Georgia Aristodemou
Biographic Data
| ID | 5718262 |
|---|---|
| NAME | Georgia Aristodemou |
| GIVEN NAMES | Georgia |
| FAMILY NAME | Aristodemou |
| SIGNATURE | ARISTODEMOU G |
| AFFILIATIONS | International Hellenic University |
| ORCID | 0000-0001-9523-902X |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Eros Figures in the Iconography of Death
This paper discusses the intense presence of Eros figures in funerary monuments from the region of Macedonia during the roman period, evolving around the perception of death, the familial bonds and social structure that these monuments reveal. Eros, depicted either leaning on or holding an inverted torch, or sleeping on a rock, when placed upon graves is perceived as Eros funéraire. The funerary connotations of Eros figures often assimilate them …
Theatre Façades and Façade Nymphaea. The Link between
This article examines the resemblance between theatre façades and the façades of monumental nymphaea and is mainly concerned with the “ façade nymphaea” in direct comparison with the scaenae frons of a Roman theatre. The research presented here is based on four parameters : (a) the similarities of form and structure between both kinds of monuments (e. g., the common use of specific architectural features) ; (b) the function and the use of these p…
Theatre Façades and Façade Nymphaea. The Link between
This article examines the resemblance between theatre façades and the façades of monumental nymphaea and is mainly concerned with the “ façade nymphaea” in direct comparison with the scaenae frons of a Roman theatre. The research presented here is based on four parameters : (a) the similarities of form and structure between both kinds of monuments (e. g., the common use of specific architectural features) ; (b) the function and the use of these p…
Theatre Façades and Façade Nymphaea. The Link between
This article examines the resemblance between theatre façades and the façades of monumental nymphaea and is mainly concerned with the “ façade nymphaea” in direct comparison with the scaenae frons of a Roman theatre. The research presented here is based on four parameters : (a) the similarities of form and structure between both kinds of monuments (e. g., the common use of specific architectural features) ; (b) the function and the use of these p…
Eros Figures in the Iconography of Death
This paper discusses the intense presence of Eros figures in funerary monuments from the region of Macedonia during the roman period, evolving around the perception of death, the familial bonds and social structure that these monuments reveal. Eros, depicted either leaning on or holding an inverted torch, or sleeping on a rock, when placed upon graves is perceived as Eros funéraire. The funerary connotations of Eros figures often assimilate them …
Ancient Mediterranean Archaeology and History (2 works) · Art (2 works) · Art history (2 works) · Classical Antiquity Studies (2 works) · Iconography (2 works) · Politics (2 works) · Aesthetics (1 works) · Afterlife (1 works) · Ancient history (1 works) · Beauty (1 works)