Michael Tilby
Biographic Data
| ID | 5705464 |
|---|---|
| NAME | Michael Tilby |
| GIVEN NAMES | Michael |
| FAMILY NAME | Tilby |
| SIGNATURE | TILBY M |
| AFFILIATIONS | Selwyn College, Cambridge |
| ORCID | 0000-0003-1663-4860 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Baudelaire, Manet and the Visual Object
This article begins by providing a contextual account of the different ways in which contemporaries of Baudelaire and Manet subscribed to a widespread, though not universal, assumption that the two shared common artistic aims. The article then seeks to establish aesthetic parallels between Manet’s La Musique aux Tuileries (1862) and Baudelaire’s ‘Le Thyrse’ (1863). Sidestepping the vexed question of the extent to which Manet may be seen as an emb…
Baudelaire through Bengali Eyes
Balzacian Aporia
In the majority of the critical assessments of Balzac's La Vieille Fille , the inconsistencies and contradictions found within the portrayal of its picturesque characters have either been considered flaws or have been the subject of attempts at rationalization. The present article, which shares a starting point with the perspective adopted by Fredric Jameson, argues that these inconsistencies are linked, through an acceptance of the inevitability…
Mosaïques
Journal Article Mosaïques: être écrivain entre presse et roman (1829–1836) Get access Michael Tilby Michael Tilby Selwyn College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 59, Issue 3, July 2005, Pages 412–413, https://doi.org/10.1093/fs/kni177 Published: 01 July 2005
La Vraisemblance narrative en question
By Fiona McIntosh. Paris, Presses de la Sorbonne Nouvelle, 2002. 364 pp. Pb €23.00. In this immensely solid, if rather densely written, study, Fiona McIntosh invites us to turn our attention away from the nineteenth century's apparent obsession with realism and to examine the seemingly regressive concern with vraisemblance that is shown by her to have formed the central preoccupation of both Walter Scott and his anti-Naturalist disciple, Barbey d…
Balzac, la duchesse et l'idole
Journal Article Balzac, la duchesse et l'idole: poétique du corps aristocratique Get access Michael Tilby Michael Tilby Selwyn College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 59, Issue 2, April 2005, Pages 259–260, https://doi.org/10.1093/fs/kni104 Published: 01 April 2005
Le Café-théâtre baudelairien
Essay Review
Balzac, Cousin Bette, translated by Sylvia Raphael with an introduction by David Bellos, 1992; Balzac, Eugénie Grandet, translated by Sylvia Raphael with an introduction by Christopher Prendergast, 1990; Balzac, Père Goriot, translated and edited by A. J. Krailsheimer, 1991; Baudelaire, The Prose Poems and La Fanfarlo, translated with an introduction by Rosemary Lloyd, 1991; Dumas, The Count of Monte Cristo, edited with an introduction by David C…
Tolstoj, Sterne, and the Spurious Koran
Les Faux-Monnayeurs
Journal Article LES FAUX-MONNAYEURS: A NOVEL ABOUT EMBARRASSMENT Get access MICHAEL TILBY MICHAEL TILBY CAMBRIDGE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXV, Issue 1, January 1981, Pages 45–59, https://doi.org/10.1093/fs/XXXV.1.45 Published: 01 January 1981
No prominent works on this page.
Les Faux-Monnayeurs
Journal Article LES FAUX-MONNAYEURS: A NOVEL ABOUT EMBARRASSMENT Get access MICHAEL TILBY MICHAEL TILBY CAMBRIDGE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXV, Issue 1, January 1981, Pages 45–59, https://doi.org/10.1093/fs/XXXV.1.45 Published: 01 January 1981
Tolstoj, Sterne, and the Spurious Koran
Essay Review
Balzac, Cousin Bette, translated by Sylvia Raphael with an introduction by David Bellos, 1992; Balzac, Eugénie Grandet, translated by Sylvia Raphael with an introduction by Christopher Prendergast, 1990; Balzac, Père Goriot, translated and edited by A. J. Krailsheimer, 1991; Baudelaire, The Prose Poems and La Fanfarlo, translated with an introduction by Rosemary Lloyd, 1991; Dumas, The Count of Monte Cristo, edited with an introduction by David C…
Le Café-théâtre baudelairien
Mosaïques
Journal Article Mosaïques: être écrivain entre presse et roman (1829–1836) Get access Michael Tilby Michael Tilby Selwyn College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 59, Issue 3, July 2005, Pages 412–413, https://doi.org/10.1093/fs/kni177 Published: 01 July 2005
La Vraisemblance narrative en question
By Fiona McIntosh. Paris, Presses de la Sorbonne Nouvelle, 2002. 364 pp. Pb €23.00. In this immensely solid, if rather densely written, study, Fiona McIntosh invites us to turn our attention away from the nineteenth century's apparent obsession with realism and to examine the seemingly regressive concern with vraisemblance that is shown by her to have formed the central preoccupation of both Walter Scott and his anti-Naturalist disciple, Barbey d…
Balzac, la duchesse et l'idole
Journal Article Balzac, la duchesse et l'idole: poétique du corps aristocratique Get access Michael Tilby Michael Tilby Selwyn College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 59, Issue 2, April 2005, Pages 259–260, https://doi.org/10.1093/fs/kni104 Published: 01 April 2005
Balzacian Aporia
In the majority of the critical assessments of Balzac's La Vieille Fille , the inconsistencies and contradictions found within the portrayal of its picturesque characters have either been considered flaws or have been the subject of attempts at rationalization. The present article, which shares a starting point with the perspective adopted by Fredric Jameson, argues that these inconsistencies are linked, through an acceptance of the inevitability…
Baudelaire through Bengali Eyes
Baudelaire, Manet and the Visual Object
This article begins by providing a contextual account of the different ways in which contemporaries of Baudelaire and Manet subscribed to a widespread, though not universal, assumption that the two shared common artistic aims. The article then seeks to establish aesthetic parallels between Manet’s La Musique aux Tuileries (1862) and Baudelaire’s ‘Le Thyrse’ (1863). Sidestepping the vexed question of the extent to which Manet may be seen as an emb…
Art (9 works) · Art history (4 works) · History (4 works) · History (4 works) · Philosophy (4 works) · Philosophy (4 works) · French Literature and Poetry (3 works) · Historical and Literary Studies (3 works) · Literature (3 works) · Computer Science (2 works)