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Judith L Sensibar

Biographic Data

ID5701332
NAMEJudith L Sensibar
GIVEN NAMESJudith L
FAMILY NAMESensibar
SIGNATURESENSIBAR J L
AFFILIATIONSArizona State University
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS1
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Faulkner and Love

    Judith L Sensibar•BOOK•Faulkner and Love•2017

    This book is about the making of the writer William Faulkner. It is the first to inquire into the three most important women in his life—his black and white mothers, Caroline Barr and Maud Falkner, and the childhood friend who became his wife, Estelle Oldham. In this new exploration of Faulkner’s creative process, Judith L. Sensibar discovers that these women’s relationships with Faulkner were not simply close; they gave life to his imagination. …

  • Faulkner and Love

    Judith L Sensibar•BOOK•Faulkner and Love•2009

    This book is about the making of the writer William Faulkner. It is the first to inquire into the three most important women in his life—his black and white mothers, Caroline Barr and Maud Falkner, and the childhood friend who became his wife, Estelle Oldham. In this new exploration of Faulkner's creative process, the text discovers that these women's relationships with Faulkner were not simply close; they gave life to his imagination. The book b…

  • Faulkner and Love

    Judith L Sensibar•BOOK•Faulkner and Love•2009

  • Introduction to Part 2

    Judith L Sensibar•CHAPTER•Faulkner and Love•2009

  • Who Wears the Mask? Memory, Desire, and Race in Go Down, Moses

    Open Access•Judith L Sensibar•CHAPTER•New Essays on Go down, Moses•1996

    I BEGIN with these questions: Why “Pantaloon in Black”? Why, twenty years after Faulkner had abandoned his first Laforguean persona and with it those numerous and explicit evocations of the commedia and of the protean Pierrot — the dominant voice of his long self-apprenticeship to poetry — does he (in what many consider the culminating moment in his career as a novelist), explicitly invoke the language and persona of his literary childhood? Why d…

  • Thinking of Home

    Judith L Sensibar, James G Watson•ARTICLE•American Literature•1993

    often have I lain beneath rain on a strange roof, thinking of home, says Darl Bundren in William Faulkner's As I Lay Dying. How much Faulkner himself is speaking may be suggested by this moving collection of nearly 150 letters. Written during his twenties, these letters describe Faulkner's first encounters with the North (...I made my first subway trip yesterday. The experience showed me that we are not descended from monkeys, as some say, but fr…

  • Reading Faulkner

    Judith L Sensibar, Wesley Morris et al.•ARTICLE•South Atlantic Review•1992

  • "The Politics of Hysteria in "The Bostonians

    Open Access•Judith L Sensibar•ARTICLE•South Central Review•1991

    In The Bostonians, Henry James draws upon words, categories, and that characterize agitation over women's movement' between 1870 and 1885 to explore, question, and ultimately invalidate rationale linking this vocabulary to new medico-sexual lexicon of female hysteria. Specifically, his narrative questions invention and use of vocabulary of female hysteria to control and silence women whose sexual i political behavior threatens hegemonic structure…

  • The Feminine and Faulkner

    Judith L Sensibar, Minrose Gwin et al.•ARTICLE•American Literature•1990

  • William Faulkner and the American Dilemma

    Judith L Sensibar, Carina Gadourek•ARTICLE•American Literature•1988

  • Edith Wharton Reads the Bachelor Type

    Judith L Sensibar•ARTICLE•American Literature•1988•Cited by: 1

    ALTHOUGH she was an early admirer of Modernists as diverse as Proust, Gide, and F. Scott Fitzgerald, it is well known that Edith Wharton did not appreciate the late James and that her verdict on T. S. Eliot's I9I7 and I922 productions was distinctly negative.! Yet the creative springboard for Wharton's eighteenth novel, The Children, was her intimate knowledge and understanding of the emotional and ethical limitations of the Prufrockian sensibili…

  • Current Interests, Work in Progress

    Martha Westwater, Paul John Eakin et al.•ARTICLE•a/b Auto/Biography Studies•1985

  • Vision in Spring

    Philip J Egan, William Faulkner et al.•ARTICLE•American Literature•1985

  • Edith Wharton Reads the Bachelor Type

    Judith L Sensibar•ARTICLE•American Literature•1988•Cited by: 1

    ALTHOUGH she was an early admirer of Modernists as diverse as Proust, Gide, and F. Scott Fitzgerald, it is well known that Edith Wharton did not appreciate the late James and that her verdict on T. S. Eliot's I9I7 and I922 productions was distinctly negative.! Yet the creative springboard for Wharton's eighteenth novel, The Children, was her intimate knowledge and understanding of the emotional and ethical limitations of the Prufrockian sensibili…

