Anja Müller-Wood
Biographic Data
| ID | 5717997 |
|---|---|
| NAME | Anja Müller-Wood |
| GIVEN NAMES | Anja |
| FAMILY NAME | Müller-Wood |
| SIGNATURE | MÜLLER-WOOD A |
| AFFILIATIONS | Johannes Gutenberg University Mainz |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Putting Strangeness in Perspective
I consider ‘strangeness’ as a performative phenomenon directly related to the experimental multiperspectivity of the early Stuart stage. As such, it is not a quality ascribed to individual characters, but the norm ruling interactions between them: all characters are strangers to each other. This constellation drives theatrical agon and suspense, turning spectators into privileged witnesses to an all-encompassing strangeness of which characters ar…
Toolan, Michael. 2016. Making Sense of Narrative Text
Preview this article: Toolan, Michael. 2016. Making Sense of Narrative Text: Situation, Repetition, and Picturing in the Reading of Short Stories, Page 1 of 1 /docserver/preview/fulltext/ld.7.3.07mul-1.gif
Putting Strangeness in Perspective
I consider ‘strangeness’ as a performative phenomenon directly related to the experimental multiperspectivity of the early Stuart stage. As such, it is not a quality ascribed to individual characters, but the norm ruling interactions between them: all characters are strangers to each other. This constellation drives theatrical agon and suspense, turning spectators into privileged witnesses to an all-encompassing strangeness of which characters ar…
Toolan, Michael. 2016. Making Sense of Narrative Text
Preview this article: Toolan, Michael. 2016. Making Sense of Narrative Text: Situation, Repetition, and Picturing in the Reading of Short Stories, Page 1 of 1 /docserver/preview/fulltext/ld.7.3.07mul-1.gif
Putting Strangeness in Perspective
I consider ‘strangeness’ as a performative phenomenon directly related to the experimental multiperspectivity of the early Stuart stage. As such, it is not a quality ascribed to individual characters, but the norm ruling interactions between them: all characters are strangers to each other. This constellation drives theatrical agon and suspense, turning spectators into privileged witnesses to an all-encompassing strangeness of which characters ar…
Art (2 works) · Literature (2 works) · Philosophy (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Computer Science (1 work) · Digital Storytelling and Education (1 work) · Epistemology (1 work) · Language, Metaphor, and Cognition (1 work) · Linguistics (1 work)