Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Dirk M Schenkeveld

Biographic Data

ID5717200
NAMEDirk M Schenkeveld
GIVEN NAMESDirk M
FAMILY NAMESchenkeveld
SIGNATURESCHENKEVELD D M
AFFILIATIONS23, Herman Heijermanslaan, 2106 ER Hemmstede, The Netherlands.
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS24
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2000
H-INDEX3
  • Figure Grammaticae and Solecisms

    Dirk M Schenkeveld•ARTICLE•Acta Antiqua Academiae…•2000

  • The Intended Public of Demetrius's On Style

    Dirk M Schenkeveld•ARTICLE•Rhetorica•2000•Cited by: 9

    On Style, written by a certain Demetrius probably in the first century B.C., is an important witness to the rhetorical education of the third/second centuries B.C. It is a matter of long scholarly debate whether Demetrius intended his treatise to be a handbook of rhetoric or a work of literary criticism. Here it is argued that the public Demetrius writes his book for are pupils who have done the preliminary courses in rhetoric and have leamt to w…

  • Language

    Open Access•Dirk M Schenkeveld, Jonathan Barnes•CHAPTER•The Cambridge history of…•1999

    In the classical period, the Greek language was studied by philosophers, sophists and rhetoricians, and the contributions of Aristotle and Theophrastus in particular are very valuable. But only in the Hellenistic era does grammar show significant development and almost becomes a discipline in its own right. Although their origin as students of poetry is never forgotten, grammarians now start to be acknowledged as teachers and scholars in the fiel…

  • Prose Usages of Ἀκογειν ‘To Read’

    Open Access•Dirk M Schenkeveld•ARTICLE•The Classical Quarterly•1992•Cited by: 8•References: 9

    When we encounter the following words: ‘A few moments ago, I think, you heard Plato saying that there is no specific name for the art which deals with the body’, it is easy to put these into a literary context. We may imagine some kind of fictional dialogue, in which out of two or more partners one reminds another of what a few minutes ago Plato had said to them about a particular subject. Whether Plato is still present or has left the room, we d…

  • Aristarchus and OmhpoΣ ΦIΛOtexnoΣ

    Dirk M Schenkeveld•ARTICLE•Mnemosyne•1970

    ARISTARCHUS AND OMHPO Σ Φ I Λ OTEXNO Σ SOME FUNDAMENTAL IDEAS OF ARISTARCHUS ON HOMER AS A POET BY DIRK M. SCHENKEVELD In his History of Classical Scholayship (1968, p. 231) R. Pfeiffer says: "Like Eratosthenes he (sc. Aristarchus) saw in Homer an imaginative and creative poet whose aim it was to give pleasure, not to instruct. The scattered aesthetic and rhetorical terms that have come down to us do not suggest that Aristarchus followed the prin…

  • Oi Kpitikoi in Philodemus

    Dirk M Schenkeveld•ARTICLE•Mnemosyne•1968•Cited by: 7

  • The Intended Public of Demetrius's On Style

    Dirk M Schenkeveld•ARTICLE•Rhetorica•2000•Cited by: 9

    On Style, written by a certain Demetrius probably in the first century B.C., is an important witness to the rhetorical education of the third/second centuries B.C. It is a matter of long scholarly debate whether Demetrius intended his treatise to be a handbook of rhetoric or a work of literary criticism. Here it is argued that the public Demetrius writes his book for are pupils who have done the preliminary courses in rhetoric and have leamt to w…

  • Prose Usages of Ἀκογειν ‘To Read’

    Open Access•Dirk M Schenkeveld•ARTICLE•The Classical Quarterly•1992•Cited by: 8•References: 9

    When we encounter the following words: ‘A few moments ago, I think, you heard Plato saying that there is no specific name for the art which deals with the body’, it is easy to put these into a literary context. We may imagine some kind of fictional dialogue, in which out of two or more partners one reminds another of what a few minutes ago Plato had said to them about a particular subject. Whether Plato is still present or has left the room, we d…

  • Oi Kpitikoi in Philodemus

    Dirk M Schenkeveld•ARTICLE•Mnemosyne•1968•Cited by: 7

  • Oi Kpitikoi in Philodemus

    Dirk M Schenkeveld•ARTICLE•Mnemosyne•1968•Cited by: 7

  • Aristarchus and OmhpoΣ ΦIΛOtexnoΣ

    Dirk M Schenkeveld•ARTICLE•Mnemosyne•1970

    ARISTARCHUS AND OMHPO Σ Φ I Λ OTEXNO Σ SOME FUNDAMENTAL IDEAS OF ARISTARCHUS ON HOMER AS A POET BY DIRK M. SCHENKEVELD In his History of Classical Scholayship (1968, p. 231) R. Pfeiffer says: "Like Eratosthenes he (sc. Aristarchus) saw in Homer an imaginative and creative poet whose aim it was to give pleasure, not to instruct. The scattered aesthetic and rhetorical terms that have come down to us do not suggest that Aristarchus followed the prin…

  • Prose Usages of Ἀκογειν ‘To Read’

    Open Access•Dirk M Schenkeveld•ARTICLE•The Classical Quarterly•1992•Cited by: 8•References: 9

    When we encounter the following words: ‘A few moments ago, I think, you heard Plato saying that there is no specific name for the art which deals with the body’, it is easy to put these into a literary context. We may imagine some kind of fictional dialogue, in which out of two or more partners one reminds another of what a few minutes ago Plato had said to them about a particular subject. Whether Plato is still present or has left the room, we d…

  • Language

    Open Access•Dirk M Schenkeveld, Jonathan Barnes•CHAPTER•The Cambridge history of…•1999

    In the classical period, the Greek language was studied by philosophers, sophists and rhetoricians, and the contributions of Aristotle and Theophrastus in particular are very valuable. But only in the Hellenistic era does grammar show significant development and almost becomes a discipline in its own right. Although their origin as students of poetry is never forgotten, grammarians now start to be acknowledged as teachers and scholars in the fiel…

  • Figure Grammaticae and Solecisms

    Dirk M Schenkeveld•ARTICLE•Acta Antiqua Academiae…•2000

  • The Intended Public of Demetrius's On Style

    Dirk M Schenkeveld•ARTICLE•Rhetorica•2000•Cited by: 9

    On Style, written by a certain Demetrius probably in the first century B.C., is an important witness to the rhetorical education of the third/second centuries B.C. It is a matter of long scholarly debate whether Demetrius intended his treatise to be a handbook of rhetoric or a work of literary criticism. Here it is argued that the public Demetrius writes his book for are pupils who have done the preliminary courses in rhetoric and have leamt to w…

Philosophy (6 works) · History (5 works) · Philosophy (5 works) · Art (4 works) · Classical Antiquity Studies (4 works) · History (4 works) · Linguistics (4 works) · Literature (4 works) · Classical Philosophy and Thought (3 works) · Historical, Religious, and Philosophical Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae