Elizabeth Evenden
Biographic Data
| ID | 5715609 |
|---|---|
| NAME | Elizabeth Evenden |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Evenden |
| SIGNATURE | EVENDEN E |
| AFFILIATIONS | Brunel University of London |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Catholic Renewal and Protestant Resistance in Marian England
John Leland: De uiris illustribus / On Famous Men, ed. and tr. James P. Carley
Devil Theatre: Demonic Possession and Exorcism in English Renaissance Drama 1558-1642
This volume explores representations of possession and exorcism on the early modern English stage by comparing them with contemporary accounts from non-dramatic works. The contemporary writings examined include demonological, theological, political, and medical prose texts. Van Dijkhuizen's central aim is to examine how the theatre responded to these non-dramatic texts and ‘what happened to possession beliefs when they were transferred from one c…
Used Books: Marking Readers in Renaissance England
When I agreed to write this review, the review editor wryly stated that he would send me a copy for review, so long as I didn’t write in the margins. Although in jest, this exchange goes some way to identifying one of the central points of Sherman's study: how Renaissance readers perceived the pages of books in a very different way from how we look at them today. In the modern era we have been taught for generations not to write on borrowed books…
The Michael Wood Mystery: William Cecil and the Lincolnshire Printing of John Day
John Day is perhaps best known as the printer of John Foxe'sActes and Monuments, usually referred to as Foxe's Book of Martyrs. Other lucrative Elizabethan patents held by John Day, such as those for the Metrical Psalms, the ABC, and the Catechism, ensured considerable financial return and a revered, if not envied, status among Elizabethan printers. Only the Queen's Printer, Christopher Barker, could compare with Day's volume of output; each man …
Print, Profit and Propaganda: The Elizabethan Privy Council and the 1570 Edition of Foxe's 'Book of Martyrs
1Newnham College, Cambridge, 2University of Sheffield
Used Books: Marking Readers in Renaissance England
When I agreed to write this review, the review editor wryly stated that he would send me a copy for review, so long as I didn’t write in the margins. Although in jest, this exchange goes some way to identifying one of the central points of Sherman's study: how Renaissance readers perceived the pages of books in a very different way from how we look at them today. In the modern era we have been taught for generations not to write on borrowed books…
Print, Profit and Propaganda: The Elizabethan Privy Council and the 1570 Edition of Foxe's 'Book of Martyrs
1Newnham College, Cambridge, 2University of Sheffield
The Michael Wood Mystery: William Cecil and the Lincolnshire Printing of John Day
John Day is perhaps best known as the printer of John Foxe'sActes and Monuments, usually referred to as Foxe's Book of Martyrs. Other lucrative Elizabethan patents held by John Day, such as those for the Metrical Psalms, the ABC, and the Catechism, ensured considerable financial return and a revered, if not envied, status among Elizabethan printers. Only the Queen's Printer, Christopher Barker, could compare with Day's volume of output; each man …
Print, Profit and Propaganda: The Elizabethan Privy Council and the 1570 Edition of Foxe's 'Book of Martyrs
1Newnham College, Cambridge, 2University of Sheffield
Devil Theatre: Demonic Possession and Exorcism in English Renaissance Drama 1558-1642
This volume explores representations of possession and exorcism on the early modern English stage by comparing them with contemporary accounts from non-dramatic works. The contemporary writings examined include demonological, theological, political, and medical prose texts. Van Dijkhuizen's central aim is to examine how the theatre responded to these non-dramatic texts and ‘what happened to possession beliefs when they were transferred from one c…
Used Books: Marking Readers in Renaissance England
When I agreed to write this review, the review editor wryly stated that he would send me a copy for review, so long as I didn’t write in the margins. Although in jest, this exchange goes some way to identifying one of the central points of Sherman's study: how Renaissance readers perceived the pages of books in a very different way from how we look at them today. In the modern era we have been taught for generations not to write on borrowed books…
John Leland: De uiris illustribus / On Famous Men, ed. and tr. James P. Carley
Catholic Renewal and Protestant Resistance in Marian England
History (5 works) · History (4 works) · Art (3 works) · Philosophy (3 works) · Classics (2 works) · Classics (2 works) · Law (2 works) · Media studies (2 works) · Philosophy (2 works) · Political science (2 works)