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A Konkle

Biographic Data

ID57079
NAMEA Konkle
GIVEN NAMESA
FAMILY NAMEKonkle
SIGNATUREKONKLE A
AFFILIATIONSGeorgia Southern University
ORCID0000-0002-2297-5955
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Ida Lupino: Multifaceted performer and cinematic pioneer

    A Konkle•ARTICLE•Historical Journal Of Film Radio…•2026

    Gillian Kelly’s comprehensive study of Ida Lupino combats common misconceptions and ‘misremember[ings]’ (p. 228) regarding Lupino’s career, including her association only with film noir. With a foc

  • Woke women of the 90s return: Toxic white feminism and the Murphy Brown and Roseanne reboots

    Open Access•A Konkle•ARTICLE•The Journal of Popular Culture•2025•References: 4

    Two feminist icons of the 1990s returned to network television in 2018: Murphy Brown and Roseanne Conner. Neither rebooted character survived the reboot's first season. Despite their attempts to demonstrate that they were “woke,” the acting styles and strong personas of these two icons were, this paper argues, not appealing to a younger generation of television viewers and feminists and, simultaneously, too progressive for the older and more conv…

  • Not Only ‘Double Entendre’ but Outright Smut: Some Like It Hot ’s (1959) Code-Compatible Style

    A Konkle•ARTICLE•Quarterly Review of Film Studies•2025•References: 12

  • Horrible White People: Gender, Genre, and Television’s Precarious Whiteness, Taylor Nygaard and Jorie Lagerwey (2020)

    A Konkle•ARTICLE•The Journal of Fandom Studies•2023

    Review of: Horrible White People: Gender, Genre, and Television’s Precarious Whiteness , Taylor Nygaard and Jorie Lagerwey (2020) New York: New York University Press, 271 pp., ISBN 978-1-47980-535-8, p/bk, $30.00

  • Home on the Range: Reshaping Narratives of Domesticity in Marilyn Monroe's Westerns

    A Konkle•ARTICLE•Comparative American Studies An…•2023•References: 5

    Although Marilyn Monroe is not best remembered for her performances in westerns, she starred in three: River of No Return (Otto Preminger, 1954), Bus Stop (Joshua Logan, 1956), and The Misfits (John Huston, 1961). Monroe’s western films contributed to mid-century domestic ideology for both men and women, firstly by featuring an independent, career-oriented woman as a prominent western co-star who ends her films no longer working in saloons and ni…

  • Creating Carmen Miranda: Race, Camp, and Transnational Stardom

    A Konkle•ARTICLE•Historical Journal Of Film Radio…•2017

No prominent works on this page.

  • Creating Carmen Miranda: Race, Camp, and Transnational Stardom

    A Konkle•ARTICLE•Historical Journal Of Film Radio…•2017

  • Horrible White People: Gender, Genre, and Television’s Precarious Whiteness, Taylor Nygaard and Jorie Lagerwey (2020)

    A Konkle•ARTICLE•The Journal of Fandom Studies•2023

    Review of: Horrible White People: Gender, Genre, and Television’s Precarious Whiteness , Taylor Nygaard and Jorie Lagerwey (2020) New York: New York University Press, 271 pp., ISBN 978-1-47980-535-8, p/bk, $30.00

  • Home on the Range: Reshaping Narratives of Domesticity in Marilyn Monroe's Westerns

    A Konkle•ARTICLE•Comparative American Studies An…•2023•References: 5

    Although Marilyn Monroe is not best remembered for her performances in westerns, she starred in three: River of No Return (Otto Preminger, 1954), Bus Stop (Joshua Logan, 1956), and The Misfits (John Huston, 1961). Monroe’s western films contributed to mid-century domestic ideology for both men and women, firstly by featuring an independent, career-oriented woman as a prominent western co-star who ends her films no longer working in saloons and ni…

  • Woke women of the 90s return: Toxic white feminism and the Murphy Brown and Roseanne reboots

    Open Access•A Konkle•ARTICLE•The Journal of Popular Culture•2025•References: 4

    Two feminist icons of the 1990s returned to network television in 2018: Murphy Brown and Roseanne Conner. Neither rebooted character survived the reboot's first season. Despite their attempts to demonstrate that they were “woke,” the acting styles and strong personas of these two icons were, this paper argues, not appealing to a younger generation of television viewers and feminists and, simultaneously, too progressive for the older and more conv…

  • Not Only ‘Double Entendre’ but Outright Smut: Some Like It Hot ’s (1959) Code-Compatible Style

    A Konkle•ARTICLE•Quarterly Review of Film Studies•2025•References: 12

  • Ida Lupino: Multifaceted performer and cinematic pioneer

    A Konkle•ARTICLE•Historical Journal Of Film Radio…•2026

    Gillian Kelly’s comprehensive study of Ida Lupino combats common misconceptions and ‘misremember[ings]’ (p. 228) regarding Lupino’s career, including her association only with film noir. With a foc

Art (5 works) · Gender Studies (4 works) · Sociology (4 works) · Art history (3 works) · American Literature and Culture (2 works) · History (2 works) · Literature (2 works) · Advertising (1 works) · American and British Literature Analysis (1 works) · American Political and Social Dynamics (1 works)

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