Monique Kornell
Biographic Data
| ID | 5669946 |
|---|---|
| NAME | Monique Kornell |
| GIVEN NAMES | Monique |
| FAMILY NAME | Kornell |
| SIGNATURE | KORNELL M |
| AFFILIATIONS | Cedars-Sinai Medical Center Program in the History of Medicine Los Angeles, CA USA |
| ORCID | 0009-0008-6786-2090 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Andreas Vesalius and the ‘sharp-eyed and careful reader’
A key element in Vesalius’s De humani corporis fabrica (1543) is the identifying lettering applied to its anatomical figures, allowing Vesalius to integrate image and text in an unprecedented way. Andreas Vesalius’s discussion of the lettering in the Fabrica and in its compendium, the Epitome (1543), is a rich source of information for his concerns and aims for these remarkable illustrations. A study of the amendments to woodblocks in the first L…
‘A Spring of Immortal Colours’. Jacques Le Moyne de Morgues (c. 1533–1588) and Picturing Plants in the Sixteenth Century
The Huguenot refugee artist Jacques Le Moyne de Morgues is traditionally known for his observations of North America and as the author of numerous albums of floral drawings. This article reassesses the attribution of several of these albums to Le Moyne based on documentary and stylistic evidence. It identifies the sixteenth-century Huguenot nobleman and diplomat Jacques de Morogues as the owner of one of the albums, and it discusses the productio…
Annibal Caro's After-Dinner Speech (1536) and the Question of Titian as Vesalius's Illustrator
Putative textual proof for Titian's central involvement in producing illustrations for Vesalius's anatomy book "De fabrica" (1543) requires reexamination. On the basis of orthographic, literary, and historical evidence, a phrase in Annibal Caro's after-dinner speech, here dated to 1536, is shown instead to refer ironically to a surgeon's notorious execution in 1517. "Anatomia" was a word in the satirical as well as the medical lexicon. It is impo…
Annibal Caro's After-Dinner Speech (1536) and the Question of Titian as Vesalius's Illustrator
Putative textual proof for Titian's central involvement in producing illustrations for Vesalius's anatomy book "De fabrica" (1543) requires reexamination. On the basis of orthographic, literary, and historical evidence, a phrase in Annibal Caro's after-dinner speech, here dated to 1536, is shown instead to refer ironically to a surgeon's notorious execution in 1517. "Anatomia" was a word in the satirical as well as the medical lexicon. It is impo…
Annibal Caro's After-Dinner Speech (1536) and the Question of Titian as Vesalius's Illustrator
Putative textual proof for Titian's central involvement in producing illustrations for Vesalius's anatomy book "De fabrica" (1543) requires reexamination. On the basis of orthographic, literary, and historical evidence, a phrase in Annibal Caro's after-dinner speech, here dated to 1536, is shown instead to refer ironically to a surgeon's notorious execution in 1517. "Anatomia" was a word in the satirical as well as the medical lexicon. It is impo…
‘A Spring of Immortal Colours’. Jacques Le Moyne de Morgues (c. 1533–1588) and Picturing Plants in the Sixteenth Century
The Huguenot refugee artist Jacques Le Moyne de Morgues is traditionally known for his observations of North America and as the author of numerous albums of floral drawings. This article reassesses the attribution of several of these albums to Le Moyne based on documentary and stylistic evidence. It identifies the sixteenth-century Huguenot nobleman and diplomat Jacques de Morogues as the owner of one of the albums, and it discusses the productio…
Andreas Vesalius and the ‘sharp-eyed and careful reader’
A key element in Vesalius’s De humani corporis fabrica (1543) is the identifying lettering applied to its anatomical figures, allowing Vesalius to integrate image and text in an unprecedented way. Andreas Vesalius’s discussion of the lettering in the Fabrica and in its compendium, the Epitome (1543), is a rich source of information for his concerns and aims for these remarkable illustrations. A study of the amendments to woodblocks in the first L…
Art (2 works) · Literature (2 works) · Renaissance and Early Modern Studies (2 works) · Aesthetics (1 work) · Architecture and Art History Studies (1 work) · Art history (1 work) · Beauty (1 work) · Chronology (1 work) · Historical and Literary Studies (1 work) · Historical Art and Culture Studies (1 work)