  • Current Interests, Work in Progress

    Martha Westwater, Paul John Eakin et al.•ARTICLE•a/b Auto/Biography Studies•1985

  • Vision in Spring

    Philip J Egan, William Faulkner et al.•ARTICLE•American Literature•1985

  • William Faulkner and the American Dilemma

    Judith L Sensibar, Carina Gadourek•ARTICLE•American Literature•1988

  • Edith Wharton Reads the Bachelor Type

    Judith L Sensibar•ARTICLE•American Literature•1988•Cited by: 1

    ALTHOUGH she was an early admirer of Modernists as diverse as Proust, Gide, and F. Scott Fitzgerald, it is well known that Edith Wharton did not appreciate the late James and that her verdict on T. S. Eliot's I9I7 and I922 productions was distinctly negative.! Yet the creative springboard for Wharton's eighteenth novel, The Children, was her intimate knowledge and understanding of the emotional and ethical limitations of the Prufrockian sensibili…

  • The Feminine and Faulkner

    Judith L Sensibar, Minrose Gwin et al.•ARTICLE•American Literature•1990

  • "The Politics of Hysteria in "The Bostonians

    Open Access•Judith L Sensibar•ARTICLE•South Central Review•1991

    In The Bostonians, Henry James draws upon words, categories, and that characterize agitation over women's movement' between 1870 and 1885 to explore, question, and ultimately invalidate rationale linking this vocabulary to new medico-sexual lexicon of female hysteria. Specifically, his narrative questions invention and use of vocabulary of female hysteria to control and silence women whose sexual i political behavior threatens hegemonic structure…

  • Reading Faulkner

    Judith L Sensibar, Wesley Morris et al.•ARTICLE•South Atlantic Review•1992

  • Thinking of Home

    Judith L Sensibar, James G Watson•ARTICLE•American Literature•1993

    often have I lain beneath rain on a strange roof, thinking of home, says Darl Bundren in William Faulkner's As I Lay Dying. How much Faulkner himself is speaking may be suggested by this moving collection of nearly 150 letters. Written during his twenties, these letters describe Faulkner's first encounters with the North (...I made my first subway trip yesterday. The experience showed me that we are not descended from monkeys, as some say, but fr…

  • Who Wears the Mask? Memory, Desire, and Race in Go Down, Moses

    Open Access•Judith L Sensibar•CHAPTER•New Essays on Go down, Moses•1996

    I BEGIN with these questions: Why “Pantaloon in Black”? Why, twenty years after Faulkner had abandoned his first Laforguean persona and with it those numerous and explicit evocations of the commedia and of the protean Pierrot — the dominant voice of his long self-apprenticeship to poetry — does he (in what many consider the culminating moment in his career as a novelist), explicitly invoke the language and persona of his literary childhood? Why d…

  • Faulkner and Love

    Judith L Sensibar•BOOK•Faulkner and Love•2009

    This book is about the making of the writer William Faulkner. It is the first to inquire into the three most important women in his life—his black and white mothers, Caroline Barr and Maud Falkner, and the childhood friend who became his wife, Estelle Oldham. In this new exploration of Faulkner's creative process, the text discovers that these women's relationships with Faulkner were not simply close; they gave life to his imagination. The book b…

  • Faulkner and Love

    Judith L Sensibar•BOOK•Faulkner and Love•2009

  • Introduction to Part 2

    Judith L Sensibar•CHAPTER•Faulkner and Love•2009

  • Faulkner and Love

    Judith L Sensibar•BOOK•Faulkner and Love•2017

    This book is about the making of the writer William Faulkner. It is the first to inquire into the three most important women in his life—his black and white mothers, Caroline Barr and Maud Falkner, and the childhood friend who became his wife, Estelle Oldham. In this new exploration of Faulkner’s creative process, Judith L. Sensibar discovers that these women’s relationships with Faulkner were not simply close; they gave life to his imagination. …

History (9 works) · Art (7 works) · American and British Literature Analysis (6 works) · Literature (6 works) · Philosophy (5 works) · Psychoanalysis (5 works) · Psychology (5 works) · Art history (4 works) · Literature: history, themes, analysis (3 works) · Political science (3 works)

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