Theofanis Tsiampokalos
Biographic Data
| ID | 5717544 |
|---|---|
| NAME | Theofanis Tsiampokalos |
| GIVEN NAMES | Theofanis |
| FAMILY NAME | Tsiampokalos |
| SIGNATURE | TSIAMPOKALOS T |
| AFFILIATIONS | Universität Trier, FB II—Klassische Philologie https://dx.doi.org/26595 Trier Germany |
| ORCID | 0000-0002-7312-9759 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Scanning Homeric Hexameters in Late Constantinople
This article explores the treatment of ‘common syllables’ in Maximus Planudes’ Dialogue on Grammar within the broader tradition of ancient and Byzantine grammatical scholarship. It contrasts Planudes’ approach with that of earlier figures, like (Ps.‐)Dionysius Thrax, Heliodorus, Hephaestion and Aristides Quintilianus, highlighting his distinctive focus on simplifying this concept for educational purposes. The study also traces Planudes’ influence…
Fake News in Ancient Greece
Scholars have recognized that fake news is not a phenomenon peculiar to the 21st century. While efforts for a more focused approach to fake news in the ancient world have been carried out in the field of Roman history, the phenomenon of fake news in ancient Greece has received limited attention. The contributions in this volume offer a selective approach to this phenomenon by applying media and cultural studies instruments to ancient texts. They …
Théophraste, Les signes du temps. Les vents. Texte établi et traduit par Suzanne Amigues
As a critical journal for all classical studies, the GNOMON fosters the links between the distinct classical disciplines. It has thus an exceptional position among the classical review journals and allows familiarization with research and publications in neighbouring disciplines. The reviews address an international readership from all fields in classical studies. The GNOMON publishes reviews in German, English, French, Italian and Latin
Regenwolken über dem Dionysos-Theater
Im antiken Athen wurden die kultischen Veranstaltungen zu Ehren des Gottes Dionysos, die Lenäen und die Großen Dionysien, jährlich in den Monaten Gamelion (Januar/Februar) bzw. Elaphebolion (März/April) abgehalten. Die dramatischen Spiele, welche in deren Rahmen zur Aufführung kamen, fanden im Dionysos-Theater statt, das bekanntlich ein Freilufttheater war. Es ist davon wohl auszugehen, dass die Zuschauer dann während der Aufführungen auch der en…
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Théophraste, Les signes du temps. Les vents. Texte établi et traduit par Suzanne Amigues
As a critical journal for all classical studies, the GNOMON fosters the links between the distinct classical disciplines. It has thus an exceptional position among the classical review journals and allows familiarization with research and publications in neighbouring disciplines. The reviews address an international readership from all fields in classical studies. The GNOMON publishes reviews in German, English, French, Italian and Latin
Regenwolken über dem Dionysos-Theater
Im antiken Athen wurden die kultischen Veranstaltungen zu Ehren des Gottes Dionysos, die Lenäen und die Großen Dionysien, jährlich in den Monaten Gamelion (Januar/Februar) bzw. Elaphebolion (März/April) abgehalten. Die dramatischen Spiele, welche in deren Rahmen zur Aufführung kamen, fanden im Dionysos-Theater statt, das bekanntlich ein Freilufttheater war. Es ist davon wohl auszugehen, dass die Zuschauer dann während der Aufführungen auch der en…
Fake News in Ancient Greece
Scholars have recognized that fake news is not a phenomenon peculiar to the 21st century. While efforts for a more focused approach to fake news in the ancient world have been carried out in the field of Roman history, the phenomenon of fake news in ancient Greece has received limited attention. The contributions in this volume offer a selective approach to this phenomenon by applying media and cultural studies instruments to ancient texts. They …
Scanning Homeric Hexameters in Late Constantinople
This article explores the treatment of ‘common syllables’ in Maximus Planudes’ Dialogue on Grammar within the broader tradition of ancient and Byzantine grammatical scholarship. It contrasts Planudes’ approach with that of earlier figures, like (Ps.‐)Dionysius Thrax, Heliodorus, Hephaestion and Aristides Quintilianus, highlighting his distinctive focus on simplifying this concept for educational purposes. The study also traces Planudes’ influence…
Art (2 works) · Art history (2 works) · History (2 works) · Humanities (2 works) · Ancient history (1 work) · Ancient Mediterranean Archaeology and History (1 work) · Archaeology (1 work) · Audience measurement (1 work) · Byzantine Studies and History (1 work) · Classical Antiquity Studies (1 work)