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Monique Maillard

Biographic Data

ID5665977
NAMEMonique Maillard
GIVEN NAMESMonique
FAMILY NAMEMaillard
SIGNATUREMAILLARD M
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS1
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2003
H-INDEX1
  • Stucco and plasterwork

    Massoud Azarnoush, Geoffrey Beard et al.•CHAPTER•2003

  • Eastern Central Asia

    Robert Jera-Bezard, Monique Maillard•CHAPTER•2003

  • Eastern Central Asia

    Joe Cribb, Debaine-Francfort Corinne et al.•CHAPTER•2003

  • Le rôle des bannières et des peintures mobiles dans les rituels du bouddhisme d'Asie centrale

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1989

    In a previous paper entitled " Origin and mounting of painted banners from Dunhuang " we endeavour to trace the formation of the different kinds of Buddhist banners and removable paintings from their origin. The purpose of the present study is to find out what should have been the use of these different categories of objects. Numerous litterary sources attest the important place bestowed to banners and removable paintings during Buddhist ceremoni…

  • Dunhuang

    Monique Maillard•ARTICLE•Arts asiatiques•1988

  • Symposium « Development of Buddhist and Hindu Sculptures in Early Indian Art »

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1987

  • Londres

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1986

  • Origine et montage des bannières peintes de Dunhuang

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1985

    The subject of this paper is to seek the origins of the mounting of the Buddhist banners recovered by Sir Aurel Stein and Paul Pelliot in a cave of the Mogao grottos near Dunhuang (Gansu, China). First, we distinguish the different categories of banners and paintings on silk or hemp cloth according to their shape and use. Secondly, this study follows the development of the banners as ornaments of the stûpa from India to China across Central Asia.…

  • Un paradis d'Amitābha de la collection Aurel Stein conservé au Musée National de New Delhi

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1976

  • Buddhism in Afghanistan and Central Asia

    Simone Gaulier, Robert Jera-Bezard et al.•BOOK•Buddhism in Afghanistan and…•1976•Cited by: 1

    Scholarly monographs on the iconography of Indian religions, including Buddhism, Jainism, Sikhism, in India and neighbouring geographical regions

  • Essai sur la vie matérielle dans l'oasis de Tourfan pendant le Haut Moyen Age

    Monique Maillard•ARTICLE•Arts asiatiques•1973

  • Buddhism in Afghanistan and Central Asia

    Simone Gaulier, Robert Jera-Bezard et al.•BOOK•Buddhism in Afghanistan and…•1976•Cited by: 1

    Scholarly monographs on the iconography of Indian religions, including Buddhism, Jainism, Sikhism, in India and neighbouring geographical regions

  • Essai sur la vie matérielle dans l'oasis de Tourfan pendant le Haut Moyen Age

    Monique Maillard•ARTICLE•Arts asiatiques•1973

  • Un paradis d'Amitābha de la collection Aurel Stein conservé au Musée National de New Delhi

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1976

  • Buddhism in Afghanistan and Central Asia

    Simone Gaulier, Robert Jera-Bezard et al.•BOOK•Buddhism in Afghanistan and…•1976•Cited by: 1

    Scholarly monographs on the iconography of Indian religions, including Buddhism, Jainism, Sikhism, in India and neighbouring geographical regions

  • Origine et montage des bannières peintes de Dunhuang

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1985

    The subject of this paper is to seek the origins of the mounting of the Buddhist banners recovered by Sir Aurel Stein and Paul Pelliot in a cave of the Mogao grottos near Dunhuang (Gansu, China). First, we distinguish the different categories of banners and paintings on silk or hemp cloth according to their shape and use. Secondly, this study follows the development of the banners as ornaments of the stûpa from India to China across Central Asia.…

  • Londres

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1986

  • Symposium « Development of Buddhist and Hindu Sculptures in Early Indian Art »

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1987

  • Dunhuang

    Monique Maillard•ARTICLE•Arts asiatiques•1988

  • Le rôle des bannières et des peintures mobiles dans les rituels du bouddhisme d'Asie centrale

    Robert Jera-Bezard, Monique Maillard•ARTICLE•Arts asiatiques•1989

    In a previous paper entitled " Origin and mounting of painted banners from Dunhuang " we endeavour to trace the formation of the different kinds of Buddhist banners and removable paintings from their origin. The purpose of the present study is to find out what should have been the use of these different categories of objects. Numerous litterary sources attest the important place bestowed to banners and removable paintings during Buddhist ceremoni…

  • Stucco and plasterwork

    Massoud Azarnoush, Geoffrey Beard et al.•CHAPTER•2003

  • Eastern Central Asia

    Robert Jera-Bezard, Monique Maillard•CHAPTER•2003

  • Eastern Central Asia

    Joe Cribb, Debaine-Francfort Corinne et al.•CHAPTER•2003

Archaeology (8 works) · Art (8 works) · Geography (7 works) · Eurasian Exchange Networks (5 works) · History (5 works) · History (5 works) · Ancient history (4 works) · Buddhism (4 works) · Visual arts (4 works) · Central asia (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae