Sean P Holmes
Biographic Data
| ID | 5671876 |
|---|---|
| NAME | Sean P Holmes |
| GIVEN NAMES | Sean P |
| FAMILY NAME | Holmes |
| SIGNATURE | HOLMES S P |
| AFFILIATIONS | Brunel University of London |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Le star system à Hollywood et le contrôle du travail des acteurs, 1916-1934
Cet article étudie la construction et le développement du star system à Hollywood de la fin des années 1910 au début des années 1930, lors de la période non syndicale de l’histoire des studios. Il investigue précisément comment le star system a été non seulement une stratégie économique et financière, mais aussi un outil de contrôle du travail et de la vie des actrices et des acteurs hollywoodiens. À partir de sources notamment syndicales auparav…
Working in the global film and television industries
Like many other cultural commodities, films and TV shows tend to work in such a way as to obscure the conditions under which they are produced, a process that has been reinforced by dominant trends in the practice of Film and Television Studies. This collection places the workplace experiences of industry workers at centre stage. It looks at film and television production in a variety of social, economic, political, and cultural contexts. The boo…
The Bectu History Project
Help to Preserve the Real Story of Our Cinema and Television Industries’
African American Theater
All Work or No Play
1. IntroductionWhen stage actors in the United States walked off the job in the summer of 1919 in protest at the persistent refusal of the major theatrical producers to recognize their union, most commentators were unwilling to take the strike seriously, preferring instead to exploit the moment for cheap laughs. “Perhaps we soon shall see . . . [actor] DeWolf Hopper . . . in front of some Broadway theater, banner on shoulder, aided and supported …
All the World's a Stage! The Actors' Strike of 1919
All the world's a stage, and all the men and women merely strikers! —New York Tribune, August 22, 1919 To borrow a metaphor current in theatrical circles in the early twentieth century, actors are “weavers of dreams”—artists engaged in the creation of the intangible and, in their own estimation, set apart from other occupational groups. For the most part, historians have allowed the dreams that actors weave to take precedence over the process of …
And the villain still pursued her
And the villain still pursued her
All the World's a Stage! The Actors' Strike of 1919
All the world's a stage, and all the men and women merely strikers! —New York Tribune, August 22, 1919 To borrow a metaphor current in theatrical circles in the early twentieth century, actors are “weavers of dreams”—artists engaged in the creation of the intangible and, in their own estimation, set apart from other occupational groups. For the most part, historians have allowed the dreams that actors weave to take precedence over the process of …
All the World's a Stage! The Actors' Strike of 1919
All the world's a stage, and all the men and women merely strikers! —New York Tribune, August 22, 1919 To borrow a metaphor current in theatrical circles in the early twentieth century, actors are “weavers of dreams”—artists engaged in the creation of the intangible and, in their own estimation, set apart from other occupational groups. For the most part, historians have allowed the dreams that actors weave to take precedence over the process of …
And the villain still pursued her
All Work or No Play
1. IntroductionWhen stage actors in the United States walked off the job in the summer of 1919 in protest at the persistent refusal of the major theatrical producers to recognize their union, most commentators were unwilling to take the strike seriously, preferring instead to exploit the moment for cheap laughs. “Perhaps we soon shall see . . . [actor] DeWolf Hopper . . . in front of some Broadway theater, banner on shoulder, aided and supported …
African American Theater
Working in the global film and television industries
Like many other cultural commodities, films and TV shows tend to work in such a way as to obscure the conditions under which they are produced, a process that has been reinforced by dominant trends in the practice of Film and Television Studies. This collection places the workplace experiences of industry workers at centre stage. It looks at film and television production in a variety of social, economic, political, and cultural contexts. The boo…
The Bectu History Project
Help to Preserve the Real Story of Our Cinema and Television Industries’
Le star system à Hollywood et le contrôle du travail des acteurs, 1916-1934
Cet article étudie la construction et le développement du star system à Hollywood de la fin des années 1910 au début des années 1930, lors de la période non syndicale de l’histoire des studios. Il investigue précisément comment le star system a été non seulement une stratégie économique et financière, mais aussi un outil de contrôle du travail et de la vie des actrices et des acteurs hollywoodiens. À partir de sources notamment syndicales auparav…
Art (5 works) · Political science (5 works) · Sociology (5 works) · Cinema and Media Studies (4 works) · Computer Science (4 works) · History (4 works) · Art history (3 works) · History (3 works) · Law (3 works) · Advertising (2 works)