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Suzanne Enzerink

Biographic Data

ID5685728
NAMESuzanne Enzerink
GIVEN NAMESSuzanne
FAMILY NAMEEnzerink
SIGNATUREENZERINK S
AFFILIATIONSUniversity of St.Gallen
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Conditional Whiteness and the Grammar of Belonging

    Suzanne Enzerink, Sandra King-Savic•ARTICLE•Comparative American Studies An…•2026

    On the eve of the US semiquincentennial, this essay argues that Central and Eastern Europe is indispensable to understanding the racial and civilizational grammars shaping US democracy – past and present. We contend that Eastern and Central Europe should be treated not as peripheral or episodic, but as historically entangled with US nation-making. From early twentieth-century eugenic debates and immigration quotas to contemporary invocations of ‘…

  • Imperial Screens

    Suzanne Enzerink•ARTICLE•Studies in World Cinema•2022

    This essay investigates the worldly parameters of the Netflix documentary genre. While Netflix on the surface communicates a rhetoric of a truly global vision for media production and circulation, data analysis shows that the documentary genre is still predominantly U.S. American. I use Raymond Williams’ 1975 caution that “genuinely open skies” would be almost impossible to materialize to interpret the implications of this in today’s global lands…

  • Feelings, Fascism, and Futures

    Open Access•Suzanne Enzerink•ARTICLE•Lateral•2021

    The COVID-19 pandemic has exposed some of the most glaring inequalities within nations and across the globe. While the disruption caused by the pandemic has given rise to hopes for a cultural reset to address these structures of inequality—captured compellingly by Arundhati Roy in her vision of the pandemic as a portal—the sediments of inequality have proven hard to erode. In this contribution, I explore this regressive impulse by honing in on th…

  • Black Atlantic Currents

    Open Access•Suzanne Enzerink•ARTICLE•Journal of Transnational American…•2021•References: 6

    This essay reads French-Senegalese director Mati Diop’s 2019 film Atlantique, a Senegalese-French-Belgian coproduction, to argue that its oceanic focus gestures at the haunting histories that suture the US and Senegal. Atlantique, spoken in Wolof, explores global and local class inequalities through a romance narrative that foregrounds the lasting effects of colonialism and economic imperialism on Senegal. Despite this distinct national context, …

  • Fashioning Diaspora

    Suzanne Enzerink•ARTICLE•Journal of Asian American Studies•2017

    Reviewed by: Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture by Vanita Reddy Suzanne Enzerink Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture, by Vanita Reddy. Philadelphia: Temple University Press, 2016. Xiii + 261 pp. $84.50 cloth. $32.95 paper. ISBN: 978-1-4399-1155-6. A few years ago, a friend sent me a card so striking that it is still up on my wall today. Taken from Canadian visual artist …

  • Spotlighting Black Female Performance

    Open Access•Suzanne Enzerink•ARTICLE•American Quarterly•2015•References: 1

    Spotlighting Black Female Performance Suzanne Enzerink (bio) How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement. By Ruth Feldstein. Oxford: Oxford University Press, 2013. 304 pages. $24.95 (cloth). Harlem Nocturne: Women Artists and Progressive Politics during World War II. By Farah Jasmine Griffin. New York: Basic Civitas Books, 2013. 264 pages. $19.56 (cloth). Oprah: The Gospel of an Icon. By Kathryn Lofton. Berkele…

No prominent works on this page.

  • Spotlighting Black Female Performance

    Open Access•Suzanne Enzerink•ARTICLE•American Quarterly•2015•References: 1

    Spotlighting Black Female Performance Suzanne Enzerink (bio) How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement. By Ruth Feldstein. Oxford: Oxford University Press, 2013. 304 pages. $24.95 (cloth). Harlem Nocturne: Women Artists and Progressive Politics during World War II. By Farah Jasmine Griffin. New York: Basic Civitas Books, 2013. 264 pages. $19.56 (cloth). Oprah: The Gospel of an Icon. By Kathryn Lofton. Berkele…

  • Fashioning Diaspora

    Suzanne Enzerink•ARTICLE•Journal of Asian American Studies•2017

    Reviewed by: Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture by Vanita Reddy Suzanne Enzerink Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture, by Vanita Reddy. Philadelphia: Temple University Press, 2016. Xiii + 261 pp. $84.50 cloth. $32.95 paper. ISBN: 978-1-4399-1155-6. A few years ago, a friend sent me a card so striking that it is still up on my wall today. Taken from Canadian visual artist …

  • Feelings, Fascism, and Futures

    Open Access•Suzanne Enzerink•ARTICLE•Lateral•2021

    The COVID-19 pandemic has exposed some of the most glaring inequalities within nations and across the globe. While the disruption caused by the pandemic has given rise to hopes for a cultural reset to address these structures of inequality—captured compellingly by Arundhati Roy in her vision of the pandemic as a portal—the sediments of inequality have proven hard to erode. In this contribution, I explore this regressive impulse by honing in on th…

  • Black Atlantic Currents

    Open Access•Suzanne Enzerink•ARTICLE•Journal of Transnational American…•2021•References: 6

    This essay reads French-Senegalese director Mati Diop’s 2019 film Atlantique, a Senegalese-French-Belgian coproduction, to argue that its oceanic focus gestures at the haunting histories that suture the US and Senegal. Atlantique, spoken in Wolof, explores global and local class inequalities through a romance narrative that foregrounds the lasting effects of colonialism and economic imperialism on Senegal. Despite this distinct national context, …

  • Imperial Screens

    Suzanne Enzerink•ARTICLE•Studies in World Cinema•2022

    This essay investigates the worldly parameters of the Netflix documentary genre. While Netflix on the surface communicates a rhetoric of a truly global vision for media production and circulation, data analysis shows that the documentary genre is still predominantly U.S. American. I use Raymond Williams’ 1975 caution that “genuinely open skies” would be almost impossible to materialize to interpret the implications of this in today’s global lands…

  • Conditional Whiteness and the Grammar of Belonging

    Suzanne Enzerink, Sandra King-Savic•ARTICLE•Comparative American Studies An…•2026

    On the eve of the US semiquincentennial, this essay argues that Central and Eastern Europe is indispensable to understanding the racial and civilizational grammars shaping US democracy – past and present. We contend that Eastern and Central Europe should be treated not as peripheral or episodic, but as historically entangled with US nation-making. From early twentieth-century eugenic debates and immigration quotas to contemporary invocations of ‘…

Art (4 works) · History (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Cinema and Media Studies (3 works) · History (3 works) · Literature (3 works) · Politics (3 works) · Aesthetics (2 works)

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