposed past and the regulatory brutality of the colonial library as integral to the relationship between knowledge and power. In fact, they discuss how knowledge itself is a production of power as Mudimbe deconstructs the work of Michel Foucault. Mudimbe fills the gaps between the ontology and homology, between …

  • Between the Sublime and the Subliminal

    Open Access•Olivier J Tchouaffe•CHAPTER•Education, Creativity, and…•2014

    Dictatorial regimes come in many guises and operate throughout the globe across time, space, and culture. There are resemblances that flow across these dictatorial systems. The personalization of power with a minimal sense of ethics and honor, a lack of checks and balances, monopolies of violence, the privatization of state resources into a few hands, and symbolic forms of domination over people are means to rationalize and legitimize the dictato…

  • Women in Film in Cameroon

    Olivier J Tchouaffe•ARTICLE•Journal of African Cinemas•2012•Cited by: 3

    There is a dearth of African women in prominent roles in the media, particularly females who work as directors in the motion picture industry on the continent. For a woman to build up a significant career in the media industry, she has to navigate through the archetype of the film director being a man’s privilege. This article, however, describes a political and socio-economical context in which the cinematic contribution of Cameroonian women is …

  • Women in Film in Cameroon

    Olivier J Tchouaffe•ARTICLE•Journal of African Cinemas•2012•Cited by: 3

    There is a dearth of African women in prominent roles in the media, particularly females who work as directors in the motion picture industry on the continent. For a woman to build up a significant career in the media industry, she has to navigate through the archetype of the film director being a man’s privilege. This article, however, describes a political and socio-economical context in which the cinematic contribution of Cameroonian women is …

  • Women in Film in Cameroon

    Olivier J Tchouaffe•ARTICLE•Journal of African Cinemas•2012•Cited by: 3

    There is a dearth of African women in prominent roles in the media, particularly females who work as directors in the motion picture industry on the continent. For a woman to build up a significant career in the media industry, she has to navigate through the archetype of the film director being a man’s privilege. This article, however, describes a political and socio-economical context in which the cinematic contribution of Cameroonian women is …

  • Between the Sublime and the Subliminal

    Open Access•Olivier J Tchouaffe•CHAPTER•Education, Creativity, and…•2014

    Dictatorial regimes come in many guises and operate throughout the globe across time, space, and culture. There are resemblances that flow across these dictatorial systems. The personalization of power with a minimal sense of ethics and honor, a lack of checks and balances, monopolies of violence, the privatization of state resources into a few hands, and symbolic forms of domination over people are means to rationalize and legitimize the dictato…

  • The colonial library and productive futurity in Jean-Pierre Bekolo’s Mudimbe’s Things and Words (2015)

    Olivier J Tchouaffe•ARTICLE•Journal of African Cinemas•2024

    In Mudimbe’s Things and Words (2015), Jean-Pierre Bekolo and Valentin-Yves Mudimbe draw upon notions of colonial cultural politics, the imposed past and the regulatory brutality of the colonial library as integral to the relationship between knowledge and power. In fact, they discuss how knowledge itself is a production of power as Mudimbe deconstructs the work of Michel Foucault. Mudimbe fills the gaps between the ontology and homology, between …

Sociology (3 works) · African history and culture studies (2 works) · Art (2 works) · Art history (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 work) · African Sexualities and LGBTQ+ Issues (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae