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Nick Baxter‐Moore

Dados Biográficos

ID5689620
NOMENick Baxter‐Moore
PRENOMESNick
SOBRENOMEBaxter‐Moore
ASSINATURAMOORE N B
AFILIAÇÕESBrock University
VERIFICADONão
TOTAL DE OBRAS12
TOTAL DE CITAÇÕES6
TOTAL COMO AUTOR12
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2006
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H2
  • Band Chemistry

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•Rock Music Studies•2024

    The subject of band chemistry, or the interpersonal and collective dynamics within a rock band and their effects on longevity and musical creativity, has received little explicit scholarly attention. Drawing primarily on the words of musicians, this paper explores band chemistry in all its fragility and fickleness, easily disrupted and occasionally fortified by the ever-evolving interpersonal relationships of band members, commercial success or n…

  • National Identities and Images of the Other in a Canadian–American Borderlands Region

    Munroe Eagles, Nick Baxter‐Moore et al.•ARTICLE•International Journal of Canadian…•2023

    This article explores differences in national identities and orientations toward “the other” among Canadian and American students who attend geographically proximate universities in the southern Ontario/Upstate New York borderlands region. Drawing on descriptions of Canada–US cultural differences regarding national identities and views of “the other” from the work of Seymour Martin Lipset (and his critics) among Canadians and Americans at large, …

  • Two Nations or Four Regions? A Test of Alternative Explanations of Value Differences Between Canada and the United States

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•The American Review of Canadian…•2023

    Although Canada and the United States are among the most similar countries in the world, some scholars contend there are deep, enduring value differences separating Canadians from Americans. Lipset, for example, attributes this cultural “continental divide” principally to the origins of the two societies—respectively, the revolution in the United States and the resulting counter-revolution in the colonies to the north—and argues that value differ…

  • Multiculturalism versus ‘ e pluribus unum ’

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•British Journal of Canadian Studies•2022•Referências: 7

    Seymour Martin Lipset posits a ‘continental divide’ separating political value systems in Canada and the United States, attributing this to the two countries’ differing foundational experiences. Central to Lipset’s argument is the contrast that he draws between values respecting immigration and cultural diversity, a contrast captured in the metaphors, ‘mosaic’ and ‘melting pot’. Critics of Lipset’s thesis, such as Grabb and Curtis, argue that the…

  • John Prine, 1946–2020

    Nick Baxter‐Moore, Nick Baxter-Moore•ARTICLE•Rock Music Studies•2021

    Twenty-odd years ago, after maybe two decades of not playing much in public other than picking up a guitar at the end of a party or leading back-porch sing-alongs, I ventured back out into the folk

  • Explaining Canada–US differences in attitudes toward the role of government

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•Commonwealth and Comparative…•2018•Citada por: 2•Referências: 3

    For decades scholars have engaged in a lively debate about the distinctiveness of Canadian and American value systems. Lipset (1990) argues that divergent responses to the American Revolution led Canada to embrace Tory values of ‘peace, order, and good government’ while Americans pursued classical liberal values of ‘life, liberty, and the pursuit of happiness’. Other scholars question the extent, or even the existence, of the differences Lipset d…

  • The Live Concert Experience

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•Rock Music Studies•2016

    The digital upheaval of the late 1990s and early 2000s, combined with changing consumer preferences and behavior, profoundly changed the political economy of popular music. Sales of recorded music ...

  • “The Ties That Bind”

    Nick Baxter‐Moore, Nick Baxter-Moore•ARTICLE•Rock Music Studies•2016

    As the traditional driving forces of the music business, sales of recorded music and music publishing, have experienced serious economic downturns over the last decade, principally as a result of changes in technology and consumer behavior, one of the few growth areas in the broader music industry has been the live performance and touring sector. Yet, there are remarkably few academic studies of this sector: for example, we know very little about…

  • Explaining Canada–US Differences in Attitudes Toward Crime and Justice

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•The American Review of Canadian…•2016

