Leanna Boychenko
Biographic Data
| ID | 5716798 |
|---|---|
| NAME | Leanna Boychenko |
| GIVEN NAMES | Leanna |
| FAMILY NAME | Boychenko |
| SIGNATURE | BOYCHENKO L |
| AFFILIATIONS | Loyola University Chicago |
| ORCID | 0000-0001-8545-3997 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Hymn to Delos and Callimachus’ Blame of Thebes
This article seeks to explain Callimachus’ blame of Thebes in the Hymn to Delos , arguing that Callimachus uses Apollo as a mouthpiece to voice the goals of his poetic project, signaling not only the influence of earlier Greek works—particularly Pindar’s Isthmian 1—but also his departure from these models. Moreover, Callimachus’ relationship with Pindar is more than simply literary, as shown through an intertextual reference that reveals a percei…
Callimachus’ Other Telchines
The Telchines, magical craftsmen and wizards, are best known for their criticism of Callimachus’ poetry in the prologue to the Aetia . The other two appearances of the Telchines are also in programmatic passages in Callimachus’ extant works. In the Hymn to Delos (30–3), the narrator asks an aporetic question about the theme of his song. There, the Telchines are the makers of the trident used to form every island but Delos, highlighting her singul…
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Callimachus’ Other Telchines
The Telchines, magical craftsmen and wizards, are best known for their criticism of Callimachus’ poetry in the prologue to the Aetia . The other two appearances of the Telchines are also in programmatic passages in Callimachus’ extant works. In the Hymn to Delos (30–3), the narrator asks an aporetic question about the theme of his song. There, the Telchines are the makers of the trident used to form every island but Delos, highlighting her singul…
The Hymn to Delos and Callimachus’ Blame of Thebes
This article seeks to explain Callimachus’ blame of Thebes in the Hymn to Delos , arguing that Callimachus uses Apollo as a mouthpiece to voice the goals of his poetic project, signaling not only the influence of earlier Greek works—particularly Pindar’s Isthmian 1—but also his departure from these models. Moreover, Callimachus’ relationship with Pindar is more than simply literary, as shown through an intertextual reference that reveals a percei…
Art (2 works) · Classical Antiquity Studies (2 works) · Hymn (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Poetry (2 works) · Allusion (1 work) · Ancient Greek (1 work) · Apollo (1 work)