Ryan W Strickler
Biographic Data
| ID | 5717808 |
|---|---|
| NAME | Ryan W Strickler |
| GIVEN NAMES | Ryan W |
| FAMILY NAME | Strickler |
| SIGNATURE | STRICKLER R W |
| AFFILIATIONS | University of Newcastle Australia |
| ORCID | 0000-0003-3392-9548 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Early Byzantine Apocalyptic Discourses
Images of Power in Portraits, Texts and Context
How do ancient (or contemporary) portraits display power? Why is that man (or less often woman) a ruler, and how can viewers (or readers), alone or in a crowd, tell that he represents something more than himself? He stands for something, literally in the case of ancient bronze or marble portrait statuary, signifier of a powerful office, and its individual holder, a basileus (‘king’) or an emperor. His power over me and mine is expressed in physic…
Rule by Violence, Rule by Law
Although restricting formal voting rights—voter suppression—is not uncommon in democracies, its incidence and form vary widely. Intuitively, when competing elites believe that the benefits of reducing voting by opponents outweigh the costs of voter suppression, it is more likely to occur. Internal political and state capacity and external actors, however, influence the form that voter suppression takes. When elites competing for office lack the a…
No prominent works on this page.
Rule by Violence, Rule by Law
Although restricting formal voting rights—voter suppression—is not uncommon in democracies, its incidence and form vary widely. Intuitively, when competing elites believe that the benefits of reducing voting by opponents outweigh the costs of voter suppression, it is more likely to occur. Internal political and state capacity and external actors, however, influence the form that voter suppression takes. When elites competing for office lack the a…
Images of Power in Portraits, Texts and Context
How do ancient (or contemporary) portraits display power? Why is that man (or less often woman) a ruler, and how can viewers (or readers), alone or in a crowd, tell that he represents something more than himself? He stands for something, literally in the case of ancient bronze or marble portrait statuary, signifier of a powerful office, and its individual holder, a basileus (‘king’) or an emperor. His power over me and mine is expressed in physic…
Early Byzantine Apocalyptic Discourses
Ancient history (2 works) · Art (2 works) · Byzantine Studies and History (2 works) · Context (archaeology) (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Politics (2 works) · Archaeology (1 work)