Yuliya Ilchuk
Biographic Data
| ID | 5713565 |
|---|---|
| NAME | Yuliya Ilchuk |
| GIVEN NAMES | Yuliya |
| FAMILY NAME | Ilchuk |
| SIGNATURE | ILCHUK Y |
| AFFILIATIONS | Harvard University Press |
| ORCID | 0000-0003-4204-1161 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Silence Dressed in Cyrillic Letters
“Quo Vadis, Aida?” Dir. Jasmila Žbanić. Sarajevo
“Quo Vadis, Aida?” Dir. Jasmila Žbanić. Sarajevo: Deblokada Film, Digital Cube, Coop99 Filmproduktion, N279 Entertainment, Razor Filmproduktion, Extreme Emotions, Indie Prod, Tordenfilm, TRT2020. 102 minutes. Color. - Volume 80 Issue 4
Memory as Forgetting in the Prose Fiction of Serhiy Zhadan and Volodymyr Rafieienko
Hearing the voice of Donbas
This paper analyzes literary, visual, and street art works of writers and artists from Eastern Ukraine produced during 2014. Two Donetsk artists, Serhii Zakharov and Anzhela Dzherikh, and two Luhansk writers, Serhii Zhadan and Olena Stepova, play with the myth of the proletarian Donbas, on the one hand, and debunk the popular perception of Donbas people as being in consent with the politics of the self-proclaimed Donetsk and Luhansk People's Repu…
Nikolai Gogol'’s Self-Fashioning in the 1830s
This study examines Gogol'’s complex self-fashioning during the time of the creation and reception of his Ukrainian tales Vechera na khutore bliz Dikan'ki [Evenings on a Farm near Dikan'ka] (1831–1832) in light of the postcolonial concept of mimicry. Gogol'’s self-fashioning is studied through his submission to the symbolic power responsible for branding him as the Other in imperial Russian culture, as well as through his deliberate strategy of m…
Hearing the voice of Donbas
This paper analyzes literary, visual, and street art works of writers and artists from Eastern Ukraine produced during 2014. Two Donetsk artists, Serhii Zakharov and Anzhela Dzherikh, and two Luhansk writers, Serhii Zhadan and Olena Stepova, play with the myth of the proletarian Donbas, on the one hand, and debunk the popular perception of Donbas people as being in consent with the politics of the self-proclaimed Donetsk and Luhansk People's Repu…
Nikolai Gogol'’s Self-Fashioning in the 1830s
This study examines Gogol'’s complex self-fashioning during the time of the creation and reception of his Ukrainian tales Vechera na khutore bliz Dikan'ki [Evenings on a Farm near Dikan'ka] (1831–1832) in light of the postcolonial concept of mimicry. Gogol'’s self-fashioning is studied through his submission to the symbolic power responsible for branding him as the Other in imperial Russian culture, as well as through his deliberate strategy of m…
Nikolai Gogol'’s Self-Fashioning in the 1830s
This study examines Gogol'’s complex self-fashioning during the time of the creation and reception of his Ukrainian tales Vechera na khutore bliz Dikan'ki [Evenings on a Farm near Dikan'ka] (1831–1832) in light of the postcolonial concept of mimicry. Gogol'’s self-fashioning is studied through his submission to the symbolic power responsible for branding him as the Other in imperial Russian culture, as well as through his deliberate strategy of m…
Hearing the voice of Donbas
This paper analyzes literary, visual, and street art works of writers and artists from Eastern Ukraine produced during 2014. Two Donetsk artists, Serhii Zakharov and Anzhela Dzherikh, and two Luhansk writers, Serhii Zhadan and Olena Stepova, play with the myth of the proletarian Donbas, on the one hand, and debunk the popular perception of Donbas people as being in consent with the politics of the self-proclaimed Donetsk and Luhansk People's Repu…
“Quo Vadis, Aida?” Dir. Jasmila Žbanić. Sarajevo
“Quo Vadis, Aida?” Dir. Jasmila Žbanić. Sarajevo: Deblokada Film, Digital Cube, Coop99 Filmproduktion, N279 Entertainment, Razor Filmproduktion, Extreme Emotions, Indie Prod, Tordenfilm, TRT2020. 102 minutes. Color. - Volume 80 Issue 4
Memory as Forgetting in the Prose Fiction of Serhiy Zhadan and Volodymyr Rafieienko
Silence Dressed in Cyrillic Letters
Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Eastern European Communism and Reforms (2 works) · Law (2 works) · Political science (2 works) · Silence (2 works) · Sociology (2 works) · Art history (1 work) · Balkans: History, Politics, Society (1 work)