Hanna Chuchvaha
Biographic Data
| ID | 5713310 |
|---|---|
| NAME | Hanna Chuchvaha |
| GIVEN NAMES | Hanna |
| FAMILY NAME | Chuchvaha |
| SIGNATURE | CHUCHVAHA H |
| AFFILIATIONS | University of Alberta |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Quiet Feminists
In the patriarchal culture of imperial Russia, the collecting, preserving, and exhibiting of art works was an activity reserved predominantly for men; in the second half of the nineteenth century, however, a new type of female collector emerged. In both the capitals and provinces, women began collecting, exhibiting, and promoting folk arts and crafts and needlework. This article examines the focus on the part of specific female collectors and pat…
Memory, Trauma, and the Maternal
Chornobyl/Chernobyl/Charnobyl has a symbolic meaning for several generations of east Europeans. It is a city that experienced a disastrous nuclear explosion in 1986 that bequeathed a post-apocalyptic landscape and an eloquent demonstration of the Anthropocene. The epistemological crisis for humanity provoked by the Chornobyl nuclear disaster led to the emergence of post-Chornobyl art, an art of acceptance and denial, an art of physical and emotio…
The Russian canvas
With the publication of The Russian Canvas, professional art historians and amateurs alike can gain access to an outstanding volume providing an account of the history of Russian art from 1757 to 1
Vita Susak. Ukrainian Artists in Paris
Book review of Vita Susak. Ukrainian Artists in Paris: 1900–1939. Translated by Serhiy Synhayivsky (main text and notes) and Anna Susak (“A Dictionary of Ukrainian Artists in Paris”), edited by Romana Labrosse, foreword by Jean-Claude Marcadé, Rodovid Press, 2010. 408 pp. Illustrations. Endnotes. Selected Bibliography. Appendix. Index. $75.00, cloth
Russian realisms. Literature and painting, 1840–1890
Colleen McQuillen, The modernist masquerade. Stylizing life, literature, and costumes in Russia
Colleen McQuillen, The modernist masquerade. Stylizing life, literature, and costumes in Russia." Canadian Slavonic Papers, 58(1), pp. 97–98
The Rococo Revival in Alexandre Benois’s Versailles
Alexandre Benois, the founder of The World of Art (Mir Iskusstva) movement, a brilliant graphic designer, a prominent art critic and historian renowned for his writings on art history, and a distinguished theatre artist who worked for Serge Diaghilev’s Russian Seasons, was fascinated with Versailles. His passion lasted over thirty years and resulted in the Versailles (Versal’) series that culminated in more than six hundred drawings, watercolors,…
No prominent works on this page.
The Rococo Revival in Alexandre Benois’s Versailles
Alexandre Benois, the founder of The World of Art (Mir Iskusstva) movement, a brilliant graphic designer, a prominent art critic and historian renowned for his writings on art history, and a distinguished theatre artist who worked for Serge Diaghilev’s Russian Seasons, was fascinated with Versailles. His passion lasted over thirty years and resulted in the Versailles (Versal’) series that culminated in more than six hundred drawings, watercolors,…
Colleen McQuillen, The modernist masquerade. Stylizing life, literature, and costumes in Russia
Colleen McQuillen, The modernist masquerade. Stylizing life, literature, and costumes in Russia." Canadian Slavonic Papers, 58(1), pp. 97–98
Vita Susak. Ukrainian Artists in Paris
Book review of Vita Susak. Ukrainian Artists in Paris: 1900–1939. Translated by Serhiy Synhayivsky (main text and notes) and Anna Susak (“A Dictionary of Ukrainian Artists in Paris”), edited by Romana Labrosse, foreword by Jean-Claude Marcadé, Rodovid Press, 2010. 408 pp. Illustrations. Endnotes. Selected Bibliography. Appendix. Index. $75.00, cloth
Russian realisms. Literature and painting, 1840–1890
The Russian canvas
With the publication of The Russian Canvas, professional art historians and amateurs alike can gain access to an outstanding volume providing an account of the history of Russian art from 1757 to 1
Quiet Feminists
In the patriarchal culture of imperial Russia, the collecting, preserving, and exhibiting of art works was an activity reserved predominantly for men; in the second half of the nineteenth century, however, a new type of female collector emerged. In both the capitals and provinces, women began collecting, exhibiting, and promoting folk arts and crafts and needlework. This article examines the focus on the part of specific female collectors and pat…
Memory, Trauma, and the Maternal
Chornobyl/Chernobyl/Charnobyl has a symbolic meaning for several generations of east Europeans. It is a city that experienced a disastrous nuclear explosion in 1986 that bequeathed a post-apocalyptic landscape and an eloquent demonstration of the Anthropocene. The epistemological crisis for humanity provoked by the Chornobyl nuclear disaster led to the emergence of post-Chornobyl art, an art of acceptance and denial, an art of physical and emotio…
Art (7 works) · History (7 works) · Art history (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Historical Art and Culture Studies (3 works) · History (3 works) · Archaeology (2 works) · Eastern European Communism and Reforms (2 works) · Literature (2 works)