    Despite cultural similarities between Canada and the United States, some observers contend that significant differences remain in attitudes and values between the two countries. For example, Lipset has observed that “efforts to distinguish Canada and the United States almost invariably point to the greater respect for law and order and those who uphold it north of the border”. Lipset’s argument is that Canadian values are based on the nation’s fo…

  • Canada Abroad

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•British Journal of Canadian Studies•2014

    The six articles immediately following this introduction are based on papers presented at the 'Canada Abroad' conference held at the Bader International Study Centre, or BISC, at Herstmonceux Castle in Sussex, England, in the summer of 2013. For those who don't know about BISC, it's an interna- tional study centre affiliated with Queen's University - not the Belfast institution, but the Canadian one, based in Kingston, Ontario. It offers an oppor…

  • Dark Side of the Tune

    Nick Baxter‐Moore, Nick Baxter-Moore•ARTICLE•Popular Music & Society•2011

  • This Is Where I Belong”—Identity, Social Class, and the Nostalgic Englishness of Ray Davies and the Kinks

    Nick Baxter‐Moore•ARTICLE•Popular Music & Society•2006•Citada por: 4•Referências: 2

    Among the artists and groups in the vanguard of the “British Invasion” of North America in the period 1964–67, perhaps none more consistently represented, and to a major extent consciously played up to, stereotypical notions of “Englishness” than the Kinks. As the '60s gave way to the '70s, the band's music, and Ray Davies's songwriting in particular, focused increasingly on close, wry, and sometimes satirical observations of English society, man…

  • This Is Where I Belong”—Identity, Social Class, and the Nostalgic Englishness of Ray Davies and the Kinks

    Nick Baxter‐Moore•ARTICLE•Popular Music & Society•2006•Citada por: 4•Referências: 2

    Among the artists and groups in the vanguard of the “British Invasion” of North America in the period 1964–67, perhaps none more consistently represented, and to a major extent consciously played up to, stereotypical notions of “Englishness” than the Kinks. As the '60s gave way to the '70s, the band's music, and Ray Davies's songwriting in particular, focused increasingly on close, wry, and sometimes satirical observations of English society, man…

  • Explaining Canada–US differences in attitudes toward the role of government

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•Commonwealth and Comparative…•2018•Citada por: 2•Referências: 3

    For decades scholars have engaged in a lively debate about the distinctiveness of Canadian and American value systems. Lipset (1990) argues that divergent responses to the American Revolution led Canada to embrace Tory values of ‘peace, order, and good government’ while Americans pursued classical liberal values of ‘life, liberty, and the pursuit of happiness’. Other scholars question the extent, or even the existence, of the differences Lipset d…

  • This Is Where I Belong”—Identity, Social Class, and the Nostalgic Englishness of Ray Davies and the Kinks

    Nick Baxter‐Moore•ARTICLE•Popular Music & Society•2006•Citada por: 4•Referências: 2

    Among the artists and groups in the vanguard of the “British Invasion” of North America in the period 1964–67, perhaps none more consistently represented, and to a major extent consciously played up to, stereotypical notions of “Englishness” than the Kinks. As the '60s gave way to the '70s, the band's music, and Ray Davies's songwriting in particular, focused increasingly on close, wry, and sometimes satirical observations of English society, man…

  • Dark Side of the Tune

    Nick Baxter‐Moore, Nick Baxter-Moore•ARTICLE•Popular Music & Society•2011

  • Canada Abroad

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•British Journal of Canadian Studies•2014

    The six articles immediately following this introduction are based on papers presented at the 'Canada Abroad' conference held at the Bader International Study Centre, or BISC, at Herstmonceux Castle in Sussex, England, in the summer of 2013. For those who don't know about BISC, it's an interna- tional study centre affiliated with Queen's University - not the Belfast institution, but the Canadian one, based in Kingston, Ontario. It offers an oppor…

  • The Live Concert Experience

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•Rock Music Studies•2016

    The digital upheaval of the late 1990s and early 2000s, combined with changing consumer preferences and behavior, profoundly changed the political economy of popular music. Sales of recorded music ...

