Elena V Baraban
Biographic Data
| ID | 5713229 |
|---|---|
| NAME | Elena V Baraban |
| GIVEN NAMES | Elena V |
| FAMILY NAME | Baraban |
| SIGNATURE | BARABAN E V |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The Akunin Project
Ukrainian cinema
version of War and Peace 'borrows' from Tolstoy but does not aim at 'fidelity of transformation', which Bondarchuk would accomplish.And yet, as a Hepburn/Fonda vehicle, Vidor's film enjoyed success not only in the United States but also in the Soviet Union itself.Bondarchuk's subsequent film, Waterloo, about Napoleon's final defeat, is often understood as the sequel to War and Peace.My impression is that such a 'coda' did not warrant such an exte…
Filming a Stalinist War Epic in Ukraine
The article examines the production history of Ihor Savchenko’s film Tretii udar [The Third Strike, 1948], a World War II epic and the most significant project of the Kyiv Film Studio in the first post-war years. Using the example of The Third Strike, the author demonstrates how Stalinist cinema as an institution influenced Soviet film directors’ thematic and ideological choices as well as their style. Specifically, the supervision of such projec…
Fighting Words and Images
Postmodernism and the Postsocialist Condition
List of Illustrations Acknowledgments Foreword Martin Jay Introduction Ales Erjavec The Other Gaze: Russian Unofficial Art's View of the Soviet World Boris Groys Art as a Political Machine: Fragments on the Late Socialist and Postsocialist Art of Mitteleuropa and the Balkans Misko Suvakovic Neue Slowenische Kunst--New Slovenian Art: Slovenia, Yugoslavia, Self-Management, and the 1980s Ales Erjavec Hungarian Marginal Art in the Late Period of Stat…
No prominent works on this page.
Postmodernism and the Postsocialist Condition
List of Illustrations Acknowledgments Foreword Martin Jay Introduction Ales Erjavec The Other Gaze: Russian Unofficial Art's View of the Soviet World Boris Groys Art as a Political Machine: Fragments on the Late Socialist and Postsocialist Art of Mitteleuropa and the Balkans Misko Suvakovic Neue Slowenische Kunst--New Slovenian Art: Slovenia, Yugoslavia, Self-Management, and the 1980s Ales Erjavec Hungarian Marginal Art in the Late Period of Stat…
Fighting Words and Images
Filming a Stalinist War Epic in Ukraine
The article examines the production history of Ihor Savchenko’s film Tretii udar [The Third Strike, 1948], a World War II epic and the most significant project of the Kyiv Film Studio in the first post-war years. Using the example of The Third Strike, the author demonstrates how Stalinist cinema as an institution influenced Soviet film directors’ thematic and ideological choices as well as their style. Specifically, the supervision of such projec…
Ukrainian cinema
version of War and Peace 'borrows' from Tolstoy but does not aim at 'fidelity of transformation', which Bondarchuk would accomplish.And yet, as a Hepburn/Fonda vehicle, Vidor's film enjoyed success not only in the United States but also in the Soviet Union itself.Bondarchuk's subsequent film, Waterloo, about Napoleon's final defeat, is often understood as the sequel to War and Peace.My impression is that such a 'coda' did not warrant such an exte…
The Akunin Project
Art (3 works) · Literature (3 works) · Political science (3 works) · Aesthetics (2 works) · Eastern European Communism and Reforms (2 works) · European history and politics (2 works) · History (2 works) · Law (2 works) · Linguistics (2 works) · Philosophy (2 works)