Madeleine Velguth
Biographic Data
| ID | 5705369 |
|---|---|
| NAME | Madeleine Velguth |
| GIVEN NAMES | Madeleine |
| FAMILY NAME | Velguth |
| SIGNATURE | VELGUTH M |
| AFFILIATIONS | University of Wisconsin–Milwaukee |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
For an inclusive history of the humanities and social sciences
The first issue of the Revue d’histoire des sciences humaines came out twenty years ago, in 1999. Why celebrate this young age? Twenty years is not much time in a human existence to make an assessment or draw up an inventory, even if the temporality of a periodical is different, with its changing staff and its zigzagging “line”. These twenty years are an opportunity to open avenues, attempt experiments, and take risks. The day-to-day preparation …
Nihilism and Negritude
In a searching meditation on ways of living in modern Africa, Monga dispels the stereotypes that cloud how outsiders view the continent, and how Africans sometimes view themselves. He shows how dance, music, bodily experience, faith, and mourning reflect a nihilism that finds meaning and joy in a life that would otherwise seem absurd.
"Une Campagne de rêves", creuset de Chêne et chien
La Nuit dans un sac
Studying Jacques Ferron's Les Confitures de coings in the context created by his other writings, the present essay proposes reading this polysemic work as a double project, a nationalist diptych featuring the night as vehicle of symbol and myth. In the negative panel, the narrator, conflating his personal story with that of the Quebec people, "dismisses" the dominant anglophone minority personified by his alter ego Frank Archibald Campbell/Frank …
No prominent works on this page.
La Nuit dans un sac
Studying Jacques Ferron's Les Confitures de coings in the context created by his other writings, the present essay proposes reading this polysemic work as a double project, a nationalist diptych featuring the night as vehicle of symbol and myth. In the negative panel, the narrator, conflating his personal story with that of the Quebec people, "dismisses" the dominant anglophone minority personified by his alter ego Frank Archibald Campbell/Frank …
"Une Campagne de rêves", creuset de Chêne et chien
Nihilism and Negritude
In a searching meditation on ways of living in modern Africa, Monga dispels the stereotypes that cloud how outsiders view the continent, and how Africans sometimes view themselves. He shows how dance, music, bodily experience, faith, and mourning reflect a nihilism that finds meaning and joy in a life that would otherwise seem absurd.
For an inclusive history of the humanities and social sciences
The first issue of the Revue d’histoire des sciences humaines came out twenty years ago, in 1999. Why celebrate this young age? Twenty years is not much time in a human existence to make an assessment or draw up an inventory, even if the temporality of a periodical is different, with its changing staff and its zigzagging “line”. These twenty years are an opportunity to open avenues, attempt experiments, and take risks. The day-to-day preparation …
Art (4 works) · Humanities (3 works) · Philosophy (3 works) · Cultural Identity and Heritage (2 works) · French Urban and Social Studies (2 works) · Aesthetics (1 work) · Africa (1 work) · Archaeology (1 work) · Art history (1 work) · Black People (1 work)