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Donald M Kartiganer

Biographic Data

ID5701765
NAMEDonald M Kartiganer
GIVEN NAMESDonald M
FAMILY NAMEKartiganer
SIGNATUREKARTIGANER D M
AFFILIATIONSUniversity of Washington
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1965
LATEST PUBLICATION YEAR1998
H-INDEX0
  • Faulkner and Gender

    Scott Yarbrough, Scott D Yarbrough et al.•ARTICLE•South Atlantic Review•1998

  • Modernism as gesture

    Donald M Kartiganer•ARTICLE•Renaissance and Modern Studies•1998•References: 1

  • Faulkner and Psychology

    Open Access•Philip Dubuisson Castille, Philip Castille et al.•ARTICLE•South Central Review•1997

  • Creating Faulkner's Reputation

    Donald M Kartiganer, Lawrence H Schwartz•ARTICLE•American Literature•1990

  • Ghost-Writing

    Open Access•Donald M Kartiganer, Donald Kartiganer•ARTICLE•AJS Review The Journal of the…•1988

    In writing a trilogy of novels on the life and times of Nathan Zuckerman, American Jewish Writer, Philip Roth has waded manfully into a tradition even more thickly and brilliantly populated than the one he selected as literary background for The Breast. If the grotesque metamorphosis of David Kepesh into a six–foot, one–hundred–and–fifty–pound female breast compels us to compare Roths novel with some of the great texts of Kafka and Gogol, in Zuck…

  • The Fragile Thread

    Ilse Dusoir Lind, Donald M Kartiganer•ARTICLE•American Literature•1981

  • The Criticism of Murray Krieger

    Donald M Kartiganer•ARTICLE•boundary 2•1974

  • The Sound and the Fury and Faulkner's Quest for Form

    Donald M Kartiganer•ARTICLE•ELH•1970

    In The Sound and the Fury Faulkner passed abruptly from his novels of promise to the first achievement of his mastery, chiefly because he had found a form commensurate to his vision-a succession of grotesquely shaped fragments struggling to discover their own unity. In the sequence of narratives which constitutes the novel, Faulkner grasped his world both in its fact and its direction, what it was and what it was striving to become. Nearly all of…

  • Faulkner's Absalom, Absalom

    Donald M Kartiganer•ARTICLE•American Literature•1965

    UNDERSTANDING OF Absalom, Absalom! must begin with recognition of the fact that, for Faulkner, Thomas Sutpen is, in his basic intentions and in the fundamental characteristics of his methods, an image of the pre-Civil War Southern plantation owner.' While Sutpen may frequently exhibit primitive brutality, Faulkner is quick to indicate the basic brutality in the whole plantation system. If Sutpen horrifies the community, it is largely because he i…

No prominent works on this page.

  • Faulkner's Absalom, Absalom

    Donald M Kartiganer•ARTICLE•American Literature•1965

    UNDERSTANDING OF Absalom, Absalom! must begin with recognition of the fact that, for Faulkner, Thomas Sutpen is, in his basic intentions and in the fundamental characteristics of his methods, an image of the pre-Civil War Southern plantation owner.' While Sutpen may frequently exhibit primitive brutality, Faulkner is quick to indicate the basic brutality in the whole plantation system. If Sutpen horrifies the community, it is largely because he i…

  • The Sound and the Fury and Faulkner's Quest for Form

    Donald M Kartiganer•ARTICLE•ELH•1970

    In The Sound and the Fury Faulkner passed abruptly from his novels of promise to the first achievement of his mastery, chiefly because he had found a form commensurate to his vision-a succession of grotesquely shaped fragments struggling to discover their own unity. In the sequence of narratives which constitutes the novel, Faulkner grasped his world both in its fact and its direction, what it was and what it was striving to become. Nearly all of…

  • The Criticism of Murray Krieger

    Donald M Kartiganer•ARTICLE•boundary 2•1974

  • The Fragile Thread

    Ilse Dusoir Lind, Donald M Kartiganer•ARTICLE•American Literature•1981

  • Ghost-Writing

    Open Access•Donald M Kartiganer, Donald Kartiganer•ARTICLE•AJS Review The Journal of the…•1988

    In writing a trilogy of novels on the life and times of Nathan Zuckerman, American Jewish Writer, Philip Roth has waded manfully into a tradition even more thickly and brilliantly populated than the one he selected as literary background for The Breast. If the grotesque metamorphosis of David Kepesh into a six–foot, one–hundred–and–fifty–pound female breast compels us to compare Roths novel with some of the great texts of Kafka and Gogol, in Zuck…

  • Creating Faulkner's Reputation

    Donald M Kartiganer, Lawrence H Schwartz•ARTICLE•American Literature•1990

  • Faulkner and Psychology

    Open Access•Philip Dubuisson Castille, Philip Castille et al.•ARTICLE•South Central Review•1997

  • Faulkner and Gender

    Scott Yarbrough, Scott D Yarbrough et al.•ARTICLE•South Atlantic Review•1998

  • Modernism as gesture

    Donald M Kartiganer•ARTICLE•Renaissance and Modern Studies•1998•References: 1

Art (8 works) · History (6 works) · Literature (6 works) · Philosophy (6 works) · Philosophy (4 works) · History (3 works) · Linguistics (3 works) · Poetry Analysis and Criticism (3 works) · Aesthetics (2 works) · Art history (2 works)

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