Rosalind E Krauss

Biographic Data

ID5705010
NAMERosalind E Krauss
GIVEN NAMESRosalind E
FAMILY NAMEKrauss
SIGNATUREKRAUSS R E
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS59
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2025
H-INDEX2

  • On The Painted Word

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2025

    This article is a reprint of Rosalind Krauss's 1975 review of Tom Wolfe's "The Painted Word," published in Partisan Review. The review critically examines Wolfe's polemical attack on modern art, its creators, critics, and patrons. Krauss argues that Wolfe's fundamental thesis-that modern art is empty of intrinsic content and functions merely as a social exchange medium validated by obscure critical theory-stems from his professed inability to exp…

  • Sculpture Is a Verb

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2024

    Rosalind Krauss analyzes aspects of Richard Serra's oeuvre, and Clement Greenberg's opposition to it, by way of a discussion of several of his sculptures, particularly One Ton Prop (House of Cards), as well as Verb List, locating the essence of Serra's work in that of the medium of sculpture itself: contrapposto. The article begins: "My flight from the house of Greenberg (Judd called us "Greenbergers") began with Richard Serra: In conversation, C…

  • The Madness of the Gaze

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2023

    In his seminar "The Eye and the Gaze," Jacques Lacan is forced to regard the problem of the unconscious through the grid of the Cartesian cogito. In the certainty of "I think, therefore I am," which expresses the complete transparency of the self to its own apprehension, leaves no space for the ineffability of the unconscious. Lacan sees this proto-enlightenment certainty running through all perceptual mechanisms, as in Paul Valèry's poem "La Jeu…

  • Beyond Painting

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2022

    Rosalind Krauss argues that the 2020 Donald Judd retrospective at the Museum of Modern Art shows that the painterly side of this famously "anti-painter" artist was more pronounced than he would have ever admitted

  • Between the Book and the Lamp

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2020

    Rosalind E. Krauss discusses the origins and argument of Douglas Crimp's "On the Museum's Ruins," celebrating it as embodying the epistemê of cultural rebellion

  • The Troubles of the Neck

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2019

    Rosalind E. Krauss discusses William Kentridge's The Head & the Load

  • Annette Michelson, 1922-2018

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2018

    Rosalind E. Krauss and Malcolm Turvey honor critic and film historian Annette Michelson, co-founder of October, who died in September 2018 at the age of ninety-five. They detail Michelson's contributions to the journal in essays, translations, and the editing of special issues, and announce a forthcoming issue dedicated to her scholarship

  • Montage October

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2017

    In "Montage October," which appeared in Artforum in January 1973, Rosalind Krauss argues that Sergei Eisenstein's 1928 film was not only a celebration of a Marxist victory but also a demonstration of Marxist dialectical reasoning through montage. Krauss contends that rather than passively reconstructing the chain of circumstances that culminated in the storming of the Winter Palace in 1917, Eisenstein hoped to draw a filmic equivalence between th…

  • Sewn in the Sweatshops of Marx

    Thierry De Duve, Rosalind E Krauss et al.BOOKSewn in the sweatshops of Marx2012

  • The Slung Leg Hypothesis

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2011

    May 01 2011 The Slung Leg Hypothesis Rosalind E. Krauss Rosalind E. Krauss Search for other works by this author on: This Site Google Scholar Author and Article Information Rosalind E. Krauss Online ISSN: 1536-013X Print ISSN: 0162-2870 © 2011 October Magazine, Ltd. and Massachusetts Institute of Technology2011 October (2011) (136): 218–221. https://doi.org/10.1162/OCTO_a_00054 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn…

  • Clock Time

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2011

    May 01 2011 Clock Time Rosalind E. Krauss Rosalind E. Krauss Search for other works by this author on: This Site Google Scholar Author and Article Information Rosalind E. Krauss Online Issn: 1536-013X Print Issn: 0162-2870 © 2011 October Magazine, Ltd. and Massachusetts Institute of Technology2011 October (2011) (136): 213–217. https://doi.org/10.1162/OCTO_a_00053 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Artic…

  • The Angel of History

    Rosalind E Krau, Rosalind Krau et al.ARTICLEOctober2010

    October 01 2010 The Angel of History Rosalind E. Krauss Rosalind E. Krauss Search for other works by this author on: This Site Google Scholar Author and Article Information Rosalind E. Krauss Online Issn: 1536-013X Print Issn: 0162-2870 © 2010 October Magazine, Ltd. and Massachusetts Institute of Technology2010 October (2010) (134): 111–121. https://doi.org/10.1162/OCTO_a_00014 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn…

  • William Kentridge

    Open AccessAndreas Huyssen, William Kentridge et al.BOOKWilliam Kentridge2009

    With a searing body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans - both during the apartheid regime and after its collapse.This extraordinary catalog, produced in close collaboration with the artist, investigates the five primary themes that have engaged Kentridge over the course of his career such as: Soh…

  • Should We Put an End to Projection

    Dominique Païni, Rosalind E KraussARTICLEOctober2004Cited by: 2References: 2

    October 01 2004 Should We Put an End to Projection? Dominique Païni, Dominique Païni Search for other works by this author on: This Site Google Scholar Rosalind E. Krauss Rosalind E. Krauss Search for other works by this author on: This Site Google Scholar Author and Article Information Dominique Païni Rosalind E. Krauss Online Issn: 1536-013X Print Issn: 0162-2870 © 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 Octobe…

  • "Specific" Objects

    Open AccessRosalind E Krau, Rosalind E Krauss et al.ARTICLERes: Anthropology and Aesthetics2004

  • Reinventing the Medium

    Rosalind E Krau, Rosalind Krau et al.ARTICLECritical Inquiry1999Cited by: 28

  • Television

    Jacques Lacan, Annette Michaleson et al.BOOKTelevision1990

  • The Story of the Eye

    Rosalind E Krau, Rosalind E Krauss et al.ARTICLENew Literary History1990Cited by: 1

    very clear about its objectives. 'History and ...' takes place, it announced, at a time of critical importance for our understanding of how consciousness of and rhetoric about the past contributes to our ability to make sense of our cultures. Whereas a historical appreciation of the sciences and humanities was once seen as a necessary component of a liberal education, in the wake of structuralism's and functionalism's celebration of the synchroni…

  • The Originality of the Avant-Garde and Other Modernist Myths

    Mary Bittner Wiseman, Rosalind Krau et al.ARTICLEJournal of Aesthetic Education1986Cited by: 28

  • Terminal Iron Works

    Henry P Raleigh, Rosalind E Krauss et al.ARTICLELeonardo1981

    don't touch, I touch with the eye--David SmithRosalind Krauss believes that the body of work produced by David Smith over the past three decades constitutes the most important sculptural achievement of this century. This book characterizes his work in a way that will make the reader see it on the grounds of its own intense originality. Several arguments are developed simultaneously in the text: an historical description of Smith's career which sh…