Michael P Dean
Biographic Data
| ID | 5709718 |
|---|---|
| NAME | Michael P Dean |
| GIVEN NAMES | Michael P |
| FAMILY NAME | Dean |
| SIGNATURE | DEAN M P |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 0 |
Using Film Cutting Techniques in Interface Design
It has been suggested that computer interfaces could be made more usable if their designers utilized cinematography techniques, which have evolved to guide the viewer through a narrative despite frequent discontinuities in the presented scene (i.e., cuts between shots). Because of differences between the domains of film and interface design, it is not straightforward to understand how such techniques can be transferred. May and Barnard (1995) arg…
Repetition priming of homographs and novel objects
Two experiments examined the nature of the memory representations underlying repetition priming. In Expt 1, homographs (words with two meanings) were presented accompanied by bias words that demanded one particular interpretation of each. These homographs were then used in a test phase picture‐word matching task. Repeated items accompanied by a picture that demanded another interpretation of the word showed as much facilitation as repeated items …
No prominent works on this page.
Repetition priming of homographs and novel objects
Two experiments examined the nature of the memory representations underlying repetition priming. In Expt 1, homographs (words with two meanings) were presented accompanied by bias words that demanded one particular interpretation of each. These homographs were then used in a test phase picture‐word matching task. Repeated items accompanied by a picture that demanded another interpretation of the word showed as much facilitation as repeated items …
Using Film Cutting Techniques in Interface Design
It has been suggested that computer interfaces could be made more usable if their designers utilized cinematography techniques, which have evolved to guide the viewer through a narrative despite frequent discontinuities in the presented scene (i.e., cuts between shots). Because of differences between the domains of film and interface design, it is not straightforward to understand how such techniques can be transferred. May and Barnard (1995) arg…
Linguistics (2 works) · Action (physics (1 work) · Artificial Intelligence (1 work) · Classification of discontinuities (1 work) · Cognition (1 work) · Cognitive psychology (1 work) · Collocation (remote sensing (1 work) · Communication (1 work) · Comprehension (1 work) · Computer graphics (images (1 work)