Anastasia Kostetskaya
Biographic Data
| ID | 5713092 |
|---|---|
| NAME | Anastasia Kostetskaya |
| GIVEN NAMES | Anastasia |
| FAMILY NAME | Kostetskaya |
| SIGNATURE | KOSTETSKAYA A |
| AFFILIATIONS | University of Hawaiʻi at Mānoa |
| ORCID | 0000-0002-9888-7660 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
A roundtable on Megan Swift’s Picturing the Page
KEYWORDS: Canadian Association of Slavists’ Taylor & Francis Book PrizeMegan Swiftillustrated children’s literatureSoviet UnionRussia's war against Ukraine
Picturing the Page
East or West, Rodina Is Best
This essay examines how films of the occupation period encode the gradual consolidation of a post‐war national identity for East Germans in the emerging GDR. For this purpose, this article offers a comparative analysis of the two films Irgendwo in Berlin (1946) by Gerhardt Lamprecht and U nikh est’ rodina (1949) by Aleksandr Fainzimmer, translated into German as Sie haben eine Heimat . I focus on how the films employ images of children in order t…
Symbolism in Flux
“Symbolism in Flux: the Metaphor of World Liquescence across Media, Genre and Realities” examines cultural implications of conceptual metaphor, in this case the metaphor of liquescence of the human emotional domain. The central question discussed in my paper is how poetics of water is metaphorically present in visual discourses of boundary transgression and blending, both static and dynamic, namely painting and film of the Russian Symbolist perio…
Crime is in the Eye of the Beholder
This study demonstrates how conceptualizations ingrained in our linguistic consciousness help us realize the full semantics that an author com municates to his reader through a “speaking name”; this kind of name, together with the character's behavioral profile create a multidimensional psychological portrait.The examples are taken from Dostoevsky's Crime and Punishment, specifically the “puddle-name” Luzhin. The speaking name of Petr Petrovich L…
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Crime is in the Eye of the Beholder
This study demonstrates how conceptualizations ingrained in our linguistic consciousness help us realize the full semantics that an author com municates to his reader through a “speaking name”; this kind of name, together with the character's behavioral profile create a multidimensional psychological portrait.The examples are taken from Dostoevsky's Crime and Punishment, specifically the “puddle-name” Luzhin. The speaking name of Petr Petrovich L…
Symbolism in Flux
“Symbolism in Flux: the Metaphor of World Liquescence across Media, Genre and Realities” examines cultural implications of conceptual metaphor, in this case the metaphor of liquescence of the human emotional domain. The central question discussed in my paper is how poetics of water is metaphorically present in visual discourses of boundary transgression and blending, both static and dynamic, namely painting and film of the Russian Symbolist perio…
East or West, Rodina Is Best
This essay examines how films of the occupation period encode the gradual consolidation of a post‐war national identity for East Germans in the emerging GDR. For this purpose, this article offers a comparative analysis of the two films Irgendwo in Berlin (1946) by Gerhardt Lamprecht and U nikh est’ rodina (1949) by Aleksandr Fainzimmer, translated into German as Sie haben eine Heimat . I focus on how the films employ images of children in order t…
Picturing the Page
A roundtable on Megan Swift’s Picturing the Page
KEYWORDS: Canadian Association of Slavists’ Taylor & Francis Book PrizeMegan Swiftillustrated children’s literatureSoviet UnionRussia's war against Ukraine
Art (4 works) · History (4 works) · Philosophy (4 works) · Art history (3 works) · Linguistics (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Astrophysics (2 works) · History (2 works)