  • “The Ties That Bind”

    Nick Baxter‐Moore, Nick Baxter-Moore•ARTICLE•Rock Music Studies•2016

    As the traditional driving forces of the music business, sales of recorded music and music publishing, have experienced serious economic downturns over the last decade, principally as a result of changes in technology and consumer behavior, one of the few growth areas in the broader music industry has been the live performance and touring sector. Yet, there are remarkably few academic studies of this sector: for example, we know very little about…

  • Explaining Canada–US Differences in Attitudes Toward Crime and Justice

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•The American Review of Canadian…•2016

    Despite cultural similarities between Canada and the United States, some observers contend that significant differences remain in attitudes and values between the two countries. For example, Lipset has observed that “efforts to distinguish Canada and the United States almost invariably point to the greater respect for law and order and those who uphold it north of the border”. Lipset’s argument is that Canadian values are based on the nation’s fo…

  • Explaining Canada–US differences in attitudes toward the role of government

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•Commonwealth and Comparative…•2018•Citada por: 2•Referências: 3

    For decades scholars have engaged in a lively debate about the distinctiveness of Canadian and American value systems. Lipset (1990) argues that divergent responses to the American Revolution led Canada to embrace Tory values of ‘peace, order, and good government’ while Americans pursued classical liberal values of ‘life, liberty, and the pursuit of happiness’. Other scholars question the extent, or even the existence, of the differences Lipset d…

  • John Prine, 1946–2020

    Nick Baxter‐Moore, Nick Baxter-Moore•ARTICLE•Rock Music Studies•2021

    Twenty-odd years ago, after maybe two decades of not playing much in public other than picking up a guitar at the end of a party or leading back-porch sing-alongs, I ventured back out into the folk

  • Multiculturalism versus ‘ e pluribus unum ’

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•British Journal of Canadian Studies•2022•Referências: 7

    Seymour Martin Lipset posits a ‘continental divide’ separating political value systems in Canada and the United States, attributing this to the two countries’ differing foundational experiences. Central to Lipset’s argument is the contrast that he draws between values respecting immigration and cultural diversity, a contrast captured in the metaphors, ‘mosaic’ and ‘melting pot’. Critics of Lipset’s thesis, such as Grabb and Curtis, argue that the…

  • National Identities and Images of the Other in a Canadian–American Borderlands Region

    Munroe Eagles, Nick Baxter‐Moore et al.•ARTICLE•International Journal of Canadian…•2023

    This article explores differences in national identities and orientations toward “the other” among Canadian and American students who attend geographically proximate universities in the southern Ontario/Upstate New York borderlands region. Drawing on descriptions of Canada–US cultural differences regarding national identities and views of “the other” from the work of Seymour Martin Lipset (and his critics) among Canadians and Americans at large, …

  • Two Nations or Four Regions? A Test of Alternative Explanations of Value Differences Between Canada and the United States

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•The American Review of Canadian…•2023

    Although Canada and the United States are among the most similar countries in the world, some scholars contend there are deep, enduring value differences separating Canadians from Americans. Lipset, for example, attributes this cultural “continental divide” principally to the origins of the two societies—respectively, the revolution in the United States and the resulting counter-revolution in the colonies to the north—and argues that value differ…

  • Band Chemistry

    Nick Baxter‐Moore, Nick Baxter-Moore et al.•ARTICLE•Rock Music Studies•2024

    The subject of band chemistry, or the interpersonal and collective dynamics within a rock band and their effects on longevity and musical creativity, has received little explicit scholarly attention. Drawing primarily on the words of musicians, this paper explores band chemistry in all its fragility and fickleness, easily disrupted and occasionally fortified by the ever-evolving interpersonal relationships of band members, commercial success or n…

Sociology (9 obras) · Art (6 obras) · History (6 obras) · Political science (6 obras) · Law (5 obras) · Music History and Culture (5 obras) · Law (4 obras) · Literature (4 obras) · Media studies (4 obras) · Popular music (4 obras)

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