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Magdalena Öhrman

Biographic Data

ID5717720
NAMEMagdalena Öhrman
GIVEN NAMESMagdalena
FAMILY NAMEÖhrman
SIGNATUREÖHRMAN M
AFFILIATIONSUniversity of Wales Trinity Saint David
ORCID0000-0003-0865-4546
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Ancient Textile Production from an Interdisciplinary Perspective

    Open Access•Agata Ulanowska, Karina Grömer et al.•EDITOR•BOOK•Ancient Textile Production from…•2022

  • A Warped Version

    Open Access•Magdalena Öhrman•ARTICLE•Humanitas•2018

    Potamius of Lisbon’s highly metaphorical explication of the indissoluble nature of the Trinity in the 4th C theological treatise Epistula de Substantia combines technical knowledge of textile crafts with stylistic manipulation of Latin intertexts and terminology in a metaphor for the unity of the Trinity. This paper explores several passages in De Substantia densely packed with textile terminology and deemed obscure in earlier Potamian criticism,…

  • Textile Work in Shared Domestic Spaces in the Roman House

    Open Access•Magdalena Öhrman•ARTICLE•Fasciculi Archaeologiae Historicae•2018•Cited by: 1

    This paper examines the engagement with the materiality of textiles and textile crafts in Roman poetry. Through close readings of Ausonius’ Epigrams and Silius Italicus’ epic on the Punic war, informed by archaeological evidence and reconstructions of ancient weaving, the paper demonstrates that male Roman authors display significant knowledge of the practicalities of contemporary textile work and its range of sensory experiences. The paper expla…

  • Looms

    Open Access•Magdalena Öhrman•CHAPTER•The Encyclopedia of Ancient History•2017

    In weaving, the loom keeps the thread system stretched, allowing the combination of warp and weft threads. Ancient looms range from flexible devices (e.g., ground looms) to fixed frames (warp‐weighted loom; two‐beam loom). The development of loom types depends on availability of raw materials for textile production, desired features of woven textiles, craft, and cultural tradition.

  • Adding an Audience

    Open Access•Magdalena Öhrman•ARTICLE•Bulletin of the Institute of…•2013

    This paper considers once more Mart. 11.104 and its use of mythological examples in 11.104.13–16. The paper focuses particularly on the significance of the audience of a group of slaves, an embellishment of the mythological examples peculiar to Martial, and uses this addition as a stepping‐stone for a metapoetic reading. Through the reconfiguration of the mythological examples themselves and through the addition of an audience, Martial not only d…

  • Textile Work in Shared Domestic Spaces in the Roman House

    Open Access•Magdalena Öhrman•ARTICLE•Fasciculi Archaeologiae Historicae•2018•Cited by: 1

    This paper examines the engagement with the materiality of textiles and textile crafts in Roman poetry. Through close readings of Ausonius’ Epigrams and Silius Italicus’ epic on the Punic war, informed by archaeological evidence and reconstructions of ancient weaving, the paper demonstrates that male Roman authors display significant knowledge of the practicalities of contemporary textile work and its range of sensory experiences. The paper expla…

  • Adding an Audience

    Open Access•Magdalena Öhrman•ARTICLE•Bulletin of the Institute of…•2013

    This paper considers once more Mart. 11.104 and its use of mythological examples in 11.104.13–16. The paper focuses particularly on the significance of the audience of a group of slaves, an embellishment of the mythological examples peculiar to Martial, and uses this addition as a stepping‐stone for a metapoetic reading. Through the reconfiguration of the mythological examples themselves and through the addition of an audience, Martial not only d…

  • Looms

    Open Access•Magdalena Öhrman•CHAPTER•The Encyclopedia of Ancient History•2017

    In weaving, the loom keeps the thread system stretched, allowing the combination of warp and weft threads. Ancient looms range from flexible devices (e.g., ground looms) to fixed frames (warp‐weighted loom; two‐beam loom). The development of loom types depends on availability of raw materials for textile production, desired features of woven textiles, craft, and cultural tradition.

  • A Warped Version

    Open Access•Magdalena Öhrman•ARTICLE•Humanitas•2018

    Potamius of Lisbon’s highly metaphorical explication of the indissoluble nature of the Trinity in the 4th C theological treatise Epistula de Substantia combines technical knowledge of textile crafts with stylistic manipulation of Latin intertexts and terminology in a metaphor for the unity of the Trinity. This paper explores several passages in De Substantia densely packed with textile terminology and deemed obscure in earlier Potamian criticism,…

  • Textile Work in Shared Domestic Spaces in the Roman House

    Open Access•Magdalena Öhrman•ARTICLE•Fasciculi Archaeologiae Historicae•2018•Cited by: 1

    This paper examines the engagement with the materiality of textiles and textile crafts in Roman poetry. Through close readings of Ausonius’ Epigrams and Silius Italicus’ epic on the Punic war, informed by archaeological evidence and reconstructions of ancient weaving, the paper demonstrates that male Roman authors display significant knowledge of the practicalities of contemporary textile work and its range of sensory experiences. The paper expla…

  • Ancient Textile Production from an Interdisciplinary Perspective

    Open Access•Agata Ulanowska, Karina Grömer et al.•EDITOR•BOOK•Ancient Textile Production from…•2022

Art (5 works) · Visual arts (5 works) · Engineering (4 works) · Classical Antiquity Studies (3 works) · History (3 works) · Philosophy (3 works) · Philosophy (3 works) · Textile (3 works) · Weaving (3 works) · Ancient Mediterranean Archaeology and History (2 works)

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