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John S Ott

Biographic Data

ID5685779
NAMEJohn S Ott
GIVEN NAMESJohn S
FAMILY NAMEOtt
SIGNATUREOTT J S
AFFILIATIONSPortland State University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Mobile Saints

    John S Ott•ARTICLE•Speculum•2023

    This is a book review of: Kate M. Craig "Mobile Saints: Relic Circulation, Devotion, and Conflict in the Central Middle Ages

  • Art and Economics

    John Ott, John S Ott•ARTICLE•American Art•2019

  • Power, Politics and Episcopal Authority

    Open Access•John S Ott•ARTICLE•The English Historical Review•2016

  • Battle Station MoMA

    John Ott, John S Ott•ARTICLE•American Art•2015

    It is a remarkable accident of history that Jacob Lawrence, already one of the most celebrated black artists at mid-century, served on the first naval boat with a racially integrated crew during World War II. In addition to creating dozens of works while a Coast Guard combat artist, he also produced after his discharge the 14-painting War Series of 1947. By and large, scholars—even art historians practicing a social history of art—have considered…

  • Graphic Consciousness

    Open Access•John S Ott, John Ott•ARTICLE•American Quarterly•2014•References: 3

    The 1940s were a visual cultural renaissance for an ascendant Congress of Industrial Organizations (CIO). But since the ecology of the “white cube” was unsuitable terrain for the advocacy of working-class solidarity and integration, many artists turned to social spaces, media, and means of production and distribution beyond the conventional art world to engage a working-class audience on its own cultural turf. Compounding the challenge of address…

  • How New York Stole the Luxury Art Market

    John Ott, John S Ott•ARTICLE•Winterthur Portfolio•2008

    Scholarship on the domestic art market has generally addressed questions of supply and the role of cultural intermediaries. By contrast, this study of blockbuster auction sales in Victorian America demonstrates that newly ascendant entrepreneurial elites drove changes in the art trade and further suggests that how collectors acquired artworks is just as critical to understanding consumer preferences and the shape and evolution of markets as what …

  • Families, Friends and Allies

    John S Ott•ARTICLE•Speculum•2006

  • Studien zur Corveyer Gründungsüberlieferung . Karl Heinrich Krüger

    John S Ott•ARTICLE•Speculum•2003

No prominent works on this page.

  • Studien zur Corveyer Gründungsüberlieferung . Karl Heinrich Krüger

    John S Ott•ARTICLE•Speculum•2003

  • Families, Friends and Allies

    John S Ott•ARTICLE•Speculum•2006

  • How New York Stole the Luxury Art Market

    John Ott, John S Ott•ARTICLE•Winterthur Portfolio•2008

    Scholarship on the domestic art market has generally addressed questions of supply and the role of cultural intermediaries. By contrast, this study of blockbuster auction sales in Victorian America demonstrates that newly ascendant entrepreneurial elites drove changes in the art trade and further suggests that how collectors acquired artworks is just as critical to understanding consumer preferences and the shape and evolution of markets as what …

  • Graphic Consciousness

    Open Access•John S Ott, John Ott•ARTICLE•American Quarterly•2014•References: 3

    The 1940s were a visual cultural renaissance for an ascendant Congress of Industrial Organizations (CIO). But since the ecology of the “white cube” was unsuitable terrain for the advocacy of working-class solidarity and integration, many artists turned to social spaces, media, and means of production and distribution beyond the conventional art world to engage a working-class audience on its own cultural turf. Compounding the challenge of address…

  • Battle Station MoMA

    John Ott, John S Ott•ARTICLE•American Art•2015

    It is a remarkable accident of history that Jacob Lawrence, already one of the most celebrated black artists at mid-century, served on the first naval boat with a racially integrated crew during World War II. In addition to creating dozens of works while a Coast Guard combat artist, he also produced after his discharge the 14-painting War Series of 1947. By and large, scholars—even art historians practicing a social history of art—have considered…

  • Power, Politics and Episcopal Authority

    Open Access•John S Ott•ARTICLE•The English Historical Review•2016

  • Art and Economics

    John Ott, John S Ott•ARTICLE•American Art•2019

  • Mobile Saints

    John S Ott•ARTICLE•Speculum•2023

    This is a book review of: Kate M. Craig "Mobile Saints: Relic Circulation, Devotion, and Conflict in the Central Middle Ages

Art (6 works) · History (6 works) · Law (6 works) · Political science (6 works) · Sociology (5 works) · History (4 works) · Law (4 works) · Ancient history (3 works) · Medieval Literature and History (3 works) · Aesthetics (2 works)

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