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Erica L Fraser

Biographic Data

ID5713121
NAMEErica L Fraser
GIVEN NAMESErica L
FAMILY NAMEFraser
SIGNATUREFRASER E L
AFFILIATIONSCarleton University
ORCID0000-0002-2919-7244
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX0
  • State of the Field

    Open Access•Erica L Fraser•ARTICLE•History•2026

    This State of the Field article discusses how, when and why the history of masculinities has emerged since the 1980s, and why it continues to be an important research field today. The article begins with the field's multiple origin stories and then discusses its expansion in chronology, geography and theme, as well as newer directions for masculinities in disability history, trans history and Indigenous history. Many scholars involved in this his…

  • Not-Russians on TV

    Open Access•Erica L Fraser•ARTICLE•Historical Reflections/Réflexions…•2024

    This article discusses portrayals of a Ukrainian and a Polish character on the US sitcom 2 Broke Girls (2011–2017). The pilot episode reveals that the showrunners used stereotypes of Russian characters to establish different national origins for Oleg and Sophie. The show perpetuates offensive stereotypes of Slavic and postsocialist characters to elide differences from Russians but with notable distinctions—stemming from Oleg and Sophie's economic…

  • The Strawpeople of Russian, Eastern European, and Soviet History in English-Language TV and Film

    Erica L Fraser, Danielle Kinsey•ARTICLE•Historical Reflections/Réflexions…•2024•References: 5

    This special issue features historical scholars of imperial Russia and the Soviet Union analyzing representations of Russian and East European characters and history in contemporary Anglophone television and films, such as The Americans , Black Widow , The Great , For All Mankind , and Eurovision Song Contest: The Story of Fire Saga . They identify several tropes that shore up Anglosphere conceptions of progressiveness, liberalism, feminism, and …

  • Afterword

    Open Access•Erica L Fraser•ARTICLE•The Russian Review•2024

    This afterword brings the four articles in the cluster on “Gender in Russian and Soviet Military History” into conversation and suggests new ways to frame the theme

  • Military Masculinity and Postwar Recovery in the Soviet Union

    Erica L Fraser•BOOK•Military Masculinity and Postwar…•2019

    Rearming Masculinity explores military masculinity in the Soviet Union after the catastrophe of the Second World War. Soldiering had to be reimagined and resold to the public, which involved writing women out and re-establishing military identity as the premier form of masculinity in Soviet society

  • Christine Varga-Harris, Stories of house and home

    Erica L Fraser•ARTICLE•Canadian Slavonic Papers•2017

No prominent works on this page.

  • Christine Varga-Harris, Stories of house and home

    Erica L Fraser•ARTICLE•Canadian Slavonic Papers•2017

  • Military Masculinity and Postwar Recovery in the Soviet Union

    Erica L Fraser•BOOK•Military Masculinity and Postwar…•2019

    Rearming Masculinity explores military masculinity in the Soviet Union after the catastrophe of the Second World War. Soldiering had to be reimagined and resold to the public, which involved writing women out and re-establishing military identity as the premier form of masculinity in Soviet society

  • Not-Russians on TV

    Open Access•Erica L Fraser•ARTICLE•Historical Reflections/Réflexions…•2024

    This article discusses portrayals of a Ukrainian and a Polish character on the US sitcom 2 Broke Girls (2011–2017). The pilot episode reveals that the showrunners used stereotypes of Russian characters to establish different national origins for Oleg and Sophie. The show perpetuates offensive stereotypes of Slavic and postsocialist characters to elide differences from Russians but with notable distinctions—stemming from Oleg and Sophie's economic…

  • The Strawpeople of Russian, Eastern European, and Soviet History in English-Language TV and Film

    Erica L Fraser, Danielle Kinsey•ARTICLE•Historical Reflections/Réflexions…•2024•References: 5

    This special issue features historical scholars of imperial Russia and the Soviet Union analyzing representations of Russian and East European characters and history in contemporary Anglophone television and films, such as The Americans , Black Widow , The Great , For All Mankind , and Eurovision Song Contest: The Story of Fire Saga . They identify several tropes that shore up Anglosphere conceptions of progressiveness, liberalism, feminism, and …

  • Afterword

    Open Access•Erica L Fraser•ARTICLE•The Russian Review•2024

    This afterword brings the four articles in the cluster on “Gender in Russian and Soviet Military History” into conversation and suggests new ways to frame the theme

  • State of the Field

    Open Access•Erica L Fraser•ARTICLE•History•2026

    This State of the Field article discusses how, when and why the history of masculinities has emerged since the 1980s, and why it continues to be an important research field today. The article begins with the field's multiple origin stories and then discusses its expansion in chronology, geography and theme, as well as newer directions for masculinities in disability history, trans history and Indigenous history. Many scholars involved in this his…

Political science (4 works) · History (3 works) · History (3 works) · Computer Science (2 works) · Economic history (2 works) · European history and politics (2 works) · Historical Gender and Feminism Studies (2 works) · Law (2 works) · Linguistics (2 works) · Philosophy (2 works)

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