Jed Wentz
Biographic Data
| ID | 5669677 |
|---|---|
| NAME | Jed Wentz |
| GIVEN NAMES | Jed |
| FAMILY NAME | Wentz |
| SIGNATURE | WENTZ J |
| AFFILIATIONS | Royal Academy of Music |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
An Annotated livret of Lully's Roland as a Source for Seventeenth-Century Declamation
The Houghton Library at Harvard University holds a copy of the 1685 livret for Roland by Philippe Quinault and Jean-Baptiste Lully that has been marked up in three different seventeenth-century hands. The meanings of these markings cannot be conclusively deciphered until further corroborative sources come to light, but they seem to refer to declaimed performances of Quinault's text. The purpose of the current article is to propose possible interp…
Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique
One of the most salient features of French Baroque opera was its moulding of music, text and acting into a unified whole. This rigorous aesthetic resulted in a distinct performance style, one which melded the music and the singers' gestures on stage. This article will examine the possibility of a symbiotic relationship between stage action and passionate musical expression in France. Using the writings of Rousseau, Rameau and other participants o…
Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique
One of the most salient features of French Baroque opera was its moulding of music, text and acting into a unified whole. This rigorous aesthetic resulted in a distinct performance style, one which melded the music and the singers' gestures on stage. This article will examine the possibility of a symbiotic relationship between stage action and passionate musical expression in France. Using the writings of Rousseau, Rameau and other participants o…
Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique
One of the most salient features of French Baroque opera was its moulding of music, text and acting into a unified whole. This rigorous aesthetic resulted in a distinct performance style, one which melded the music and the singers' gestures on stage. This article will examine the possibility of a symbiotic relationship between stage action and passionate musical expression in France. Using the writings of Rousseau, Rameau and other participants o…
An Annotated livret of Lully's Roland as a Source for Seventeenth-Century Declamation
The Houghton Library at Harvard University holds a copy of the 1685 livret for Roland by Philippe Quinault and Jean-Baptiste Lully that has been marked up in three different seventeenth-century hands. The meanings of these markings cannot be conclusively deciphered until further corroborative sources come to light, but they seem to refer to declaimed performances of Quinault's text. The purpose of the current article is to propose possible interp…
Art (2 works) · Historical and Literary Analyses (2 works) · Historical and Literary Studies (2 works) · Literature (2 works) · Aesthetics (1 works) · Art history (1 works) · Baroque (1 works) · Computer Science (1 works) · Gesture (1 works) · Historical Studies and Socio-cultural Analysis (1 works)