Chantal Frankenbach
Biographic Data
| ID | 5713655 |
|---|---|
| NAME | Chantal Frankenbach |
| GIVEN NAMES | Chantal |
| FAMILY NAME | Frankenbach |
| SIGNATURE | FRANKENBACH C |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Selling Orchestral Music in the Vaudeville Age: The Duncan-Damrosch Tours, 1908–1911
Between 1908 and 1911, New York Symphony Orchestra conductor Walter Damrosch engaged the modern dancer Isadora Duncan to perform with his orchestra in New York and on three tours of the Midwest. Posing considerable risk to his reputation as an elite conductor, this unusual alliance grew in part from his concert manager's wish to compete with the Salomé dance craze raging in vaudeville halls across the country. Damrosch's “pioneering spirit” allow…
Dancing the Redemption of French Literature: Rivière, Mallarmé, and Le Sacre du printemps
Just below the surface of his 1913 review of Le Sacre du printemps, French literary critic Jacques Rivière issued a manifesto against the Symbolist poet Stéphane Mallarmé and his purported corruption of French literature. Mallarmé's late-nineteenth-century writing on the ballet pantomime and Loie Fuller, which positioned dance as a symbolic écriture corporelle, represented an erasure of the linguistic purity that Rivière and his colleagues at the…
No prominent works on this page.
Dancing the Redemption of French Literature: Rivière, Mallarmé, and Le Sacre du printemps
Just below the surface of his 1913 review of Le Sacre du printemps, French literary critic Jacques Rivière issued a manifesto against the Symbolist poet Stéphane Mallarmé and his purported corruption of French literature. Mallarmé's late-nineteenth-century writing on the ballet pantomime and Loie Fuller, which positioned dance as a symbolic écriture corporelle, represented an erasure of the linguistic purity that Rivière and his colleagues at the…
Selling Orchestral Music in the Vaudeville Age: The Duncan-Damrosch Tours, 1908–1911
Between 1908 and 1911, New York Symphony Orchestra conductor Walter Damrosch engaged the modern dancer Isadora Duncan to perform with his orchestra in New York and on three tours of the Midwest. Posing considerable risk to his reputation as an elite conductor, this unusual alliance grew in part from his concert manager's wish to compete with the Salomé dance craze raging in vaudeville halls across the country. Damrosch's “pioneering spirit” allow…
Art (2 works) · Art history (2 works) · Dance (2 works) · Literature (2 works) · Aesthetics (1 works) · Ballet (1 works) · Choreography (1 works) · Diversity and Impact of Dance (1 works) · Entertainment (1 works) · French Literature (1 works)