Marco Ercoles
Biographic Data
| ID | 5717446 |
|---|---|
| NAME | Marco Ercoles |
| GIVEN NAMES | Marco |
| FAMILY NAME | Ercoles |
| SIGNATURE | ERCOLES M |
| AFFILIATIONS | University of Bologna |
| ORCID | 0000-0003-0063-1737 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Ancient Models for the New Musicians
On the symbolic role assumed by mythical musicians (e.g. Marsyas, Olympus, Orpheus, Thamyris) in the debate on music in the second half of the fifth century BC , with particular attention to them in the fragments of New Musicians (Melanipp. PMG 758 and 766, Tim. PMG 791.221–4, Telest. PMG 805 and 806). Timotheus and the other exponents of the New Music tried to construct distant and authoritative models for their way of making music by projecting…
Invocazione al “signore dell’anima che sempre vive”
In Melanipp. PMG 762 the reading βροτῶν (v. 1) of the MSS can be retained. The god invoked as “lord of the everlasting soul” (v. 2), generally identified with Dionysus-Zagreus, can be rather recognized as the Orphic Zeus
P.OXY. 2438 and the Order of Books in Aristophanes Byzantius’ Edition of Pindar
Two well-known ancient witnesses report that Aristophanes of Byzantium was responsible for the arrangement of Pindar's poems into seventeen book-rolls according to lyric genres (dithyrambs, hymns, etc.). These witnesses form fr. 381 in the edition of Aristophanes’ fragments by W.J. Slater ( Aristophanis Byzantii fragmenta [Berlin and New York, 1986]): Vit. Pind. P.Oxy. 2438.35–9 ( LDAB 3724, TM 62542; late second/early third century a.d. ) δ]ιῄρη…
Approaches to Greek Poetry
In the last decades the field of research on ancient Greek scholarship has been the object of a remarkable surge of interest, with the publication of handbooks, reference works, and new editions of texts. This partly unexpected revival is very promising and it continues to enhance and modify both our knowledge of ancient scholarship and the way in which we are accustomed to discuss these texts and tackle the editorial and exegetical challenges th…
Poeti in agone
L'agonismo fu una componente intrinseca, pervasiva e connotante dell'attività poetica e musicale nella Grecia antica. Fu uno dei più importanti veicoli di identità, condivisione comunitaria e acculturazione interna. Questo volume, affrontando la problematica sia da un punto di vista sincronico che diacronico, cerca di lumeggiarne gli aspetti particolarmente significativi: in Atene, i concorsi tragici come performance rituale e atto politico; le m…
Notes on the Aulodic nomoi Apothetos and Schoinion
Notes on the Aulodic nomoi Apothetos and Schoinion
Poeti in agone
L'agonismo fu una componente intrinseca, pervasiva e connotante dell'attività poetica e musicale nella Grecia antica. Fu uno dei più importanti veicoli di identità, condivisione comunitaria e acculturazione interna. Questo volume, affrontando la problematica sia da un punto di vista sincronico che diacronico, cerca di lumeggiarne gli aspetti particolarmente significativi: in Atene, i concorsi tragici come performance rituale e atto politico; le m…
Approaches to Greek Poetry
In the last decades the field of research on ancient Greek scholarship has been the object of a remarkable surge of interest, with the publication of handbooks, reference works, and new editions of texts. This partly unexpected revival is very promising and it continues to enhance and modify both our knowledge of ancient scholarship and the way in which we are accustomed to discuss these texts and tackle the editorial and exegetical challenges th…
Invocazione al “signore dell’anima che sempre vive”
In Melanipp. PMG 762 the reading βροτῶν (v. 1) of the MSS can be retained. The god invoked as “lord of the everlasting soul” (v. 2), generally identified with Dionysus-Zagreus, can be rather recognized as the Orphic Zeus
P.OXY. 2438 and the Order of Books in Aristophanes Byzantius’ Edition of Pindar
Two well-known ancient witnesses report that Aristophanes of Byzantium was responsible for the arrangement of Pindar's poems into seventeen book-rolls according to lyric genres (dithyrambs, hymns, etc.). These witnesses form fr. 381 in the edition of Aristophanes’ fragments by W.J. Slater ( Aristophanis Byzantii fragmenta [Berlin and New York, 1986]): Vit. Pind. P.Oxy. 2438.35–9 ( LDAB 3724, TM 62542; late second/early third century a.d. ) δ]ιῄρη…
Ancient Models for the New Musicians
On the symbolic role assumed by mythical musicians (e.g. Marsyas, Olympus, Orpheus, Thamyris) in the debate on music in the second half of the fifth century BC , with particular attention to them in the fragments of New Musicians (Melanipp. PMG 758 and 766, Tim. PMG 791.221–4, Telest. PMG 805 and 806). Timotheus and the other exponents of the New Music tried to construct distant and authoritative models for their way of making music by projecting…
Classical Antiquity Studies (6 works) · Art (5 works) · History (4 works) · Literature (4 works) · Computer Science (3 works) · Historical, Religious, and Philosophical Studies (3 works) · History (3 works) · Classics (2 works) · Classics (2 works) · Greek poetry (2 works)