Elena Baraban
Biographic Data
| ID | 5713267 |
|---|---|
| NAME | Elena Baraban |
| GIVEN NAMES | Elena |
| FAMILY NAME | Baraban |
| SIGNATURE | BARABAN E |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Jeremy Hicks, First films of the Holocaust
Jeremy Hicks, First films of the Holocaust: Soviet cinema and the genocide of the Jews, 1938–1946." Canadian Slavonic Papers, 58(1), pp. 93–94
Cathy A. Frierson, Silence Was Salvation
Cathy A. Frierson, Silence Was Salvation: child survivors of Stalin’s terror and World War II in the Soviet Union." Canadian Slavonic Papers, 58(1), pp. 106–107
Film Review Article
Forget the War
This article examines retroactive constructions of the images of Soviet people within post-Soviet Russian films about World War II. The author demonstrates that such images signify a break with the Soviet past rather than its nostalgic or neo-authoritarian replay. The emplotment, characterization, and style of recent films about the war relocate the projected sense of patriotism from a state- and ideologically-bound collective to individual agent…
"The Fate of a Man" by Sergei Bondarchuk and the Soviet Cinema of Trauma
Representations of the Second World War The Soviet canon of representing the Second World War as a heroic exploit of a people that had liberated Europe from fascism and defended the ideals of humanism began to crumble during the glasnost period. In post-Soviet Rus sia, the memory of the war has become inseparable from the memory of the crimes of Stalinism. A number of films that came out in 2004-2005 as part of the celebration of the sixtieth ann…
No prominent works on this page.
"The Fate of a Man" by Sergei Bondarchuk and the Soviet Cinema of Trauma
Representations of the Second World War The Soviet canon of representing the Second World War as a heroic exploit of a people that had liberated Europe from fascism and defended the ideals of humanism began to crumble during the glasnost period. In post-Soviet Rus sia, the memory of the war has become inseparable from the memory of the crimes of Stalinism. A number of films that came out in 2004-2005 as part of the celebration of the sixtieth ann…
Film Review Article
Forget the War
This article examines retroactive constructions of the images of Soviet people within post-Soviet Russian films about World War II. The author demonstrates that such images signify a break with the Soviet past rather than its nostalgic or neo-authoritarian replay. The emplotment, characterization, and style of recent films about the war relocate the projected sense of patriotism from a state- and ideologically-bound collective to individual agent…
Jeremy Hicks, First films of the Holocaust
Jeremy Hicks, First films of the Holocaust: Soviet cinema and the genocide of the Jews, 1938–1946." Canadian Slavonic Papers, 58(1), pp. 93–94
Cathy A. Frierson, Silence Was Salvation
Cathy A. Frierson, Silence Was Salvation: child survivors of Stalin’s terror and World War II in the Soviet Union." Canadian Slavonic Papers, 58(1), pp. 106–107
Art (3 works) · European history and politics (3 works) · History (3 works) · Memory, Trauma, and Commemoration (3 works) · History (2 works) · Law (2 works) · Law (2 works) · Movie theater (2 works) · Philosophy (2 works) · Philosophy (2 works)