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Amy Buono

Biographic Data

ID5670649
NAMEAmy Buono
GIVEN NAMESAmy
FAMILY NAMEBuono
SIGNATUREBUONO A
AFFILIATIONSChapman University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Museums as Realms of (dis)Enchantment

    Amy Buono•ARTICLE•Latin American and Latinx Visual…•2020

    On the night of September 2, 2018, a blaze swept through Brazil's national museum, Museu Nacional, in Rio de Janeiro, destroying not only the colonial building, portions of which dated to the sixteenth century, but roughly 92 percent of the 20 million objects in its holdings. This was Brazil's greatest encyclopedic museum, incorporating (among many others) collections of natural history, anthropology, archaeology, and art, thus forming the most c…

  • The Disobedient Museum

    Amy Buono•ARTICLE•Public Archaeology•2020

  • Viceroyalty of Brazil

    Amy Buono•CHAPTER•2019

    The Viceroyalty of Brazil (c. 1720–1815) refers to a polity that, at its greatest extent, roughly corresponded in geographic area to the modern nation-state of Brazil. Lying on the upper Atlantic coast of South America, it is bounded on the northeast by the Guyanas, to the northwest by the Viceroyalty of New Granada, to the west by the Viceroyalty of Peru, and to the southwest and south by the Viceroyalty of the Río de la Plata. Northern Brazil i…

  • Historicity, Achronicity, and the Materiality of Cultures in Colonial Brazil

    Amy Buono, Amy J Buono•ARTICLE•Getty Research Journal•2015•Cited by: 3•References: 1

    Much of the visual and material culture of colonial Brazil has been omitted from scholarly accounts because it falls outside the familiar repertoire of art historical forms and materials, and also defies categorization by cultural origin and period style. Turning especially to Michael Werner and Bénédicte Zimmermann’s notion of histoire croisée (intercrossed history), this article examines the methodological implications of incorporating such unc…

  • Historicity, Achronicity, and the Materiality of Cultures in Colonial Brazil

    Amy Buono, Amy J Buono•ARTICLE•Getty Research Journal•2015•Cited by: 3•References: 1

    Much of the visual and material culture of colonial Brazil has been omitted from scholarly accounts because it falls outside the familiar repertoire of art historical forms and materials, and also defies categorization by cultural origin and period style. Turning especially to Michael Werner and Bénédicte Zimmermann’s notion of histoire croisée (intercrossed history), this article examines the methodological implications of incorporating such unc…

  • Historicity, Achronicity, and the Materiality of Cultures in Colonial Brazil

    Amy Buono, Amy J Buono•ARTICLE•Getty Research Journal•2015•Cited by: 3•References: 1

    Much of the visual and material culture of colonial Brazil has been omitted from scholarly accounts because it falls outside the familiar repertoire of art historical forms and materials, and also defies categorization by cultural origin and period style. Turning especially to Michael Werner and Bénédicte Zimmermann’s notion of histoire croisée (intercrossed history), this article examines the methodological implications of incorporating such unc…

  • Viceroyalty of Brazil

    Amy Buono•CHAPTER•2019

    The Viceroyalty of Brazil (c. 1720–1815) refers to a polity that, at its greatest extent, roughly corresponded in geographic area to the modern nation-state of Brazil. Lying on the upper Atlantic coast of South America, it is bounded on the northeast by the Guyanas, to the northwest by the Viceroyalty of New Granada, to the west by the Viceroyalty of Peru, and to the southwest and south by the Viceroyalty of the Río de la Plata. Northern Brazil i…

  • Museums as Realms of (dis)Enchantment

    Amy Buono•ARTICLE•Latin American and Latinx Visual…•2020

    On the night of September 2, 2018, a blaze swept through Brazil's national museum, Museu Nacional, in Rio de Janeiro, destroying not only the colonial building, portions of which dated to the sixteenth century, but roughly 92 percent of the 20 million objects in its holdings. This was Brazil's greatest encyclopedic museum, incorporating (among many others) collections of natural history, anthropology, archaeology, and art, thus forming the most c…

  • The Disobedient Museum

    Amy Buono•ARTICLE•Public Archaeology•2020

Art (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Archaeology (2 works) · Art history (2 works) · Colonialism (2 works) · Computer Science (2 works) · Museums and Cultural Heritage (2 works) · Visual arts (2 works)

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