Verónica Sekules
Biographic Data
| ID | 5686881 |
|---|---|
| NAME | Verónica Sekules |
| GIVEN NAMES | Verónica |
| FAMILY NAME | Sekules |
| SIGNATURE | SEKULES V |
| AFFILIATIONS | University of East Anglia |
| ORCID | 0000-0003-3485-6360 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Negotiating Histories
A world (art) of senses, value and display’
Afterword
The Visual Object of Desire in Late Medieval England. (The Middle Ages Series) . Sarah Stanbury
Religious Politics and the Cloister Bosses of Norwich Cathedral
In this paper, I argue that analysis of the imagery associated with the late medieval cloister of Norwich Cathedral priory sheds light on crucial issues of the statement of belief and purpose in the monastery, suggesting that the choice and use of imagery in this institutional environment was a direct response to challenges from other authorities. I explore some of the means by which visual imagery indicates attitudes to religious orthodoxy and w…
Gothic stone sculpture
Researching Visual Arts Education in Museums and Galleries
The Devil's Cloth
The Devil's Cloth
(2003). The Devil's Cloth: A History of Stripes and Striped Fabric by Michel Pastoureau. TEXTILE: Vol. 1, No. 1, pp. 110-112
Seeable Signs
Beauty and the Beast
Disease as Factor in World Food Problem
Disease as Factor in World Food Problem
Beauty and the Beast
Seeable Signs
Gothic stone sculpture
Researching Visual Arts Education in Museums and Galleries
The Devil's Cloth
The Devil's Cloth
(2003). The Devil's Cloth: A History of Stripes and Striped Fabric by Michel Pastoureau. TEXTILE: Vol. 1, No. 1, pp. 110-112
Religious Politics and the Cloister Bosses of Norwich Cathedral
In this paper, I argue that analysis of the imagery associated with the late medieval cloister of Norwich Cathedral priory sheds light on crucial issues of the statement of belief and purpose in the monastery, suggesting that the choice and use of imagery in this institutional environment was a direct response to challenges from other authorities. I explore some of the means by which visual imagery indicates attitudes to religious orthodoxy and w…
The Visual Object of Desire in Late Medieval England. (The Middle Ages Series) . Sarah Stanbury
Afterword
A world (art) of senses, value and display’
Negotiating Histories
Art (10 works) · Art history (7 works) · Visual arts (5 works) · History (4 works) · Medieval Literature and History (4 works) · Aesthetics (3 works) · Archaeology (3 works) · Classics (3 works) · Computer Science (3 works) · Historical and Religious Studies of Rome (3 works)