Jessica Westerhold
Biographic Data
| ID | 5716699 |
|---|---|
| NAME | Jessica Westerhold |
| GIVEN NAMES | Jessica |
| FAMILY NAME | Westerhold |
| SIGNATURE | WESTERHOLD J |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
A Literary Commentary on the Elegies of the Appendix Tibulliana by Laurel Fulkerson. Oxford
172 PHOENIX Alejandro Amenábar’s film Ágora (2009), which showed Hypatia’s Alexandria through the lens of post-9/11 discourse on extremism—he also offers fresh and exciting insights. Especially intriguing is Watts’s discussion of a diptych of two writings from eighteenthcentury France—the “Dissertation sur Hypacie” by the male writer “M.G.” together with the response of “Mademoiselle B.,” who had commissioned it—which reflects the ideological ten…
Ovid's Epic Forest
As the first poem of the last book of Ovid's Amores , 3.1 parallels the programmatic recusatio of the first two books, which present the traditional opposition of elegy to epic. In Amores 3.1, the personified Elegy and Tragedy compete for Ovid's poetic attention, and scholars have accordingly scrutinized the generic tension between elegy and tragedy in this poem. My study, by contrast, focusses on the import of the metapoetic locus in which Ovid …
No prominent works on this page.
Ovid's Epic Forest
As the first poem of the last book of Ovid's Amores , 3.1 parallels the programmatic recusatio of the first two books, which present the traditional opposition of elegy to epic. In Amores 3.1, the personified Elegy and Tragedy compete for Ovid's poetic attention, and scholars have accordingly scrutinized the generic tension between elegy and tragedy in this poem. My study, by contrast, focusses on the import of the metapoetic locus in which Ovid …
A Literary Commentary on the Elegies of the Appendix Tibulliana by Laurel Fulkerson. Oxford
172 PHOENIX Alejandro Amenábar’s film Ágora (2009), which showed Hypatia’s Alexandria through the lens of post-9/11 discourse on extremism—he also offers fresh and exciting insights. Especially intriguing is Watts’s discussion of a diptych of two writings from eighteenthcentury France—the “Dissertation sur Hypacie” by the male writer “M.G.” together with the response of “Mademoiselle B.,” who had commissioned it—which reflects the ideological ten…
Art (2 works) · Classical Antiquity Studies (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Theology (2 works) · Art history (1 work) · Byzantine Studies and History (1 work)