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Tavia Amolo Ochieng' Nyongó

Biographic Data

ID5685017
NAMETavia Amolo Ochieng' Nyongó
GIVEN NAMESTavia Amolo Ochieng'
FAMILY NAMENyongó
SIGNATURENYONGÓ T A O
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2007
H-INDEX1
  • No Halvsies

    Open Access•Tavia Amolo Ochieng' Nyongó•ARTICLE•American Quarterly•2007

    No Halvsies! Tavia Nyong'o (bio) Hybridity, or the Cultural Logic of Globalization. By Marwan Kraidy. Philadelphia: Temple University Press, 2005. 232 pages. $59.50 (cloth). $22.95 (paper). There has been an unexpected resurgence of hybridity. Just when the raging debates of the 1980s and 1990s had cooled, and those guilty of "uncritically celebrating" hybridity had been forced to sharply qualify their more dazzling pronouncements, the age of cyb…

  • Black Theatre's Closet Drama

    Tavia Nyong’o, Tavia Amolo Ochieng''Nyongó et al.•ARTICLE•Theatre Journal•2005•Cited by: 1

    Where do the early blackface plays collected in W. T. Lhamon's Jump Jim Crow belong in the genealogy of black performance?10 Nowhere, Shauneille Perry suggests.11 Contrasting blackface minstrelsy with black radicalism, Perry notes reprovingly, "Had there been a multitude of Nat Turners, Harriet Tubmans, Toussaint L'Ouvertures and Mary Princes in 19th-century America, there would have been no Jim Crow, then or now." Perry invokes these heroic name…

  • Black Theatre's Closet Drama

    Tavia Nyong’o, Tavia Amolo Ochieng''Nyongó et al.•ARTICLE•Theatre Journal•2005•Cited by: 1

    Where do the early blackface plays collected in W. T. Lhamon's Jump Jim Crow belong in the genealogy of black performance?10 Nowhere, Shauneille Perry suggests.11 Contrasting blackface minstrelsy with black radicalism, Perry notes reprovingly, "Had there been a multitude of Nat Turners, Harriet Tubmans, Toussaint L'Ouvertures and Mary Princes in 19th-century America, there would have been no Jim Crow, then or now." Perry invokes these heroic name…

  • Black Theatre's Closet Drama

    Tavia Nyong’o, Tavia Amolo Ochieng''Nyongó et al.•ARTICLE•Theatre Journal•2005•Cited by: 1

    Where do the early blackface plays collected in W. T. Lhamon's Jump Jim Crow belong in the genealogy of black performance?10 Nowhere, Shauneille Perry suggests.11 Contrasting blackface minstrelsy with black radicalism, Perry notes reprovingly, "Had there been a multitude of Nat Turners, Harriet Tubmans, Toussaint L'Ouvertures and Mary Princes in 19th-century America, there would have been no Jim Crow, then or now." Perry invokes these heroic name…

  • No Halvsies

    Open Access•Tavia Amolo Ochieng' Nyongó•ARTICLE•American Quarterly•2007

    No Halvsies! Tavia Nyong'o (bio) Hybridity, or the Cultural Logic of Globalization. By Marwan Kraidy. Philadelphia: Temple University Press, 2005. 232 pages. $59.50 (cloth). $22.95 (paper). There has been an unexpected resurgence of hybridity. Just when the raging debates of the 1980s and 1990s had cooled, and those guilty of "uncritically celebrating" hybridity had been forced to sharply qualify their more dazzling pronouncements, the age of cyb…

Art (2 works) · Art history (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Aesthetics (1 works) · Ancient history (1 works) · Anthropology (1 works) · Blackface (1 works) · Closet (1 works)

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